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BRAHAM (A.).
Italian paintings of the sixteenth century.
The Trustees of the National Gallery, 1985, in-4, br., 118 pp., 50 planches en couleurs, index. (SC32B)
Reference : 1330115
Catalogue d'exposition : The National Gallery schools of painting à Londres. Marque d'appartenance à l'encre. Texte en anglais.
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Librairie HURET
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3 book(s) with the same title
Braham Allan National Gallery (Great Britain)
Reference : 100086384
(1985)
ISBN : 0002174022
Italian Paintings of the Sixteenth Century
HarperCollins Publishers Ltd 1985 22x27x1cm. 1985. Broché. 128 pages. Bon Etat intérieur propre
The Sixteenth-Century Italian Paintings. Vol 1 Paintings from Bergamo, Brescia and Cremona. Vol 1
Penny, Nicholas: The Sixteenth-Century Italian Paintings. Vol 1 Paintings from Bergamo, Brescia and Cremona. Vol 1. London and New Haven: 2004. 430pp with 74 colour and 89 colour and 128 monochrome illustrations. Hardback. 29x22.5cms. 16th-century paintings from the collection of the National Gallery in London. Artists represented include Lorenzo Lotto, Moretto, Moroni, Batolomeo Veneto and Callisto Piaza. For each of the paintings, information is provided about technique, material, conservation, condition, subject and iconography.
16th-century paintings from the collection of the National Gallery in London. Artists represented include Lorenzo Lotto, Moretto, Moroni, Batolomeo Veneto and Callisto Piaza. For each of the paintings, information is provided about technique, material, conservation, condition, subject and iconography. Text in English
The Sixteenth-Century Italian Paintings Volume II: Venice 1540-1600. National Gallery Catalogues. Vol 2
Penny, Nicholas: The Sixteenth-Century Italian Paintings Volume II: Venice 1540-1600. National Gallery Catalogues. Vol 2. London: The National Gallery, 2008. 528pp with 300 colour and 45 monochrome illustrations. Hardback. 28.5x21.6cms. The publication includes some of the greatest pictures in the National Gallery with the influence of Titian pervading the entire period covered. It also serves as an introduction to the major types of painting produced in the city: the altarpiece, the confraternity chapel decoration, the ceiling painting, the portrait and painted furniture. In addition, the author explains how the works were acquired by the gallery.
The publication includes some of the greatest pictures in the National Gallery with the influence of Titian pervading the entire period covered. It also serves as an introduction to the major types of painting produced in the city: the altarpiece, the confraternity chapel decoration, the ceiling painting, the portrait and painted furniture. In addition, the author explains how the works were acquired by the gallery. Text in English
