P., Fondation Custodia, 2002, fort in-4, br., 300 pp.,107 oeuvres en couleurs présentées, ill. en noir in-t., 34 filigranes, bibliographie, index. (S4B87m)
Reference : 1334863
Ouvrage publié à l'occasion de l'exposition organisée par l'Institut Néerlandais, à Paris, en 2002. Dessins hollandais et flamands de la collection Maida et George Abrams. Avec un essai de Martin Royalton-Kisch.
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, Harvard University Art Museums 2002 YALE, 2002 Softcover, 299 pages, ENG, 295 x 245 mm, with illustrations / images in colour and b/w, book in fine condition. ISBN 9781891771248.
This book presents highlights from the collection of Maida and George Abrams, arguably the finest private collection of Dutch seventeenth-century drawings in the world. The works range from studies by renowned masters - including Pieter Bruegel the Elder, Rembrandt van Rijn, Jacob van Ruisdael, Jacques de Gheyn II, Hendrick Goltzius, Hendrick Avercamp, among others - to drawings by lesser-known draftsmen whose contributions are essential to understanding the art of the period.
Antwerpen, De Sikkel 1947 187pp.geïll., in de reeks "Maerlantbibliotheek" band XIX, met geïll.stofwikkel
2. Paris, Fondation Custodia, 2002, in-4°, 299 pp, softcover. Text in French. Livre en français. Published on the occasion of an exhibition in the '' Institut Néerlandais '' in Paris.
, Hannibal Books, 2023 HB, 265 x 220 mm, 196 pages, ENGLISH edition ISBN 9789464666786.
Unique view on the 'tronies' in art from the Netherlands Our fascination for faces transcends eras and cultures. Turning Heads ? Rubens, Rembrandt and Vermeer highlights a remarkable genre in painting to which little attention has so far been paid: tronies or study heads, which were intended first and foremost to depict an emotion or a character trait. Since the model?s identity did not matter, painters could truly go to town with these heads. Tronies were drawn and painted by some of the greatest masters: D rer, Bruegel, Massys, Rubens, Rembrandt and Vermeer, to name just a few. Turning Heads offers a fresh insight into a genre that is older and more varied than you might think. This book includes dozens of illustrations plus the thoughts of contemporary artists for whom the face is essential to their own work. Catalogue for the exhibition of the same name at the KMSKA in Antwerp (from October 20, 2023 to January 21, 2024) and the National Gallery of Ireland in Dublin (from February 24 to May 26, 2024).
, Fondation Custodia, 2002 Paperback, 299 pages, Francais, 295 x 240 mm, Bon Etat,. ISBN X.
This beautiful book presents highlights from the collection of Maida and George Abrams, arguably the finest private collection of Dutch seventeenth-century drawings in the world. The works range from studies by renowned masters?including Pieter Bruegel the Elder, Rembrandt van Rijn, Jacob van Ruisdael, Jacques de Gheyn II, Hendrick Goltzius, and Hendrick Avercamp?to drawings by lesser-known draftsmen whose contributions are essential to understanding the art of the period. The book features seven drawings by Rembrandt, a diverse group by his pupils, a comprehensive survey of Dutch landscape drawing, and figure studies and scenes of daily life by genre artists such as Willem Buytewech and Adriaen van Ostade. The works are explicated in William Robinson?s detailed catalogue entries and in two essays: George Abrams reflects on recent acquisitions for his collection; and Martin Royalton-Kisch examines the Abrams? holdings within the tradition of specialized collections of Dutch drawings in England, France, and America.