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GIEDION-WELCKER (Carola).
Reliefs.
Münster, Westfälisches Landesmuseum, 1980, in-4, br., 286 pp., 206 ill. en noir et en couleurs. (GA25A)
Reference : 1336248
Catalogue de l'exposition Reliefs, à Münster, 1980.Formproblem zwischen Malerei und Skulptur im 20. Jahrhundert. Carola Giedion-Welcker zum Gedachtnis.Texte en allemand.
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Librairie HURET
M. Jean-Etienne HURET
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75116 Paris
France
33 01 40 50 15 40
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5 book(s) with the same title
Domela peintures reliefs oeuvre gravé
Institut néerlandais, Paris et Van Reekum Museum, Apeldoorn, 1990. In-8 de format carré, cartonnage éditeur sous jaquette illustrée en couleur, 96 pp. Voorwoord/Avant-propos, Frits Bless et Annelies Meijer - Cesar Domela. Het ritme van de dingen/Le rythme des choses, Frits Bless - Noten/Note - Le beau est le souffle du sacré, Evert van Straaten - Schilderijen Reliëfs Sculpturen 1923-1990 Peintures Reliefs Sculptures. ...
Nombreuses illustrations en noir et en couleur in et hors-texte.Catalogue bilingue néerlandais/français. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Beschrijving van Barabudur. I: Archeologische Beschrijving. Reliefs- en Buddha-Beelden. II: Bouwkundige Beschrijving. Archaeologisch onderzoek in Nederlandsch-Indië: III.
Krom, N.J. and Theodor van Erp: Beschrijving van Barabudur. I: Archeologische Beschrijving. Reliefs- en Buddha-Beelden. II: Bouwkundige Beschrijving. Martinus Nijhoff, 1920-31. Series: Archaeologisch onderzoek in Nederlandsch-Indië: III. Two text volumes in folio, pp.viii, 791, 2 plates; xv, 486, 82, text figures and plans; three large folio plate volumes with 642 photographic plates, 41 engraved plates (1 double page), and 9 folding plans. Limitation: The first text volume and accompanying plate volumes numbered No.74 of 200; the second text volume and accompanying plate volume numbered No.85 of 200. Only 165 copies were for sale. A monumental archaeological and architectural study of Borobudur with 642 photographic illustrations of the reliefs, including those illustrating the life of the Buddha and scenes from the Jataka, the Ganawyuha, Maitreya, Bodhisattwa and Samantabhadra, and statues of Buddha, together with line drawings showing architectural details of the complex.During the great restoration of Barabudur, 1907-11, under the direction of the military engineer Theodor van Erp, a complete series of more than 2000 photographs of the monument were taken by Jean Jacques de Vink, 1883-1945 and a series of drawings were made by the Javanese artist, Mas Kartodisastro.These form the basis of this comprehensive monograph on the monument produced in two parts with publication spanned a period of twelve years. The first volume, Archaeological Description, by the Director of the Archaeological Survey of Indonesia, Nicolaas Johannes Krom, 1883-1945, consists of two volumes of text and two large portfolios of 440 plates depicting the complete series of reliefs and Buddha images.The second volume, Architectural Description (Bouwkundige Beschrijving) by Theodor van Erp has one volume of text (in Dutch, never translated)) and a large portfolio with 48 detailed ground plans, sections of terraces and elevations of galleries, and 202 photographic plates showing the monument before and after restoration, objects believed to have come from Barabudur, and free standing sculptures.The remarkable remains of Borobudur were re-discovered in 1814, by H.C. Cornelius, a Dutch engineer, who had been sent to investigate by Thomas Stamford Raffles, British Governor of Java. Cornelius with his 200 men cut down trees, burned down vegetation and dug away earth to reveal the long-hidden monument. He was unable to unearth all galleries for danger of collapse.The first attempt to record the splendour of the monument was in 1848 when F.C. Wilsen began four years work drawing copies of 988 reliefs. These were published by Leemans in 1873 in two large portfolios, but were considered to be neither artistic nor suitable for scientific study. A second attempt was begun in 1863 when von Kinsbergen was commissioned to photograph Borobudur, but he was unable to complete the task, partly due to the difficulty of setting up his camera sufficiently far from the reliefs in the confined space of the galleries.This third attempt was undertaken during the extensive restoration of the monument between 1907 and 1911, under the supervision of Theodor van Erp, who dismantled and rebuilt the upper three circular platforms and stupas.Borobudur was listed as a World Heritage Site in 1991, 'to represent a masterpiece of human creative genius'.
A monumental archaeological and architectural study of Borobudur with 642 photographic illustrations of the reliefs, including those illustrating the life of the Buddha and scenes from the Jataka, the Ganawyuha, Maitreya, Bodhisattwa and Samantabhadra, and statues of Buddha, together with line drawings showing architectural details of the complex.During the great restoration of Barabudur, 1907-11, under the direction of the military engineer Theodor van Erp, a complete series of more than 2000 photographs of the monument were taken by Jean Jacques de Vink, 1883-1945 and a series of drawings were made by the Javanese artist, Mas Kartodisastro.These form the basis of this comprehensive monograph on the monument produced in two parts with publication spanned a period of twelve years. The first volume, Archaeological Description, by the Director of the Archaeological Survey of Indonesia, Nicolaas Johannes Krom, 1883-1945, consists of two volumes of text and two large portfolios of 440 plates depicting the complete series of reliefs and Buddha images.The second volume, Architectural Description (Bouwkundige Beschrijving) by Theodor van Erp has one volume of text (in Dutch, never translated)) and a large portfolio with 48 detailed ground plans, sections of terraces and elevations of galleries, and 202 photographic plates showing the monument before and after restoration, objects believed to have come from Barabudur, and free standing sculptures.The remarkable remains of Borobudur were re-discovered in 1814, by H.C. Cornelius, a Dutch engineer, who had been sent to investigate by Thomas Stamford Raffles, British Governor of Java. Cornelius with his 200 men cut down trees, burned down vegetation and dug away earth to reveal the long-hidden monument. He was unable to unearth all galleries for danger of collapse.The first attempt to record the splendour of the monument was in 1848 when F.C. Wilsen began four years work drawing copies of 988 reliefs. These were published by Leemans in 1873 in two large portfolios, but were considered to be neither artistic nor suitable for scientific study. A second attempt was begun in 1863 when von Kinsbergen was commissioned to photograph Borobudur, but he was unable to complete the task, partly due to the difficulty of setting up his camera sufficiently far from the reliefs in the confined space of the galleries.This third attempt was undertaken during the extensive restoration of the monument between 1907 and 1911, under the supervision of Theodor van Erp, who dismantled and rebuilt the upper three circular platforms and stupas.Borobudur was listed as a World Heritage Site in 1991, 'to represent a masterpiece of human creative genius'.
Carvers and Customers in Roman Palmyra. The Production Economy of Limestone Loculus Reliefs
, Brepols, 2022 Paperback, xiv + 294 pages, Size:216 x 280 mm, Illustrations:49 b/w, 39 col., 23 tables b/w., 1 maps color, Language: English. ISBN 9782503597850.
Summary Palmyra, located in the Syrian desert, is famous for the portraiture of its citizens, produced when the ancient city was at the height of its powers in the Roman era. At this time, several hundred funerary monuments were built and the Palmyrenes decorated their tombs with numerous portraits. The most common of these are the loculus reliefs that depicted Palmyra's men, women, and children, and were used to close off the niches in tombs behind which the dead were buried. Between AD 50 and AD 273, these stone slabs were produced in sufficient numbers to make Palmyra home to the largest corpus of funerary portraits outside Rome itself. This volume offers a fresh and nuanced analysis of Palmyrene funerary reliefs and their production in order to shed light not just on the people they depicted, but on the individuals responsible for their creation. Across a range of different case studies, the author explores the making of single portraits from the local limestone, examining how Palmyrene carvers worked, the techniques they used, the tools they employed, the ways in which style and technique changed over time, and the mode of production that was in place. Furthermore, the workshops' organization, the interaction between carvers and customers, and their influence on the portraits are explored. In doing so, the volume offers not just a detailed study of limestone carving and the techniques that underpinned Palmyra's famous portraits, but also offers a significant contribution to wider research on funerary portraiture of the city and in Roman Syria. TABLE OF CONTENTS Table of Contents List of Figures Acknowledgements Chapter 1: Introduction Chapter 2: The Palmyrene Graves and the Placement of the Reliefs Chapter 3: The Toolset of the Palmyrene Carvers Chapter 4: The Chronological Development of the Toolset Chapter 5: Palmyra's Economy: Producing Loculus Reliefs Chapter 6: Palmyrene Customers: Ordering and Buying a Loculus Relief Chapter 7: The Palmyrene Workshops and Craftspeople Chapter 8: Regional and Transregional Comparisons Chapter 9: Conclusion Bibliography Catalogue of Studied Loculus Reliefs Appendix I. Size of Loculus Reliefs Appendix II. Tool Traces Appendix III. Additional Elements Index
Reference : 1009
Musée de Lille1856Notice des tableaux, bas-reliefs et statues exposés dans les galeries du Musée des Tableaux de Lillepar Edouard Reynart
Imprimerie de Lefebvre-Ducrocq, Lille, 1856. In-12, broché, 159 pp. Notice historique sur le musée de Lille - Explication des abréviations - Ecoles italiennes - Ecoles flamande, hollandaise et allemande - Ecole française - Statues, bustes et bas-reliefs - [295 n°].
Mention de deuxième édition. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Reference : 745
Musée de Lille1869Catalogue des tableaux, bas-reliefs et statues exposés dans les galeries du Musée des Tableaux de Lille,par Edouard Reynart
Imprimerie Lefebvre-Ducrocq, Lille, 1869. In-8, pleine toile écrue postérieure, pièce de titre en basane avec titre doré, xiii-292 pp. Avant-propos - Explication des abréviations - Catalogue (alphabétique de Albani à Zustris) - Anonymes - Statues, bustes et bas-reliefs (alphabétique de Biébuyck à Roland). - anonymes - Table analytique des tableaux qui composent le musée de Lille.
Mention de quatrième édition. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
