‎COOKE Darwyn, J. BONE & STEWART Dave‎
‎The Spirit N°3‎

‎The Spirit, the World and the Trinity: Origen's and Augustine's Understanding of the Gospel of John‎

‎, Brepols, 2021 Paperback, 276 pages, Size:156 x 234 mm, Language: English. ISBN 9782503589916.‎

‎Summary How come that ancient Christian authors elaborated a theology of the Holy Spirit? This innovative study tackles this question by analysing how the exegesis of the Gospel of John shaped the Trinitarian and soteriological agency of the Holy Spirit in the theologies of two of the most important Christian authors of all times: Origen and Augustine. Overall, it proposes a re-evaluation of some of the most debated doctrines of the two authors such as subordinationism in Origen and the understanding of Gods essence in Augustine, showing that the Johannine Father-Son-Spirit relation and the dichotomy between God and the world represent the foundation on which Origen and Augustine built their pneumatologies. The heuristic comparison proposed in this book is focused on the three large themes towards which Origen and Augustine represent opposite approaches: the understanding of the immanent Trinity, the dualism between God and the world, and the proper role of the Holy Spirit. On the one hand, Origen puts forward a paradigm of participation to explain the oneness and threeness of God, and of transformation to explain human participation in God. On the other, Augustine refers to God's self-relation through a paradigm of identity, and to salvation of humankind as an act of separation of the wicked world from the saved. These two trinitarian and soteriological constructions are shaped by a different understanding of the Gospel of John: while Origen's theology mostly smooths the gospel's dualism between God and the world by interpreting God's salvific act as a gradual spiritualisation of the world, Augustine tends to accentuate the Gospel's dichotomies by radicalising the Johannine dualism.‎

‎Jade-Sky. Ancestor Spirit Oracle Cards. Oracle of the Spirit of the Ancestors In‎

‎Jade-Sky. Ancestor Spirit Oracle Cards. Oracle of the Spirit of the Ancestors In Russian (ask us if in doubt)/Jade-Sky. Ancestor Spirit Oracle Cards. Orakul Dukha Predkov. Blue Angel Publishing 2021 (ISBN978-1-64671-054-6 / 9781646710546) The knowledge of those who came before us is alive in our hearts our souls and our DNA We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb442ccfb06e287d1e‎

‎Semyonov S. The spirit of confidence and the spirit of doubt. A philosophical st‎

‎Semyonov S. The spirit of confidence and the spirit of doubt. A philosophical study. In Russian (ask us if in doubt)/Semenov S. Dukh uverennosti i dukh somneniya. Filosofskiy etyud.Typography of M.M. Stasyulevich 1908 XXIII 2 584s. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbea35d0f4596ef311‎

‎Semyonov S. The spirit of confidence and the spirit of doubt. In Russian (ask us‎

‎Semyonov S. The spirit of confidence and the spirit of doubt. In Russian (ask us if in doubt)/Semenov S. Dukh uverennosti i dukh somneniya. Philosophical Study of St. Petersburg: Typography by M.M. Stasyulevich 1908. XXIII 2 584s. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb25553bf191de71c4‎

‎Ziel van de Meester , The Spirit of the Master , L'Ame du Maitre. Antwerpse tekeningen van Rubens tot Panamarenko , Antwerp drawings from Rubens to Panamarenko , Esquisses anversoises de Rubens a Panamarenko.‎

‎, BAI, 2012 Hardback, 240x180mm, 112p, throughout colour illustrations, English/ French/ Dutch (NL) edition . ISBN 9789085866350.‎

‎De ziel van de meester. Antwerpse tekeningen van Rubens tot Panamarenko. brengt uitzonderlijke tekeningen en schetsen van grote meesters en hedendaags talent. Elf gastcuratoren zijn aangesproken en stelden de tentoonstelling samen. Ze brengen tekeningen samen van oude meesters met hedendaags werk, leggen verrassende thematische verbanden of zien verwantschap in stijl, compositie of lijnvoering door de eeuwen heen. Buurtbewoners en vrijwilligers met een hart voor het museum kozen hun lievelingswerken. Modeontwerper Dries Van Noten, illustratrice Kaatje Vermeire, galeriehouder Adriaan Raemdonck en illustrator-cartoonist Benoit selecteerden vanuit hun tekenervaring. De specialisten Ger Luijten, professor Katlijne Vander Stighelen en conservator Stefaan Hautekeete maakten een keuze met hun professioneel oog. De tentoonstelling is uitgegroeid tot een boeiende tocht langs eilandjes van persoonlijke smaken en voorkeuren. Voor De Ziel van de Meester. Antwerpse tekeningen van Rubens tot Panamarenko selecteren specialisten, liefhebbers, jonge mensen en gepassioneerde kunstenaars 100 tekeningen uit de collectie van het Prentenkabinet. Niet alleen de hoogtepunten uit de collectie, maar ook verrassende pareltjes zullen te zien zijn. Het wordt een confrontatie en een samenbrengen van werk van meerdere kunstenaars uit verschillende periodes. Tekenen is intiem. Met een tekening zet een kunstenaar een eerste impressie op papier, een vluchtige pose, een momentopname, een emotie. Het is een snelle manier om een gedachtestroom vast te leggen en ideeen te ordenen.-** For The Spirit of the Master. Antwerp drawings from Rubens to Panamarenko, experts, impassioned artists, enthusiasts, locals and young people were allowed to choose a total of 100 drawings from the Prentenkabinet collection. Drawing is an intimate activity. A drawing captures a first impression, a fleeting pose, an emotion. It is a snapshot in time. It is the artist's way of quickly recording his ideas and ordering his thoughts. For The Spirit of the Master. Antwerp drawings from Rubens to Panamarenko, experts, impassioned artists, enthusiasts, locals and young people were allowed to choose a total of 100 drawings from the Prentenkabinet collection. Surprisingly perhaps, rather than just go for the collection's highlights, many chose less familiar works. The resulting exhibition is an encounter between contemporary talent and old masters.**- Pour L'Ame du Maitre. Esquisses anversoises de Rubens a Panamarenko, des specialistes, amateurs, riverains, des jeunes et des artistes passionnes selectionnent 100 esquisses de la collection du Prentenkabinet. Le dessin est intime. Par une esquisse, un artiste immortalise une premiere impression sur papier, une pose sommaire, une image ephemere, une emotion. Soit un moyen rapide de fixer une succession de pensees et de remettre ses idees en place. Pour L'Ame du Maitre. Esquisses anversoises de Rubens a Panamarenko, des specialistes, amateurs, riverains, des jeunes et des artistes passionnes selectionnent 100 esquisses de la collection du Prentenkabinet. L'exposition ne presente pas seulement les pieces maitresses de la collection, mais egalement des ouvres surprenantes qui gagnent a etre connues. L'exposition se mue en rencontre entre talents contemporains et anciens maitres.‎