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Wilson Michael
La National Gallery
Charles Lett & Co. 1977. In-4. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 1287 pages. Nombreuses photos en couleurs dans et hors texte.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
Reference : RO80251729
ISBN : 0850972493
Classification Dewey : 708-Galeries, musées, collections d'art
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Le-livre.fr / Le Village du Livre
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Les ouvrages sont expédiés à réception du règlement, les cartes bleues, chèques , virements bancaires et mandats cash sont acceptés. Les frais de port pour la France métropolitaine sont forfaitaire : 6 euros pour le premier livre , 2 euros par livre supplémentaire , à partir de 49.50 euros les frais d'envoi sont de 8€ pour le premier livre et 2€ par livre supplémentaire . Pour le reste du monde, un forfait, selon le nombre d'ouvrages commandés sera appliqué. Tous nos envois sont effectués en courrier ou Colissimo suivi quotidiennement.
5 book(s) with the same title
CATALOGUE D'EXPOSITION - COLLECTIF sous la direction de Philip Conisbee et Denis Coutagne
Reference : 29901
Cézanne en Provence. Exposition. Washington, National gallery of art, 29 janvier-7 mai 2006, Aix-en-Provence, Musée Granet, 9 juin-17 septembre 2006 / [organisée par la Communauté du Pays d'Aix-Musée Granet, Aix-en-Provence, la Réunion des musées nationaux, Paris et la National gallery of art, New York. Paris : Réunion des musées nationaux, 2006.
1 volume in-4° broché, couverture illustrée à rabats, 355 p. - Illustrations. Très bon état.
Phone number : 06.31.29.75.65
The Sixteenth-Century Italian Paintings Volume II: Venice 1540-1600. National Gallery Catalogues. Vol 2
Penny, Nicholas: The Sixteenth-Century Italian Paintings Volume II: Venice 1540-1600. National Gallery Catalogues. Vol 2. London: The National Gallery, 2008. 528pp with 300 colour and 45 monochrome illustrations. Hardback. 28.5x21.6cms. The publication includes some of the greatest pictures in the National Gallery with the influence of Titian pervading the entire period covered. It also serves as an introduction to the major types of painting produced in the city: the altarpiece, the confraternity chapel decoration, the ceiling painting, the portrait and painted furniture. In addition, the author explains how the works were acquired by the gallery.
The publication includes some of the greatest pictures in the National Gallery with the influence of Titian pervading the entire period covered. It also serves as an introduction to the major types of painting produced in the city: the altarpiece, the confraternity chapel decoration, the ceiling painting, the portrait and painted furniture. In addition, the author explains how the works were acquired by the gallery. Text in English
"Picasso et les maîtres. Exposition, Paris, Galeries nationales du Grand Palais, 8 octobre 2008-2 février 2009, Musée du Louvre, 9 octobre 2008-2 février 2009, Musée d'Orsay, 8 octobre 2008-1er février 2009, Londres, the National gallery, 25 février-7 juin 2009 organisée par la Réunion des musées nationaux, le Musée national Picasso, le Musée du Louvre et le Musée d'Orsay ; textes d'Anne Baldassari, Marie-Laure Bernadac, Susan Grace Galassi, et alii. RMN. 2008."
1 volume in-4° broché, couverture illustrée à rabats, 367 p., illustrations. Très bel état. ISBN 978-2-7118-5524-7
Phone number : 06.31.29.75.65
GIOTTO TO DURER. EARLY RENAISSANCE PAINTING IN THE NATIONAL GALLERY,
London, Yale University Press/ National Gallery Publications, 1991 Illustrated cardboard cover in colour, 240 x 280mm., 408pp., profoundly illustrated in colour and b/w. . ISBN 0300050828.
This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection, and is at the same time a guide to the paintings in the Gallery. It is published to coincide with the opening of the Sainsbury Wing in which the Early Renaissance collection will be exhibited. The authors explain the background of religious belief and devotional practice for which many of the paintings were created, and the secular requirements and ambitions which influenced them. They discuss the social context in which art was created and then displayed in the street, the palace or the church; and consider the role of the patron and the dealer. They describe the artist's workshop, consider the role of apprentices and assistance, discuss the influence of guilds and courts and explore the reasons for the introduction of new subjects and techniques and also the survival of traditions. The book goes on to supply an account of the materials and techniques of the early Renaissance artist. Good condition.
Reference : albc8604cf87a394790
National Gallery of Art. Master Paintings from the collection In English (ask us if in doubt)./National Gallery of Art.
National Gallery of Art. Master Paintings from the collection In English (ask us if in doubt)./National Gallery of Art. Master Paintings from the collection Harry M. Abrams 2004 Washington National Gallery. SKUalbc8604cf87a394790.
