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HUGHES William
Performance
Eurédif (1971) - In-12 broché de 188 pages - Couverture en couleurs - Avec sa bande de parution - Très bon état
Reference : 8579
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Marché Noir - Librairie Ultime Razzia
Charlotte Dugrand
06 15 22 89 43
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5 book(s) with the same title
Optimal Muscle Performance and Recovery: Using the Revolutionary R4 System to Repair and Replenish Muscles for Peak Performance Revised and Expanded Second Edition
Avery 2026 304 pages 15x23x2cm. 2026. Broché. 304 pages.
Etat correct qq rousseurs dans les plats intérieurs couverture défraîchie
The Economic History of Eastern Europe 1919-1975: VOLUME I: Economic Structure and Performance Between the Two Wars + VOLUME II: Interwar policiy the war and reconstruction + VOLUME III: Instituional
Oxford Univ Pr 1986 576 pages 16 64x4 22x24 21cm. 1986. Cartonné jaquette. 3 volume(s). 576 pages. The Economic History of Eastern Europe 1919-1975: VOLUME I: Economic Structure and Performance Between the Two Wars + VOLUME II: Interwar policiy the war and reconstruction + VOLUME III: Instituional change within a planned economy --- (Economic History of Eastern Europe 1919-1975 Vol 1)
Bon état bonne tenue avec leur jaquette intérieurs propres ex-libris
Grojean (Pascal), Morel (Médéric) et Plouin (Guillaume) - Jean-Marc Berlioux, préface
Reference : Cyb-6828
(2007)
Performance des architectures IT - Disponibilité, temps de réponse, robustesse, montée en charge , Préface de Jean-Marc Berlioux (Service-Level Management - SLM)
Dunod , Management des Systèmes d'Information Malicorne sur Sarthe, 72, Pays de la Loire, France 2007 Book condition, Etat : Bon broché, sous couverture imprimée éditeur, blanche, noir et violet, illustré d'un paysage vert avec un ciel bleu grand In-8 1 vol. - 286 pages
nombreux schémas dans le texte en noir et blanc 1ere édition, 2007 Contents, Chapitres : Préface, Table, Avant-propos, xvii, Texte, 269 pages - 1. La nécessité d'un SI performant : Problématiques de performance des SI - Les fondamentaux de la performance - L'organisation de la performance - 2. Performance et architecture d'entreprise : Les enjeux architecturaux de la performance - Performance des services d'une SOA - Robustesse et performance d'un processus métier - Performance d'une solution métier - 3. Optimiser les instrastructures : Les réseaux - Le stockage - Le clustering - Les bases de données - Les serveurs d'application - 4. Les bonnes pratiques : Les techniques de programmation - Les tests de performances - La gestion de la production - La gestion de projet - Bibliographie et index bon exemplaire, frais et propre
Cahiers Danae n°1 printemps 1987 - Alice action/performance - Andersen Eric performance - Armleder John M. installation - Beauzee-Luyssen photographies - Bech Marianne, rédaction - Boucard Dominique photos - Brechet Véronique chorégraphie ...
Diffusion attitudes nouvelles art espace. 1987. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 97 pages - nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Sommaire : Alice action/performance - Andersen Eric performance - Armleder John M. installation - Beauzee-Luyssen photographies - Bech Marianne, rédaction - Boucard Dominique photos - Brechet Véronique chorégraphie - Camus Pilippe, mise en page, conception - Chopin Henri, poésie sonore, rédaction - Coridon Annie, chorégraphie - Corner Philip, musique/performance - Costopoulos Daphné, direction, traduction, rédaction - Delille Annie, secrétariat - Delille Gérard, interprétation - Diaz-Pietri Roberto, photographies - Dimitrijevic Braco, installation - Dreyfus Charles, installation, performance, conception, rédaction - Dumont Michel, entretien - Ferrer Esther, performance, rédaction - Flammier jean françois, photographies - Freitag Carol, chorégraphie - Giroud Michel, rédaction - Heidsieck Bernard, poésie sonore - Hermitte Anette, assistante de rédaction - Herre Henri, cinéma - Knowles Alison, performance/installation - Lecerlcq Jacques, installation - Lefèvre Jean Claude intervention etc. Classification Dewey : 70.49-Presse illustrée, magazines, revues
Body in Musical Performance Knowledge, Gesture, and Identity.
, Brepols - Harvey Miller, 2026 Hardback,Pages: xx + 276 p.,Size:210 x 270 mm, Illustrations:19 b/w, 5 tables b/w., 22 musical examples Language(s):English. ISBN 9782503621920.
Summary This volume offers a groundbreaking exploration of musical embodiment across time, geography, and genre, bringing together thirteen essays that reframe the performing body as a site of knowledge, creation, and critical reception. From early modern opera to nineteenth-century improvisation, from experimental multimedia theatre to contemporary performance analysis, the contributors reveal how gesture, physical technique, proprioception, and symbolic constructions of the body shape, and are shaped by, musical meaning. Uniting historically grounded inquiry with performance theory and cognitive approaches, the essays cluster around four main axes: the embodiment of musical meaning in the interaction between performer and listener; the body as cultural and ideological construct in gendered, stigmatised, and national identities; the transmission and reactivation of embodied knowledge in historical performance; and the creative body as agent in composition, pedagogy, and ritual. Drawing on sources as diverse as early wax-cylinder recordings, liturgical chant, zarzuela reviews, and postwar ballet-opera hybrids, the volume foregrounds embodiment as both material and epistemic. Rather than treating the body as an expressive vehicle alone, these essays demonstrate that musical works themselves ? whether composed, improvised, or remembered ? are shaped through the performer?s somatic intelligence and the listener?s imaginative co-presence. With contributions from leading scholars and practitioner-researchers, this collection sets a new standard for interdisciplinary studies of musical performance. It will be essential reading for musicologists, performers, theorists, and historians of the body seeking to understand how music happens in and through the body, across eras and expressive systems. TABLE OF CONTENTS Bodies, Meanings, and Musical Knowledge: An Introduction Marcello Mazzetti I. Embodiment and Musical Meaning: From Performer to Listener The Role of Embodiment in Forming Aesthetic Judgements of Musical Recordings Hamish Robb Embodying Puccini?s Manon Lescaut, Based on Lived-Experience Interviews with International Interpreters Sandra Oman Farren [?] any unnecessary movement was discouraged : Bodily Gesture and the Ideology of Artistic Autonomy in Early Twentieth-Century Pianists Lu s Bastos Machado Richard Strauss?s Lieder in ?Song-Ballets? Choreographed by Eliot Feld Wayne Heisler Jr. II. Embodied Identities: Gender, Stigma, Nationality The Stigma of Castration: Medicine, Sex and Women in the Life of the Singer Carlo Broschi Farinelli Daniel Mart n S ez Body, Music and the Stage: The Role of Corporality in the Shows at the Teatro Apolo in Madrid (1890?1913) Jonathan Mallada lvarez Boccherini and the ?Spanish Body?: Reflections on Popular Dance and National Identity Aur lia Pessarrodona III. Historical Embodiment: Transmission, Performance, Recording (Re)constructing Julius Block: Embodied Responses to Early Recordings Inja Stanovi? Embodiment and Disembodiment in Musical Sources of the 17th and 18th Centuries Berthold Over IV. Creating through the Body: Pedagogy, Improvisation, Dramaturgy The Art of Preluding: Body and Technique in Nineteenth-Century Piano Improvisation Roberto Cornacchioni Alegre Roman Vlad, Carla Fracci, and the Dancing Body Antonella Manca From the Body and to the Body: Performativity and Sensory Experience from Liturgical Rites to the Cantigas de Santa Maria Maria Incoronata Colantuono Abstracts and Biographies Index of Names
