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FONTANA, Franco
Blue
1988 Editions Ryuko Tsushin - 1988 - In-8, broché, sous jaquette illustrée en couleurs de l'éditeur - 74 reproductions photographiques en couleurs - Texte en japonais et en anglais
Reference : 115130
Bon état - Légères traces de frottements sur la jaquette
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Librairie Le Père Pénard
S.A.R.L. Nicolas RIVAT (gérant)
2, quai Fulchiron
69005 Lyon
France
librairie.le.pere.penard@wanadoo.fr
04 78 38 32 46
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5 book(s) with the same title
Geometric Figures & Color. Sol LeWitt. Circle, Square, Triangle, Rectangle, Trapezoid and Parallelogram in Red, Yellow and Blue on Red, Yellow and Blue
LeWitt, Sol: Geometric Figures & Color. Sol LeWitt. Circle, Square, Triangle, Rectangle, Trapezoid and Parallelogram in Red, Yellow and Blue on Red, Yellow and Blue. New York: Harry N. Abrams, 1979. Signed by the artist on the title page. 48 pages of illustrations. Paperback. 21 x 21cms. Lewitt conceptually explores: 'Circle, Square, Triangle, Rectangle, Trapezoid and Parallelogram in Red, Yellow and Blue on Red, Yellow and Blue.' The book is divided into three sections, each of which differ by background color. Barbara M. Reise wrote that 'LeWitt's colours, like his lines and squares, are like 'facts': they are inert, pre-established, accepted and un-emotional man-made constructs which can 'come to life' within a present context but do not necessarily do so. Red, yellow, blue, and black (and the white of wall or paper) are standard 'absolute primaries basic to all pigment colour - that is according to the colour system accepted by an art academic from early 19th-century theorists like Chevreul. Unlike the Newtonian rainbow-spectrum based on light-waves, this theoretical structure is more conceptually mathematical and tautological than referential to some exterior and inhuman Nature. LeWitt's use of these colours is as flatly complete, physical, and self-reflective as the theory itself. Unlike Seurat, whose use of the same colour theories was subordinated and interrelated to other interests in proportion theories and (seen) scene subject-matter, LeWitt uses colour as both the subject and the object of his art' (in: 'Sol Lewitt Critical Texts,' ed. Adachiara Zevi, Rome, 1994, p. 188).
Lewitt conceptually explores: 'Circle, Square, Triangle, Rectangle, Trapezoid and Parallelogram in Red, Yellow and Blue on Red, Yellow and Blue.' The book is divided into three sections, each of which differ by background color. Barbara M. Reise wrote that 'LeWitt's colours, like his lines and squares, are like 'facts': they are inert, pre-established, accepted and un-emotional man-made constructs which can 'come to life' within a present context but do not necessarily do so. Red, yellow, blue, and black (and the white of wall or paper) are standard 'absolute primaries basic to all pigment colour that is according to the colour system accepted by an art academic from early 19th-century theorists like Chevreul. Unlike the Newtonian rainbow-spectrum based on light-waves, this theoretical structure is more conceptually mathematical and tautological than referential to some exterior and inhuman Nature.. LeWitt's use of these colours is as flatly complete, physical, and self-reflective as the theory itself. Unlike Seurat, whose use of the same colour theories was subordinated and interrelated to other interests in proportion theories and (seen) scene subject-matter, LeWitt uses colour as both the subject and the object of his art' (in: 'Sol Lewitt Critical Texts,' ed. Adachiara Zevi, Rome, 1994, p. 188). Text in English
Blue light effects in biological systems.
Berlin, New york, springer-Verlag, 1984. 17 x 25, 538 pp., 298 figures, reliure d'édition pleine toile verte (harcover : green publishing binding), bon état (fine condition).
Livre en langue anglaise/ English book.
Saturated Blue. Writings from the Notebooks
The Lapis Press Hardcover Santa Monica 1995
Fine Quarto. Unpaginated, circa 200 pages. Nice album.
Pleasure Blue. Hiroko Anzai Pictorial
Dust Jacket in fine condition Hardcover Japan 1999
Fine Quarto. Unpaginated. Erotic photographs. Nice copy.
"The Baker Street Journal, An Irregular Quarterly of Sherlockiana - Vol. 71 n°4 Winter 2021 - In memoriam Michael Francis Whelan - A first look at ""The Blue Carbuncle"" - Leslie S. Klinger : ""The Blue Carbuncle"" : the first public case of Sherlock Holmes,"
BSI. 2021. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 74 pages - quelques photos et illustrations en noir et blanc dans et hors texte. Coupure au cutter sur le 1er plat. Revue en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
"Contents : In memoriam Michael Francis Whelan - A first look at ""The Blue Carbuncle"" - Leslie S. Klinger : ""The Blue Carbuncle"" : the first public case of Sherlock Holmes, and the one that created his career - David L. Leal : Justice, mercy and ""The Blue Carbuncle"" - Aaron J. Walayat : My Sherlockian Family Tree - Alan Rettig : Sherlock Holmes and the Fatal Cut - Terence Faherty : That's a wrap : The adventure of the Golden Age Glossy - Jerry Kegley : Baker street views - Mattias Boström : The Commonplace Book -.. Classification Dewey : 420-Langue anglaise. Anglo-saxon"
