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WALKER John
The National Gallery of Art
New-York.1967. Gd.in-4,avec jaquette illustrée à rabats en couleurs.696 p.Iconographie importante en noir et en couleurs.
Reference : 41410
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Librairie Ancienne Laurencier
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5 book(s) with the same title
Three Centuries of American Prints. From the National Gallery of Art.
, Thames & Hudson , 2016 Hardback, 29x24.5mm, 360p, 206 colour illustrations, English edition . ISBN 9780500239520.
Nearly 200 American prints, representing more than 100 artists, and dating from the colonial era to the present day, are brought together in this unprecedented volume from the National Gallery of Art to commemorate its collection and recent acquisitions. The artists featured range from Paul Revere through James McNeil Whistler, Mary Cassatt, Winslow Homer, Louise Nevelson, Romare Bearden, Andy Warhol, Robert Rauschenberg, Chuck Close, and Kara Walker. The works date from essentially every period in American history, so major art and historical themes running through the collection are readily visible. Lending context, twelve contributing authors discuss the varied themes in American art. Biographies of the artists and a glossary of printmaking terms are also featured. Since its founding in 1941, the National Gallery of Art has assiduously collected American prints with the help of many generous donors. The Gallery?s American print collection has grown from nearly 1,900 prints in 1950 to more than 22,500 prints today. The collection was recently transformed by the acquisition of an extraordinary group of 5,200 American prints brought together by Reba and Dave Williams.
The Prints of Roy Lichtenstein : Planche de six timbres, sans valeur faciale, reproduisant des oeuvres de Roy Lichtenstein, édité par The National Gallery of Art, Washington.
The National Gallery of Art, Washington 1994. Planche de six timbres, sans valeur faciale, au format 15 x 13 cm, reproduisant des oeuvres en couleurs, de Roy Lichtenstein, édité par le musée : The National Gallery of Art, Washington, pour l'exposition qi eut lieu du 30 octobre 1994 au 8 janvier 1995. Etat de neuf. Rare.
Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues
The washington post magazine - september 17, 2000 - points of departure, touring the 20th century at the national air and space museum- imitating nature at the national gallery of art, planet washington, 20071, postmodern, dining, the puzzle, ....
"The washington post. 2000. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur frais. 32 pages illustrées en couleur - dos fané - en anglais - inclus une coupure de presse de 2 pages "" the washington post, parade, everybody talks to liz smith"". . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon"
The washington post magazine - september 17, 2000 - points of departure, touring the 20th century at the national air and space museum- imitating nature at the national gallery of art, planet washington, 20071, postmodern, dining, the puzzle, significant others, wit's end, ... Classification Dewey : 420-Langue anglaise. Anglo-saxon
Make It New : Abstract Painting from the National Gallery of Art, 1950-1975
, Yale University Press 2014, 2014 Paperback, 132 pages, ENG, 330 x 225 mm, dustjacket, New, with illustrations in colour, . ISBN 9780300207903.
Featuring thirty-five outstanding abstract paintings made between 1950 and 1975 from the collection of the National Gallery of Art, Washington, this fascinating book casts a new glance at a renowned period in the history of art, including works by Lynda Benglis, Jasper Johns, Yayoi Kusama, Jackson Pollock, and Mark Rothko. A groundbreaking essay by Harry Cooper explores Pollock's preeminent role for these and other artists, analyzes artistic influence, and discusses what it means to be original. Focusing on Frank Stella, Helen Frankenthaler, Morris Louis, Robert Ryman, Cy Twombly, and Simon Hantai, and viewing their relationships to Pollock through the lens of Harold Bloom's seminal text The Anxiety of Influence, Cooper addresses the material, psychological, and thematic ties between Pollock's work and theirs and expands the circle of artists that we might consider his artistic heirs.
Renaissance Medals from the Samuel H. Kress Collection at the National Gallery of Art. Based on the Catalogue of the Renaissance Medals in the Gustave Dreyfus collection
Hill, G F Revised and enlarged by Pollard, Graham: Renaissance Medals from the Samuel H. Kress Collection at the National Gallery of Art. Based on the Catalogue of the Renaissance Medals in the Gustave Dreyfus collection. London: Phaidon, 1967. 310 pages, with 1209 monochrome illustrations. Cloth. 30.5 x 23cms. Based on the catalogue of Renaissance medals in the Dreyfus which was never published. Fully illustrated catalogue of 667 medals with some coins. Concordance with Armand. Arntzen P568.
Based on the catalogue of Renaissance medals in the Dreyfus which was never published. Fully illustrated catalogue of 667 medals with some coins. Concordance with Armand
