‎Yapp Nick‎
‎1950s‎

‎Walter G.G. Tin Dream Machines. German Tin Toy Car and Motorcycles of the 1950s ‎

‎Walter G.G. Tin Dream Machines. German Tin Toy Car and Motorcycles of the 1950s and 1960s. In English (ask us if in doubt)/Walter G.G. Tin Dream Machines. German Tin Toy Car and Motorcycles of the 1950s and 1960s. New Cavendish Books 1996 200 c More than 600 colour photographs. In English - a guide to metal toys with prices. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb582fa7bf9839bbd3‎

‎Ricky Jay Jim Steinmeyer Mike Caveney. Magic 140s-1950s.TASCHEN XXL. In Engli‎

‎Ricky Jay Jim Steinmeyer Mike Caveney. Magic 140s-1950s.TASCHEN XXL. In English (ask us if in doubt)/Ricky Jay Jim Steinmeyer Mike Caveney. Magic 1400s-1950s.TASCHEN XXL. Famous First Edition: Elephant Folio. (1st edition.) Cologne. TASCHEN 2009. 650s. Huge format. 450x300x70 mm. SKUalbac7db200954bc2dd.‎

‎DUNBAR. FINE FURNITURE OF THE 1950s,‎

‎, Atglen, Schiffer Publishing, 2000, Bound, illustrated cardboard, decorated inner platters, 225 x 310mm., 212pp., 356 b/w & color photos. ISBN 9780764310539.‎

‎Critical in the evolution of 20th-century design, Dunbar was a leader in modern furniture design and its production during the 1950s. This reproduction of the 1956 Dunbar catalog reflects the impact Dunbar designs, under the fine workmanship of Edward Wormley--pioneer modernist and multi-faceted designer--had on the American interior. Combining elegance, warmth, and contemporary style with functionalism, comfort, and stability, each piece is a product of the advancements of technology teamed with the traditional craft of furniture making. An indispensable reference, this book is a historical landmark in the best in modern furniture design for mid-twentieth century America. Price guide included. Book as new.‎

‎Stalin I.V. Historical Ideology in the USSR in the 1920s-1950s: Correspondence w‎

‎Stalin I.V. Historical Ideology in the USSR in the 1920s-1950s: Correspondence with historians articles and notes on history transcripts of speeches. Collection of documents and materials. Part 1. 1920-1930 s. In Russian (ask us if in doubt)/Stalin I.V. Istoricheskaya ideologiya v SSSR v 1920-1950-e gody: Perepiska s istorikami stat'i i zametki po istorii stenogrammy vystupleniy. Sbornik dokumentov i materialov. Chast' 1. 1920-1930-e gody.. Short description: In Russian (ask us if in doubt).Zelenov M.V. St. Petersburg Science-Peter 2006. 496 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb17e64e657ac594d1‎

‎Italian Film Music, 1950s-1970s. Between Tradition, Innovation, and Internationalisation‎

‎, Brepols, 2023 Hardback, 454 pages, Size:210 x 270 mm, Illustrations:32 b/w, 48 musical examples, Language(s):English, Italian. ISBN 9782503608464.‎

‎Summary The music heard in Italian cinema along the arch of the three decades highlighted in this book, has not only made history but has become an unspoken of patrimony of humanity. This book provides a platform to build a lasting tribute to those composers who were, indeed, the ?sounding? protagonists of hundreds of films - from Fellini's La dolce vita to Tornatore's Cinema Paradiso to a myriad of cultural documentaries and productions made for cinema and television. The book is divided into three parts comprising essays on the music of Nino Rota, lesser-known composers yet important on the national circuit like Carpi, Gervasio, Vlad, and Chailly, and four essays dedicated to the towering figure of Ennio Morricone whose legacy will continue to hover over Italian cinema of the 50s-70s for many decades to come. An introductory essay, 17 chapters annotated and provided with musical examples, tables, and iconographic material written by internationally known academics specialised in Italian film music; bibliographies and abstracts following each essay; biographies of the contributing authors; and an index organized by names and subjects, make this volume an indispensable research tool free of geopolitical barriers and ideological constrains in the bourgeoning field of Film Music. TABLE OF CONTENTS Franco Sciannameo Preface Part One: One the Road with Nino Rota Giada Viviani Un viaggio audiovisivo lungo il Po. Mario Soldati e Nino Rota agli esordi della televisione Francesco Finocchiaro We Were the Leopards : Strategies of Adaptation from Tomasi di Lampedusa to Visconti & Rota Anna Igielska Visconti's Integration of Opera Excerpts: Towards a Comparative and International Perspective Pasquale Giaquinto 'Kremmerzian' Influence in Nino Rota's Music for the Cinema of Federico Fellini: 'Rosa Aurata' in Giulietta degli spiriti (1965) Franco Sciannameo Fellini's Melophobia, Rota and Prova d'orchestra Part Two: Homages, Considerations, New Horizons Franco Sciannameo L'Armata Brancaleone and the Musical that Never Was Antonio Ferrara La grottesca combinazione audiovisiva di un pastiche parodistico di danze: l'allestimento musicale di Sedotta e abbandonata Marida Rizzuti Film Music in the Concert Programs of the Orchestre Sinfoniche della RAI of Milan and Rome Oreste Palmiero Fiorenzo Carpi e il cinema (con un catalogo delle sue colonne sonore e un contributo biografico) Beatrice Birardi Comporre con spontaneit controllata : la musica per film secondo Raffaele Gervasio Anna Scalfaro Music for TV Dramas by Luciano Chailly Marco Cosci How Does the Italian Cultural Heritage Sound? The Case of Roman Vlad's Documentary Music Giacomo Albert Sound in Italian Experimental Cinema 1950s-1970s: Between Audiovisual Counterpoint, Deconstructions, Asynchronies, Remediations, and Collages Part Threee: Ennio Morricone beyond Absolute Music Hugh Maloney Film Music as Greek Chorus: Ennio Morricone and Il ritorno di Ringo Antonella Coppi - Stefano Cucci Unusual Linguistic and Syncretic Opposites in the Music of Ennio Morricone Alessandro Mastropietro Informal Film Music: Morricone, De Seta and Un uomo a met (1966) Maria Birbili Sam Fuller's and Ennio Morricone's White Dog: Auteur Cinema Meets the Civil Rights Movement Abstracts and Biographies Index of Names‎