‎BELLOSI Luciano.‎
‎Cimabue.‎

‎Cimabue and the Franciscans ‎

‎, Brepols - Harvey Miller, 2018 Hardcover with dusjacket, IV+287 pages ., 4 b/w ill. + 192 colour ill., 225 x 300 mm, Languages: English. ISBN 9781912554010.‎

‎Cimabue and the Franciscans sheds new light on the legendary artist Cimabue, revealing his sophisticated engagement with complicated intellectual and theological ideas about materials, memory, beauty, and experience. This book offers a fresh look at the broader question of artistic change in the late thirteenth century by examining the intersection of two histories: that of the artist Cimabue (ca. 1240-1302), and that of the Franciscan Order. While focused on the work of a single artist, this study sheds new light on the religious motives and artistic means that fueled the period?s visual and spiritual transformations. Flora?s study reveals that Cimabue was not just a crucial figure in processes of stylistic change. He and his Franciscan patrons engaged with complicated intellectual and theological ideas about materials, memory, beauty, and experience, creating innovative works of art that celebrated the Order and enabled new modes of Christian devotion. Cimabue?s contributions to the history of art thus can finally be recognized for their wide-ranging scope and impact within the rapidly-evolving religious culture of the late thirteenth century. Holly Flora is Associate Professor of Art History at Tulane University. A specialist in Italian art of the thirteenth and fourteenth centuries, she is the author of The Devout Belief of the Imagination: the Paris Meditationes Vitae Christi and Female Franciscan Spirituality in Trecento Italy (Brepols, 2009), as well as articles in Art History, Gesta, and Studies in Iconography. She is a recent recipient of the Rome Prize (2010-11) and a fellowship at Villa I Tatti (2015-16).‎

‎Cimabue.‎

‎Milan/Arles, Motta/Actes sud, 1998, fort in-4 carré, toile éd., jaquette et étui ill., 304 pp., nombr. ill. in-t. en noir et en couleurs, bibliographie, index. (S4B87d*) ‎

‎Apparat critique de Giovanna Ragionieri. En annexe, catalogue des oeuvres de Cimabue et de celles qui lui ont été faussement attribuées. ‎

‎Cimabue a Pisa. La Pittura Pisana del Duecento da Giunta a Giotto‎

‎Burresi, Mariagiulia and Antonino Caleca: Cimabue a Pisa. La Pittura Pisana del Duecento da Giunta a Giotto. Exhibition: Pisa, Museo Nazionale di San Matteo, 2005. 311pp with 30 colour plates, 196 colour and 76 monochrome illustrations. Wrappers. 28x23cms. Brings together some 100 master works from museums around the world which display the wealth of art being produced around Pisa from the 12th to 14th century. With essays explaining the reason for this richness in art, the urban aesthetics, the religious institutions and the culture of the time which enabled the production of these religious works. Text in Italian.‎

‎Brings together some 100 master works from museums around the world which display the wealth of art being produced around Pisa from the 12th to 14th century. With essays explaining the reason for this richness in art, the urban aesthetics, the religious institutions and the culture of the time which enabled the production of these religious works. Text in Italian‎

‎Notizie de' Professori del disegno da Cimabue in qua per le quali si dimostra come, e per chi le bell'arti di Pittura, Scultura, e Architettura.. . . . si sianoin questi secoli ridotte all'antica loro perfezione. Opera distinta in secoli, e decennali. Edizione accresciuta di Annotazioni di Dom. Maria Manni.‎

‎Baldinucci, Filippo: Notizie de' Professori del disegno da Cimabue in qua per le quali si dimostra come, e per chi le bell'arti di Pittura, Scultura, e Architettura. . si sianoin questi secoli ridotte all'antica loro perfezione. Opera distinta in secoli, e decennali. Edizione accresciuta di Annotazioni di Dom. Maria Manni. Florence: G.B. Stecchi e A.G. Pagani, 1767-74, 21 volumes bound in 10. In small quarto with large margins some 3000 pages; bound with 'Indice del nome, cognome, patria, anni della nascita e morte dei pittori, e scultori, descritti nelle Notizie dei professori del disegno da Cimbue in qua . Edizione accresciuta di annotazioni del sig. Domenico Maria Manni'. Firenze, Pietro Allegrini, 1813. 63pp. The whole 22 volumes bound in 10, in an attractive half vellum with gilt spines and red calf labels and matching marbled boards all circa 1820.This copy from the library of G. F. Hill with his bookplate in each volume and signature on first fly leaf.‎

‎Cimabue, le Crucifix de Santa Croce.‎

‎[Milan], Olivetti, In-4 carré, br., couv. ill., 138 pp., illustrations en noir et en couleurs. (SS207*) ‎

‎Catalogue de l'exposition au musée du Louvre, Grande Galerie, 1982/1983. ‎