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‎Stravinsky‎

‎DIAPASON N° 254 - Stavinsky, pourquoi un festival Stravinsky ? par Jacqueline Muller, Les langages de Stravinsky par Marcel Marnat, La bataille du Sacre par Richard Buckle, Stravinsky et les autres par Patrick Szersnovicz, Mes rencontres avec Stravinsky‎

‎DIAPASON. OCTOBRE 1980. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 150 pages. Nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 780-Musique‎

‎Sommaire : Stavinsky, pourquoi un festival Stravinsky ? par Jacqueline Muller, Les langages de Stravinsky par Marcel Marnat, La bataille du Sacre par Richard Buckle, Stravinsky et les autres par Patrick Szersnovicz, Mes rencontres avec Stravinsky par Boris Kochno, Stravinsky a Venise par Jean Claude Biette Classification Dewey : 780-Musique‎

‎Stravinsky and the Musical Body. Creative Process and Meaning‎

‎, Brepols, 2022 Hardback, xiii + 398 pages, Size:210 x 270 mm, Language: English. ISBN 9782503597782.‎

‎Summary The idea that the body plays an essential role in music has stimulated a wide range of new approaches in recent musicology. This book tries to apply them to the music of Igor Stravinsky from the perspective of the creative process and the construction of meaning. Most of the works examined are compositions for theatre and dance, and the analyses address many other features of the spectacle, such as choreography, scenography, stage, and television direction. That said, many compositions not intended for the stage are also considered from the perspective of the 'embodied' creative process and their implicit bodily expressiveness. Each chapter focuses on a number of Stravinsky's most famous and significant works, from the Firebird to the late serial compositions. A special place is reserved for the latter, which undoubtedly constitute the least well-known part of Stravinsky's output. The chapters are accompanied by a large number of analyses that invite readers to go 'beyond' the musical text while still relying on it, allowing them to understand how the strong physicality clearly perceived in Stravinsky's music can be associated with some of its formal and structural characteristics. In so doing, the book encourages the reader to overcome overly rigid dichotomies such as formalist/contextualist, or historical/ analytical. TABLE OF CONTENTS Acknowledgements Notes on Musical Examples, Abbreviations and Conventions Chapter One In Search of the Musical Body Part I: Body, Voice, and Music in Stravinsky's Theatre Premise: Stravinsky's Bodily Topics The Emergence of an Anti-Realistic Vision of the Body Against Logos Part II,: Analytic Issues Music Analysis, Meaning, and Embodiment: The Problem of 'Formalist' Analysis Music Gestures as Energetic Continuities An Example: Variations for Orchestra Source for the Choreo-Musical Analysis: Some Issues The Firebird between Tradition and 'Reconstruction' A Collaboration Reconsidered Chapter Two Representing the Body in The Firebird A Collaborative Project Excursus: Composing Music in the 'Old' Ballet Composing Music for a 'New' Ballet A 'New' Collaborative Method Words, Gestures, Movements Movements, Actions, Processions 'Improvising' Ballet Music 'Improvising' with Leitmotifs Opposite Characters, Opposite Bodies Conclusion: After The Firebird Chapter Three Il ne faut pas m priser les doigts : Composing with Hands, Composing with Intervals Part I: Composing with Hands Thee 'Musical Idea' and the 'Composer's Mind' The Body and the Hands: A Theoretical Framework From Keyboard to Paper: Improvisation and Composition Piano vs Orchestra? Ways of the Hand, Keys, Steps Symmetries over the Keyboard: From Rimsky-Korsakov to Stravinsky A 'Danse' of the Hands Part II: Composing with Intervals 'Change of Life' What Is a Motif ? From Steps to Rows From Motifs to Rows From Rows to Motifs Movements? over the Keyboard Conclusion: Theory and Practice Chapter Four Supernatural Beings, Human Bodies: The Flood as an Anti-Realistic Television Opera Intellectuals and Mass Culture A Collective Work Between Theatre and Television: The Problem of 'Realism Different Styles, Different Bodies From Heaven to Earth Bibliography Index of Names‎

‎Igor Stravinsky.‎

‎ Leningrad. Éditions Triton, 1927. Plaquette in-12 agrafée. Coll. " Compositeurs contemporains ". Texte en russe. Portrait de Stravinsky en frontispice. Étonnante publication consacrée à ce musicien d'avant garde qui n'a probablement jamais déclaré sa flamme pour la révolution d'Octobre. Rappelons que Stravinsky à quitté la Russie en 1914, il ne reviendra qu'une seule fois en 1962. E.O.‎

‎Avec Stravinsky. Entretiens avec Robert Craft.‎

‎Monaco, Éd. du Rocher, 1958, in-4, br., jaquette éd., 215 pp., 14 photos et un dessin d'Alberto Giacometti. (L.24) ‎

‎Textes d'Igor Stravinsky, Robert Craft, Pierre Boulez et Karlheinz Stockhausen. Lettes inédites de Claude Debussy, Maurice Ravel, Erik Satie et Dylan Thomas. Jaquette défraîchie. ‎

‎IGOR STRAVINSKY. La carrière européenne. Exposition Paris, musée d'Art moderne de la Ville de Paris, 14 octobre - 30 novembre 1980.‎

‎ 1980 Paris, Festival d'Automne, 1980. Catalogue d'exposition contenant de nombreuses illustrations dont 6 en couleurs pleine page. Petit in-4, 21 x 27 cm., 119 pp., 357 notices. Chronologie in fine. Couverture illustrée d'un portrait de Stravinsky par Picasso. Couverture un peu usagée, sans manque. Intérieur en très bon état, sans annotations ni soulignements. ‎