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FERNANDEZ Otto
Union N°1
URSELIA DIAZ BAEZ. 1983. In-8. Broché. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 187 pages. Quelques illustrations en noir et blanc, dans le texte. Ouvrage en espagnol.. . . . Classification Dewey : 460-Langues espagnole et portugaise
Reference : RO80044819
Revista de la union de escritores y artistas de Cuba. Nicolas Guille, Jaroslav Hasev, Hugo Chinea, Henrik Nordbrandt, Salv. Coppola, Luis Marre. Classification Dewey : 460-Langues espagnole et portugaise
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5 book(s) with the same title
L´Union Soviétique. Revue Mensuelle Illustrée. Paraît en Russe, Chinois, Angalis, Francais, Allemand et Espagnol. No 5 (39), Mai 1953
Moscow, 1953. Folio. Orig. illustrated coloured photomontage wrappers. One loose leaf containing a summary in Swedish. Very nice and clean w. only minor wear to back. Illustrated throughout, partly in colour.
In English. This seminal propaganda monthly was published under the Stalinist regime, initially from 1930 till 1941 in Russian, French, German, English and briefly in Spanish. When Russia was invaded by the Nazis, the magazine had to fold and was not revived untill 1949. The original title of the publication was ""USSR in Construction"", which was changed to ""Soviet Union"" in 1950. The point of the publication was to inform Western readers about the hyper-construction the nation was allegedly undergoing at the time and to give the impression of the Soviet Union as a leading industrial power. From 1949, after The Second World War, the monthly was naturally dedicated to the rebuilding of the Soviet Union, -it set out to establish the Soviet Union as a leading nation and Communism as the best form of government. The magazine is renowned for its importance to Russian art at the time. The avant-garde movement greatly benefitted from this publication with its minimal text and demand for photos, which resulted in amazing photography, photomontages, fold-outs etc. Over the years the artists/ designers of the magazine have included names such as Nikolai Troshin, El Lissitsky, Alexander Rodchenko and Varvara Stepanova.
L´Union Soviétique. Revue Mensuelle Illustrée. Paraît en Russe, Chinois, Angalis, Francais, Allemand et Espagnol. No 8 (42), Août 1953.
Moscow, 1953. Folio. Orig. illustrated coloured photomontage wrappers. One loose leaf containing a summary in Swedish. Very nice and clean w. only minor wear to back. Illustrated throughout, partly in colour.
In English. This seminal propaganda monthly was published under the Stalinist regime, initially from 1930 till 1941 in Russian, French, German, English and briefly in Spanish. When Russia was invaded by the Nazis, the magazine had to fold and was not revived untill 1949. The original title of the publication was ""USSR in Construction"", which was changed to ""Soviet Union"" in 1950. The point of the publication was to inform Western readers about the hyper-construction the nation was allegedly undergoing at the time and to give the impression of the Soviet Union as a leading industrial power. From 1949, after The Second World War, the monthly was naturally dedicated to the rebuilding of the Soviet Union, -it set out to establish the Soviet Union as a leading nation and Communism as the best form of government. The magazine is renowned for its importance to Russian art at the time. The avant-garde movement greatly benefitted from this publication with its minimal text and demand for photos, which resulted in amazing photography, photomontages, fold-outs etc. Over the years the artists/ designers of the magazine have included names such as Nikolai Troshin, El Lissitsky, Alexander Rodchenko and Varvara Stepanova.
Soviet Union. Illustrated monthly. Published in six languages:Russian, Chinese, English, French, German and Spanish. No. 1, March 1950.
Moscow, 1950. Folio. Orig. illustrated coloured photomontage wrappers. Nice and clean w. minor brownspotting to upper part of front wrapper and inside of back wrapper. Minor wear to back. Illustrated throughout, partly in colour.
In English. This seminal propaganda monthly was published under the Stalinist regime, initially from 1930 till 1941 in Russian, French, German, English and briefly in Spanish. When Russia was invaded by the Nazis, the magazine had to fold and was not revived untill 1949. The original title of the publication was ""USSR in Construction"", which was changed to ""Soviet Union"" in 1950. The point of the publication was to inform Western readers about the hyper-construction the nation was allegedly undergoing at the time and to give the impression of the Soviet Union as a leading industrial power. From 1949, after The Second World War, the monthly was naturally dedicated to the rebuilding of the Soviet Union, -it set out to establish the Soviet Union as a leading nation and Communism as the best form of government. The magazine is renowned for its importance to Russian art at the time. The avant-garde movement greatly benefitted from this publication with its minimal text and demand for photos, which resulted in amazing photography, photomontages, fold-outs etc. Over the years the artists/ designers of the magazine have included names such as Nikolai Troshin, El Lissitsky, Alexander Rodchenko and Varvara Stepanova.
Soviet Union. Illustrated monthly. No. 6, August 1950. Published in six languages: Russian, Chinese, English, French, German and Spanish. No. 6, August, 1950.
Moscow, 1950. Folio. Orig. illustrated coloured photomontage wrappers. Upper part of wrappers a bit brownspotted, otherwise nice and clean. Minor wear to back. Illustrated throughout, partly in colour.
In English. This seminal propaganda monthly was published under the Stalinist regime, initially from 1930 till 1941 in Russian, French, German, English and briefly in Spanish. When Russia was invaded by the Nazis, the magazine had to fold and was not revived untill 1949. The original title of the publication was ""USSR in Construction"", which was changed to ""Soviet Union"" in 1950. The point of the publication was to inform Western readers about the hyper-construction the nation was allegedly undergoing at the time and to give the impression of the Soviet Union as a leading industrial power. From 1949, after The Second World War, the monthly was naturally dedicated to the rebuilding of the Soviet Union, -it set out to establish the Soviet Union as a leading nation and Communism as the best form of government. The magazine is renowned for its importance to Russian art at the time. The avant-garde movement greatly benefitted from this publication with its minimal text and demand for photos, which resulted in amazing photography, photomontages, fold-outs etc. Over the years the artists/ designers of the magazine have included names such as Nikolai Troshin, El Lissitsky, Alexander Rodchenko and Varvara Stepanova.
L'illustration du livre français. Étude historique, technique et critique. Hier et aujourd'hui. 1478-1934. Bulletin officiel de l'Union Syndicale des Maîtres Imprimeurs. Noël 1934.
Union Syndicale des Maîtres imprimeurs, Paris, 1934. 31,5 x 24,5 cm, environ 250 pp. Broché, dos légèrement usé sinon bon état. Nombreuses illustrations et photographies contrecollées ou dépliantes.
