‎Wilson Michael‎
‎La National Gallery‎

‎The Sixteenth-Century Italian Paintings Volume II: Venice 1540-1600. National Gallery Catalogues. Vol 2‎

‎Penny, Nicholas: The Sixteenth-Century Italian Paintings Volume II: Venice 1540-1600. National Gallery Catalogues. Vol 2. London: The National Gallery, 2008. 528pp with 300 colour and 45 monochrome illustrations. Hardback. 28.5x21.6cms. The publication includes some of the greatest pictures in the National Gallery with the influence of Titian pervading the entire period covered. It also serves as an introduction to the major types of painting produced in the city: the altarpiece, the confraternity chapel decoration, the ceiling painting, the portrait and painted furniture. In addition, the author explains how the works were acquired by the gallery.‎

‎The publication includes some of the greatest pictures in the National Gallery with the influence of Titian pervading the entire period covered. It also serves as an introduction to the major types of painting produced in the city: the altarpiece, the confraternity chapel decoration, the ceiling painting, the portrait and painted furniture. In addition, the author explains how the works were acquired by the gallery. Text in English‎

‎GIOTTO TO DURER. EARLY RENAISSANCE PAINTING IN THE NATIONAL GALLERY,‎

‎London, Yale University Press/ National Gallery Publications, 1991 Illustrated cardboard cover in colour, 240 x 280mm., 408pp., profoundly illustrated in colour and b/w. . ISBN 0300050828.‎

‎This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection, and is at the same time a guide to the paintings in the Gallery. It is published to coincide with the opening of the Sainsbury Wing in which the Early Renaissance collection will be exhibited. The authors explain the background of religious belief and devotional practice for which many of the paintings were created, and the secular requirements and ambitions which influenced them. They discuss the social context in which art was created and then displayed in the street, the palace or the church; and consider the role of the patron and the dealer. They describe the artist's workshop, consider the role of apprentices and assistance, discuss the influence of guilds and courts and explore the reasons for the introduction of new subjects and techniques and also the survival of traditions. The book goes on to supply an account of the materials and techniques of the early Renaissance artist. Good condition.‎

‎National Gallery of Art. Master Paintings from the collection In English (ask us if in doubt)./National Gallery of Art.‎

‎National Gallery of Art. Master Paintings from the collection In English (ask us if in doubt)./National Gallery of Art. Master Paintings from the collection Harry M. Abrams 2004 Washington National Gallery. SKUalbc8604cf87a394790.‎

‎The Works of J. M. W. Turner at the National Gallery of Ireland‎

‎Hodge, Anne and Niamh Mac Nally: The Works of J. M. W. Turner at the National Gallery of Ireland. Exhibition: Dublin, National Gallery of Ireland, 2012. 144pages with 137 colour illustrations. Wrappers. 22 x 28cms. This catalogue of the National Gallery of Ireland's collection accompanies the annual exhibition of 31 watercolours and drawings by J. M. W. Turner (1775 - 1851), the bequest of Henry Vaughan, who stipulated that they only be exhibited in the month of January. They are shown alongside 5 other watercolours acquired since and a selection of Liber Studiorum prints. Includes appendices on papers and pigments used by the artist.‎

‎This catalogue of the National Gallery of Ireland's collection accompanies the annual exhibition of 31 watercolours and drawings by J. M. W. Turner (1775 - 1851), the bequest of Henry Vaughan, who stipulated that they only be exhibited in the month of January. They are shown alongside 5 other watercolours acquired since and a selection of Liber Studiorum prints. Includes appendices on papers and pigments used by the artist.‎

‎Chefs-d'oeuvre immortels de la peinture ( 8 tomes, complet ) : 1. Musée du Louvre, Musée du Jeu de Paume, Musée de Bâle, Musée de Vienne ; 2. Musée d'Art de Catalogne, Musée du Prado, Musée du Vatican, Musée de Sao Paulo ; 3. Musée des Offices de Florence, Pinacothèque Brera de Milan, Musée de Venise, Galerie Borghèse de Rome, Musée Capodimonte de Naples ; 4. Musée de Bruxelles, Musée d'Anvers, Rijlsmuseum d'Amsterdam, Musée Byzantin d'Athènes, Musée de Tokyo ; 5. Ancienne Pinacothèque de Munich, Galerie Dahlem de Berlin, Galerie de peintures de Dresde, Galerie nationale de Prague, Musée national des Beaux-arts de Budapest ; 6. National Gallery de Londres, Tate Gallery de Londres, Musée National de Stockholm, Metropolitan Museum de New York ; 7. Art Institute de Chicago, Galerie Nationale de Washington, Musée d'Art moderne de New York, Whitney Museum of American Art ; 8. Musée de l'Ermitage, Musée Pouchkine, Musée Russe, Galerie Trétiakov.‎

‎8 vol. gr. in-4 cartonnage éditeur sous jaq. ill. couleur et emboîtages cartonnés gris, nombreuses photos couleurs, Fernand Nathan, Paris, 1978, env. 320 pp. par vol.Rappel du titre complet : Chefs-d'oeuvre immortels de la peinture ( 8 tomes, complet ) : 1. Musée du Louvre, Musée du Jeu de Paume, Musée de Bâle, Musée de Vienne ; 2. Musée d'Art de Catalogne, Musée du Prado, Musée du Vatican, Musée de Sao Paulo ; 3. Musée des Offices de Florence, Pinacothèque Brera de Milan, Musée de Venise, Galerie Borghèse de Rome, Musée Capodimonte de Naples ; 4. Musée de Bruxelles, Musée d'Anvers, Rijlsmuseum d'Amsterdam, Musée Byzantin d'Athènes, Musée de Tokyo ; 5. Ancienne Pinacothèque de Munich, Galerie Dahlem de Berlin, Galerie de peintures de Dresde, Galerie nationale de Prague, Musée national des Beaux-arts de Budapest ; 6. National Gallery de Londres, Tate Gallery de Londres, Musée National de Stockholm, Metropolitan Museum de New York ; 7. Art Institute de Chicago, Galerie Nationale de Washington, Musée d'Art moderne de New York, Whitney Museum of American Art ; 8. Musée de l'Ermitage, Musée Pouchkine, Musée Russe, Galerie Trétiakov.‎

‎Très bon état. Prix pour l'ensemble. Linéaire de 32 cm. Poids de 19 Kg.‎