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Wilson Michael
La National Gallery
Charles Lett & Co. 1977. In-4. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 1287 pages. Nombreuses photos en couleurs dans et hors texte.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
Reference : RO80251729
ISBN : 0850972493
Classification Dewey : 708-Galeries, musées, collections d'art
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5 book(s) with the same title
The National Gallery. Illustrated general catalogue
National Gallery Company Limited cartonnage toile de l'éditeur 1973 In-4 (25.5x17 cm), cartonnage toile, texte en anglais, 842 pages, iconographie abondante en noir, index in fine ; tranches salies, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Nyolcak es aktivistak. (The Eights and the Activists). Exhibition of the Hungarian National Gallery and the Janus Pannonius Museum of Pecs.
Budapest: Royal Castle of Buda, 1981 in-8, carré, 114 pages, illustrations. Biographies, bibliographie. Broché, couv. un peu défr., 2 ff. détachés, sinon bon état. Texte hongrois et résumé en anglais. Catalogue d'exposition sur les artistes de l'Avant-garde hongroise.
Nyolcak es aktivistak. (The Eights and the Activists). Exhibition of the Hungarian National Gallery and the Janus Pannonius Museum of Pecs. (Budapest: Royal Castle of Buda, 1981). [M.C.: catalogue d'exposition, Hongrie, art hongrois, avant-garde, beaux arts]
GIOTTO TO DURER. EARLY RENAISSANCE PAINTING IN THE NATIONAL GALLERY,
London, Yale University Press/ National Gallery Publications, 1991 Illustrated cardboard cover in colour, 240 x 280mm., 408pp., profoundly illustrated in colour and b/w. . ISBN 0300050828.
This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection, and is at the same time a guide to the paintings in the Gallery. It is published to coincide with the opening of the Sainsbury Wing in which the Early Renaissance collection will be exhibited. The authors explain the background of religious belief and devotional practice for which many of the paintings were created, and the secular requirements and ambitions which influenced them. They discuss the social context in which art was created and then displayed in the street, the palace or the church; and consider the role of the patron and the dealer. They describe the artist's workshop, consider the role of apprentices and assistance, discuss the influence of guilds and courts and explore the reasons for the introduction of new subjects and techniques and also the survival of traditions. The book goes on to supply an account of the materials and techniques of the early Renaissance artist. Good condition.
Reference : albc8604cf87a394790
National Gallery of Art. Master Paintings from the collection In English (ask us if in doubt)./National Gallery of Art.
National Gallery of Art. Master Paintings from the collection In English (ask us if in doubt)./National Gallery of Art. Master Paintings from the collection Harry M. Abrams 2004 Washington National Gallery. SKUalbc8604cf87a394790.
[J. M. W. Turner] - Hodge, Anne and Niamh Mac Nally
Reference : 096121
(2012)
ISBN : 9781904288473
The Works of J. M. W. Turner at the National Gallery of Ireland
Hodge, Anne and Niamh Mac Nally: The Works of J. M. W. Turner at the National Gallery of Ireland. Exhibition: Dublin, National Gallery of Ireland, 2012. 144pages with 137 colour illustrations. Wrappers. 22 x 28cms. This catalogue of the National Gallery of Ireland's collection accompanies the annual exhibition of 31 watercolours and drawings by J. M. W. Turner (1775 - 1851), the bequest of Henry Vaughan, who stipulated that they only be exhibited in the month of January. They are shown alongside 5 other watercolours acquired since and a selection of Liber Studiorum prints. Includes appendices on papers and pigments used by the artist.
This catalogue of the National Gallery of Ireland's collection accompanies the annual exhibition of 31 watercolours and drawings by J. M. W. Turner (1775 - 1851), the bequest of Henry Vaughan, who stipulated that they only be exhibited in the month of January. They are shown alongside 5 other watercolours acquired since and a selection of Liber Studiorum prints. Includes appendices on papers and pigments used by the artist.
