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EMILIANI ANDREA
LUDOVICO CARRACCI.
NUOVA ALFA EDITORIALE. NON DATE. In-4. Broché. Etat d'usage, Coins frottés, Coiffe en tête abîmée, Intérieur acceptable. CIX+365 pages augmentées de nombreuses illustrations en couleurs et en noir et blanc dans et hors texte. Couverture contre-pliée.. . . . Classification Dewey : 702-Ouvrages divers sur les beaux-arts et les arts décoratifs
Reference : ROD0123777
OUVRAGE EN ITALIEN. 2 PHOTOS DISPONIBLES. Classification Dewey : 702-Ouvrages divers sur les beaux-arts et les arts décoratifs
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5 book(s) with the same title
Ludovico Carracci and the Art of Drawing,
Turnhout, Brepols, 2005 Hardback, 642 p., 609 b/w ill. + + ills., 210 x 280 mm. ISBN 9781872501185.
The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology, style, and connoisseurship, this book utilizes up-to-date art historical methods, including considerations of the historical context of Bologna, its impact on Ludovico's art, and a new portrayal of the role of women and women artists in the city. "Bologna is perhaps the last great artistic capital in Europe that...still offers the specialist the possibility for ground breaking studies." This quotation from a recent exhibition at the Metropolitan Museum testifies to the rich possibilities for research in this field. In 1983, Sydney Freedberg wrote a book on the three pivotal innovators in Italian painting at the turn of the seventeenth century: Caravaggio, Annibale Carracci, and the latter's cousin Ludovico Carracci (1555-1619). The dramatic intensity of Ludovico's paintings exerted a seminal influence on the direction of Italian Baroque painting. His highly individual renditions of his subjects make him one of the great interpreters of Italian art. Working in Bologna, the second city of the papal states, during the period of the Counter Reformation, Ludovico was well positioned to reshape religious painting during a period that demanded change. Ludovico was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality, because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period, Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought, how his ideas changed, and which features of a composition were most important or challenging to his creative imagination. Such drawings as these have tremendous appeal to modern audiences, who are attracted by the excitement of watching the creative process in progress, rather than seeing only the painting that represents the end of that process. The Carracci have always been considered some of the most important draftsmen in Italian art, for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right, made for sale to a new audience of private collectors in Bologna. This book will be indispensable for university libraries, museum libraries, and the private libraries of all scholars, dealers, and collectors with a serious interest in Italian art. As a study of a major artist that breaks new methodological ground, the book will bring together fresh insights on the artist and his culture with a useful compendium of illustrations and will provide a model for future studies of draftsmen from the early modern period. Languages: English.
Portrait lithographié représentant le peintre Ludovico CARRACCI - 1555 - 1619 - Ecole Lombarde -
Lithographie d'après Maurin - format 49 x 31 cm marges comprises - quelques piqures en marge -
Joint: une notice biographique (piqures) et une reproduction de tableau lithographiée - Ensemble extrait de la Galerie des Peintres par M. Chabert publiée à Paris à l'Imprimerie lithographique de Chabert vers 1840 -
Ludovico Carracci
Bologna, Tipoarte 2001 2 volumes in-4 broché, jaquette illustrée, emboitage, 348-314 pp. XLVIII planches en couleurs, et 428 en noir et blanc.
Très bon état d’occasion
Agostino - Annibale - Ludovico CARRACCI : Le stampe della Bibliotheca Palatina di Parma. :
Bologna, Editrice Compositori, 2005, small in-4°, (28 cm), 477 pp. fully indexed. Original softcover.
LOUVRE, CABINET DE DESSINS. LUDOVICO CARRACCI.
5 CONTINENTS. 2004. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 82 pages; Illustration en couleurs contrecollée sur le premier plat. Couverture rempliée. Nombreuses illustrations en couleurs dans et hors texte.. . . . Classification Dewey : 741-Dessin
Classification Dewey : 741-Dessin
