‎HUGHES WILLIAM‎
‎PERFORMANCE‎

‎Performance des architectures IT - Disponibilité, temps de réponse, robustesse, montée en charge , Préface de Jean-Marc Berlioux (Service-Level Management - SLM)‎

‎Dunod , Management des Systèmes d'Information Malicorne sur Sarthe, 72, Pays de la Loire, France 2007 Book condition, Etat : Bon broché, sous couverture imprimée éditeur, blanche, noir et violet, illustré d'un paysage vert avec un ciel bleu grand In-8 1 vol. - 286 pages‎

‎nombreux schémas dans le texte en noir et blanc 1ere édition, 2007 Contents, Chapitres : Préface, Table, Avant-propos, xvii, Texte, 269 pages - 1. La nécessité d'un SI performant : Problématiques de performance des SI - Les fondamentaux de la performance - L'organisation de la performance - 2. Performance et architecture d'entreprise : Les enjeux architecturaux de la performance - Performance des services d'une SOA - Robustesse et performance d'un processus métier - Performance d'une solution métier - 3. Optimiser les instrastructures : Les réseaux - Le stockage - Le clustering - Les bases de données - Les serveurs d'application - 4. Les bonnes pratiques : Les techniques de programmation - Les tests de performances - La gestion de la production - La gestion de projet - Bibliographie et index bon exemplaire, frais et propre‎

‎Cahiers Danae n°1 printemps 1987 - Alice action/performance - Andersen Eric performance - Armleder John M. installation - Beauzee-Luyssen photographies - Bech Marianne, rédaction - Boucard Dominique photos - Brechet Véronique chorégraphie ...‎

‎Diffusion attitudes nouvelles art espace. 1987. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 97 pages - nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎Sommaire : Alice action/performance - Andersen Eric performance - Armleder John M. installation - Beauzee-Luyssen photographies - Bech Marianne, rédaction - Boucard Dominique photos - Brechet Véronique chorégraphie - Camus Pilippe, mise en page, conception - Chopin Henri, poésie sonore, rédaction - Coridon Annie, chorégraphie - Corner Philip, musique/performance - Costopoulos Daphné, direction, traduction, rédaction - Delille Annie, secrétariat - Delille Gérard, interprétation - Diaz-Pietri Roberto, photographies - Dimitrijevic Braco, installation - Dreyfus Charles, installation, performance, conception, rédaction - Dumont Michel, entretien - Ferrer Esther, performance, rédaction - Flammier jean françois, photographies - Freitag Carol, chorégraphie - Giroud Michel, rédaction - Heidsieck Bernard, poésie sonore - Hermitte Anette, assistante de rédaction - Herre Henri, cinéma - Knowles Alison, performance/installation - Lecerlcq Jacques, installation - Lefèvre Jean Claude intervention etc. Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎Beethoven the European. Transcultural Contexts of Performance, Interpretation and Reception‎

‎, Brepols, 2023 Hardback, xix + 410 pages, Size:210 x 270 mm, Illustrations:27 b/w, 71 musical examples, Language: English. ISBN 9782503602905.‎

‎Summary Beethoven's music, stemming from its 18th- and 19th-century European context, communicates values of the Enlightenment bearing a seemingly universal, timeless significance. More than a quarter millenium after his birth, a 21st-century perspective offers a timely opportunity ? against a backdrop of the reconfiguration of Europe and tensional power shifts across continents ? to explore ways in which notions of European ideals impacted the works of Beethoven and his contemporaries and which social-political contexts shaped its reception. The essays in this volume offer cutting-edge research shedding new light on varied aspects of Beethoven's music, and the ways it has been adapted and adopted by the musical world up to the present-day. Foremost international experts and younger scholars, gathered together with the editors William Kinderman and Malcolm Miller, share insights about Beethoven reception both within and beyond Europe, covering France, Italy, Britain, Spain, the USA and Japan. Innovative contextual studies consider topics on criticism and interpretation, performance and publication, and a variety of less familiar personalities, institutions and performing organisations. Studies of individual works illuminate Beethoven's well-known masterpieces through novel, sometimes polemical, contextual and analytical frameworks. The volume as a whole celebrates Beethoven's genius as European and global, marking a fascinating turning-point between the particular and the universal. TABLE OF CONTENTS Malcolm Miller - William Kinderman Preface Politics, Aesthetics and Ideology William Kinderman Beethoven's Ninth Symphony as a Disputed Symbol of Community: From Thomas Mann's Doktor Faustus to the Brexiteers of 2019 Michael Christoforidis - Peter Tregear Beethoven, the Congress of Verona, and the Concert of Europe in 1822/1823 David B. Dennis Beethoven's 100th Todestag in 1927: Ideological Battles over the Composer and His Music in Weimar Political Culture Sanna Iitti Patriotism and Islam in Ludwig van Beethoven's The Ruins of Athens, Op. 113, and King Stephen, Op. 117 Arabella Pare Beethoven as a Transnational Composer: Stra enmusik, Verbunkos and the Trio Op. 11 'Gassenhauer' Susan Cooper Beethoven, His Circle and Horace Reception across Europe and beyond Mar a Encina Cortizo - Ram n Sobrino Interpreting Beethoven in Spain in the 19th Century: The Arrival of His Symphonic Music to a Nascent Concert Life Chiara Sintoni Ludwig van Beethoven and His Reception in Piano Methods of the First Half of the 19th Century Fr d ric de La Grandville Who Are You, Mr Bethowen? David Hurwitz Beethoven's French Liturgical Organ Music - No, Really David Rowland Further Light on Clementi's 1807 Contract with Beethoven Mai Koshikakezawa Beethoven's 'Moonlight' Sonata and the Japanese Reception of Western Music Alison Minkus Reception and Reflection of Beethoven's Works at the Philharmonic Society of New York (1842-1892) Performance and Analysis Barry Cooper Performing Beethoven's Vocal Music in the 21st Century Ned Kellenberger Beethoven's Violin Concerto Opus 61: Toward Performance of Alternate Solo Violin Parts Malcolm Miller Beethoven's Registral Structures and Strategies of Transcendence in the Late Piano Sonatas Eftychia Papanikolaou Uwe Scholz's Choreographic Conception of Beethoven's Seventh Symphony Peng Du Krol The Whimsical Character of Beethoven's Salieri Piano Variations, WoO 73 (1799) Abstracts and Biographies Index of Names‎

‎Engelhardt. Practice of high performance liquid chromatography. In English (ask ‎

‎Engelhardt. Practice of high performance liquid chromatography. In English (ask us if in doubt)/Engelhardt. Practice of high performance liquid chromatography.Engelhardt. Practice of high performance liquid chromatography. 1986. SKUalb247c37867165407c.‎

‎Basso Continuo in Italy. Sources, Pedagogy and Performance‎

‎, Brepols, 2023 Hardback, xxx + 345 pages, Size:210 x 270 mm, Illustrations:30 b/w, 70 musical examples, Language(s):English, Italian. ISBN 9782503608501.‎

‎Summary The volume explores the long-lasting phenomenon of basso continuo in the Italian peninsula, from its origins ? i.e. from the regole per suonare sopra il basso which collects and develops the contrappunto alla mente's legacy ? up to the late partimento pedagogy. In addition to a bibliographic update, the volume presents case studies providing the reader with new information on performative contexts and performance practice between the sixteenth and nineteenth centuries, and shedding new lights on sacred and secular genres and repertoires cultivated in churches, theatres, academies, noble chambers and domestic environments. Particular attention is given to the relationship between counterpoint, improvisation and instrumentation, to the analysis of primary sources in relation to book formats and the type of notation chosen to convey the accompaniment. Furthermore, a few chapters focus on peculiar issues of accompaniment pedagogy according to unpublished or neglected sources. TABLE OF CONTENTS Marcello Mazzetti, Introduction Performance Practice Issues: Stylistic Features and Historical Contexts 1. Naomi Matsumoto, Realising Arianna: The Problematic Accompaniments of Claudio Monteverdi's Lamento d'Arianna 2. Galliano Ciliberti, La pratica del basso continuo a S. Luigi dei Francesi a Roma nel Seicento 3. Giulia Nuti, Antonio Vivaldi's Use of Figures: Per li coglioni and Other Examples Sources, Formats, and Accompaniment Layout: Stylistic Features and Historical Contexts 4. Augusta Campagne, Basso Continuo: The Beginnings in Italy 5. Thomas Neal, Between Practice and Print: Performing Palestrina's Missarum liber quartus (1582) with Alessandro Nuvoloni's basso prencipale co'l soprano (1610) 6. Marina Toffetti, Fossil Traces of Vanished Voices: The Basso Continuo Part and the Reconstruction of Incomplete Polyphony 7. Marcos Krieger, Figured Bass and Figured Melody: Printed Figures in Italian Continuo Sources and Idiosyncratic Continuo Notation Practices as Found in Three 17th Century Italian Prints The Accompaniment between Pedagogy and Performance 8. Catherine Bahn - Giovanna Barbati, The Partimenti of Rocco Greco: Reconstructing the Pedagogical Tradition for the Early Violoncello 9. Peter van Tour, The Teaching of Counterpoint and Partimento in the School of Francesco Feo 10. Eric Boaro, Partimento Teaching at the Convent of Santi Marcellino e Festo in Naples: New Early Eighteenth-Century Sources of Realisations of Partimenti by Francesco Durante (c. 1707-1715) 11. Marco Pollaci, Vincenzo Bellini's Studio del Contrappunto Notebook: An Investigation of a New Source of Partimento and Counterpoint in Early Nineteenth-Century Italy Fundamental Issues: Counterpoint, Improvisation and Instrumentation 12. Edoardo Bellotti, Basso continuo e contrappunto nelle fonti seicentesche: un moderno approccio alla didattica musicale 13. Livio Ticli, Contrapunto alla mente or Basso Continuo? Agostino Agazzari and His Sonare sopra'l Basso Abstracts and Biographies Index of Names‎