<div class="small-12 medium-8 cell" data-mce-fragment="1"><p data-mce-fragment="1">Zorzi da Castelfranco, known as Giorgione: an artist whose documented works are only four – and only one has come down to us – mentioned in archival documents that can be counted on the fingers of one hand and of which each reconstruction is entirely hypothetical. Yet, after a career span of just over ten years, Giorgione has achieved a fame remaining unchanged over the centuries. Starting from Giovanni Bellini’s lessons in spirituality and harmony between man and nature, and from the use of colour by Giovan Battista Cima da Conegliano, the master of Castelfranco offers a highly peculiar synthesis of harmonious lyricism, immersing bodies and landscape into a soft and dense light. It is the tonal painting that, set by Cima and Bellini, with Giorgione turns into the language of initiation of the formidable brood becoming the protagonist of the great Venetian Cinquecento, the season of Palma il Vecchio, Sebastiano del Piombo and Titian.</p></div> Milan, 2022 SilvanaEditoriale 256 p., illustrations couleur, cartonnage éditeur sous jaquette. Texte anglais. 24,5 x 33
Reference : 26896
ISBN : 9788836648771
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, Brepols, 2008 Paperback VIII+211 p., 100 b/w ill. + 23 colour ill., 210 x 297 mm, Languages: English, Italian, German. ISBN 9782503518091.
Vorwort Sylvia Ferino-Pagden, Einleitung; Charles Hope, Giorgione in Vasari?s Vite.; Salvatore Settis, Esercizi di stile: una Vecchia e un Bambino.; Paul Holberton, Giorgione?s sfumato.; Alessandro Nova, Giorgione e Tiziano al Fondaco dei Tedeschi.; Augusto Gentili, A proposito di Giorgione: aspirazioni, esiti e miti dell?iconologia.; Mauro Lucco, Uscito dalla scuola del Bellino. Qualche nota tecnica sugli inizi di Giorgione.; David Alan Brown, Giorgione's Man in Armor.; Jaynie Anderson,The Giorgionesque Portrait II: Representation of Homosociality, or the Representation of Friendship, in Renaissance Venice.; Bernard Aikema, Giorgione and the Seicento or How a Star was Born
[Giorgio Barbarelli da Castelfranco called Giorgione] - Pozzolo, Enrico dal
Reference : 092015
(2009)
ISBN : 9788864130019
Pozzolo, Enrico dal: Giorgione. 2009. 384pp with 200 colour and 60 monochrome illustrations. Cloth in a slipcase. 33x28cms. Published for the forthcoming 500th anniversary of Giorgione's death in 1510 this monograph highlights what is known about the artist, in the light of so much that remains mysterious. To this day no attributable signature exists nor any autograph writings in his archive despite his, now well-known and universally admired, oeuvre.
Published for the forthcoming 500th anniversary of Giorgione's death in 1510 this monograph highlights what is known about the artist, in the light of so much that remains mysterious. To this day no attributable signature exists nor any autograph writings in his archive despite his, now well-known and universally admired, oeuvre. Text in English
[Giorgio Barbarelli da Castelfranco called Giorgione] - Dal Pozzolo, Enrico Maria
Reference : 092661
(2009)
ISBN : 9788857204840
Dal Pozzolo, Enrico Maria: Giorgione. Exhibition: Castelfranco Veneto, Museo Casa Giorgione, 2009. 526 pages, fully illustrated in colour. Paperback. 28 x 25cms. Catalogue of 127 works in the exhibition, all illustrated and discussed in detail. Text in Italian.
Catalogue of 127 works in the exhibition, all illustrated and discussed in detail. Text in Italian
[Giorgio Barbarelli da Castelfranco called Giorgione] - Galansino, Arturo; Facchinetti, Simone
Reference : 109452
(2016)
ISBN : 9781910350263
Galansino, Arturo; Facchinetti, Simone: In the Age of Giorgione. Exhibition: London, Royal Academy, 2016. 165 pages. Fully illustrated. Paperback. 24x27cms.
Text in English
[Giorgio Barbarelli da Castelfranco called Giorgione] - Anderson, Jaynie
Reference : 057213
(1996)
ISBN : 2909752119
Anderson, Jaynie: Giorgione. Peintre de la 'Brièveté Poétique'. Paris: Lagune, 1996. 392 pages with 1 monochrome and 45 colour plates, 257 colour and monochrome illustrations. Hardback. 33 x 24.5cms. Both monograph and catalogue raisonné, this work is based on detailed analysis of archive material and unpublished inventories and features new interpretations of the paintings. Chapters supporting the catalogue raisonné cover such topics as myths and the truth about the scientific analysis of the paintings, and the representation of women. With notes, documents and sources, bibliography, index. Text in French.
Both monograph and catalogue raisonné, this work is based on detailed analysis of archive material and unpublished inventories and features new interpretations of the paintings. Chapters supporting the catalogue raisonné cover such topics as myths and the truth about the scientific analysis of the paintings, and the representation of women. With notes, documents and sources, bibliography, index. Text in French