<p>Monographie sur le peintre florentin.</p> Arles, 2006 Actes sud 304 p., cartonnage éditeur sous emboïtage. 30 x 35
Reference : 23372
ISBN : 9782742719259
Neuf
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, Brepols - Harvey Miller, 2018 Hardcover with dust jacket, IV+287 pages ., 4 b/w ill. + 192 colour ill., 225 x 300 mm, Language: English. ISBN 9781912554010.
Cimabue and the Franciscans sheds new light on the legendary artist Cimabue, revealing his sophisticated engagement with complicated intellectual and theological ideas about materials, memory, beauty, and experience. This book offers a fresh look at the broader question of artistic change in the late thirteenth century by examining the intersection of two histories: that of the artist Cimabue (ca. 1240-1302), and that of the Franciscan Order. While focused on the work of a single artist, this study sheds new light on the religious motives and artistic means that fueled the period?s visual and spiritual transformations. Flora?s study reveals that Cimabue was not just a crucial figure in processes of stylistic change. He and his Franciscan patrons engaged with complicated intellectual and theological ideas about materials, memory, beauty, and experience, creating innovative works of art that celebrated the Order and enabled new modes of Christian devotion. Cimabue?s contributions to the history of art thus can finally be recognized for their wide-ranging scope and impact within the rapidly-evolving religious culture of the late thirteenth century. Holly Flora is Associate Professor of Art History at Tulane University. A specialist in Italian art of the thirteenth and fourteenth centuries, she is the author of The Devout Belief of the Imagination: the Paris Meditationes Vitae Christi and Female Franciscan Spirituality in Trecento Italy (Brepols, 2009), as well as articles in Art History, Gesta, and Studies in Iconography. She is a recent recipient of the Rome Prize (2010-11) and a fellowship at Villa I Tatti (2015-16).
Milan/Arles, Motta/Actes sud, 1998, fort in-4 carré, toile éd., jaquette et étui ill., 304 pp., nombr. ill. in-t. en noir et en couleurs, bibliographie, index. (S4B87d*)
Apparat critique de Giovanna Ragionieri. En annexe, catalogue des oeuvres de Cimabue et de celles qui lui ont été faussement attribuées.
[Milan], Olivetti, In-4 carré, br., couv. ill., 138 pp., illustrations en noir et en couleurs. (SS207*)
Catalogue de l'exposition au musée du Louvre, Grande Galerie, 1982/1983.
S.l., Olivetti, 1982. in-4 carre, 138 pp., photos couleurs et noir et blanc, broche, couverture illustree plastifiee.
Tres bel exemplaire. [PLG-3] Catalogue de l'exposition du Musée du Louvre, Grande Galerie : " Cimabue, le Crucifix de Santa Croce ". (7 décembre 1982-17 janvier 1983).