Abacus. 1982. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Papier jauni. 232 pages. Nombreuses rousseurs. Quelques mouillures. Coins frottés. Pliures. Texte en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Reference : RO60146295
ISBN : 0349118574
Classification Dewey : 420-Langue anglaise. Anglo-saxon
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, Brepols, 2020 Paperback, 312 pages, Size:178 x 254 mm, Illustrations:2 b/w, 21 col., 9 tables b/w., 14 musical examples, Language: English. ISBN 9782503588315.
Summary This volume offers the first systematic exploration of the past as manifested in music of the later Middle Ages and the early modern period. It takes the reader on a journey of discovery across the continent, from the genesis of a new sense of a musical past in early thirteenth-century Paris to the complex and diverse roles and pedigrees given music of the past in sources, media, genres, communities, and regions in the Age of Reformations. Particular attention is given to the use of older styles and musical traditions in changing constructions of religious and political identity, laying the groundwork for a revised narrative of European music history that accommodates within its framework the full plurality of styles and regions found in the sources. The volume concludes with reflections on the conflicting appropriations and effects of the musical past today in composition, performance, musicological discourse, and tourism. TABLE OF CONTENTS Preface Karl K gle Introduction: Towards a New History of the Musical Past Karl K gle Part I: Singing Histories Introduction: Sung Histories Susan Rankin Chapters: 1. Making Music into History, Susan Rankin 2. Collecting Clausulae, Shaping the Past, Adam Mathias (University of Cambridge) 3. Using the Past as Model: Musical Scripts in Books of the Prague Diocese, David Eben (Charles University Prague) and Susan Rankin 4. Operation Libroni: Franchinus Gaffurius and the Construction of a Repertory for Milan's Duomo, Daniele V. Filippi (Schola Cantorum Basiliensis) Part II: Traditions Introduction: Tradition in the Musical Past Pawe? Gancarczyk 5. From Tolerated Addition to Keepers of Tradition: The Authority of the 'Past' in Latin Song in Central Europe in the Fourteenth and Fifteenth Centuries, Jan Ciglbauer (Charles University Prague) 6. Memory of Genre: The Polytextual Motet in Central Europe and its Two Traditions, Pawe? Gancarczyk 7. Tradition and Experimentation in Choirbooks Printed in Late Sixteenth- and Seventeenth-Century Italy, Emanuel Signer (University of Cambridge) Part III: Persistence in Times of Change Introduction: Religious Reforms and their Links with the Past, Inga Mai Groote and Lenka Hl vkov 8. Using the Past, Shaping the Present: Tracing the Tradition of Specific Polyphonic Repertories in Bohemian Utraquist Sources (c.1450-1540), Lenka Hl vkov 9. Flexible Uniformity or Stability over the Years? The Liturgy of Monastic Houses Affiliated with the Windesheim Congregation, Manon Louviot (Utrecht University) 10. The Presence of the Past in Lutheran Music and Liturgy: A Commentary on David Chytraeus's Agenda of 1578, Christine Roth (University of Zurich) Part IV. Perspectives Introduction: Dilemmas of Historicism, Karl K gle 11. The Memory of Meaning: Polychorality in Venice and the Cori Spezzati Meme, Bart?omiej Gembicki (Institute of Art, Polish Academy of Sciences, Warsaw) 12. Visions of the Past: A Conversation with Micha? Gondko and Pawe? Szamburski, Antonio Chemotti (Institute of Art, Polish Academy of Sciences, Warsaw) Bibliography General Index
, Brepols, 2024 Paperback, 242 pages, Size:216 x 280 mm, Illustrations:22 b/w, 10 col., 13 tables b/w., Language: English. ISBN 9782503609478.
Summary The roles played by women in history, and even the very idea of what it is to be female, have always been in flux, changing over centuries, between cultures, and in response to diverse social and economic parameters. Even today, women's roles and women's rights continue to face changes and pressures. In establishing the series Women of the Past: Testimonies from Archaeology and History, the ambition is to build on the profound theoretical and empirical developments that have taken place over the last fifty years of gender-focused research and to explore them in a contemporary context. The aim of this series is to shed light on not just the outstanding and extraordinary women who were trendsetters of their time, but also the not quite so outstanding women, often overshadowed by outstanding men, and the ordinary women, those who simply went about their everyday life and kept their world turning in their own quiet way. This edited volume, Women of the Past, Issues for the Present, is the inaugural volume of the series and shows the wide span of the series chronologically, geographically, and socially in terms of the research presented. From Roman slaves to Viking women, and from medieval wet-nurses to the nineteenth-century wives who supported their archaeologist husbands on excavation, this groundbreaking volume opens a new vista in our understanding of the past. TABLE OF CONTENTS List of Illustrations List of Abbreviations Nina Javette Koefoed and Rubina Raja Women of the Past, Issues for the Present Lien Foubert 1. Gendered Mobility in the Ancient Mediterranean Getting Rid of Faceless and Sexless Crowds Trine Arlund Hass and Sine Grove Saxkj r 2. Daughter of Caesar, Wife of Pompey The Role and Narratives of Julia Caesaris Nathanael Andrade 3. The Trafficking of the Enslaved Women and Children in the Legal Documents from the Roman Empire Alexandra Sanmark 4. An Examination of the Concepts of Sex and Gender and their Application to Viking-Age and Old Norse Society Jonas Lindstr m and Karin Hassan Jansson 5. Wet-Nurses and Verbs Methodological Experiences of Studying Gender and Work in Early Modern Europe Anne Montenach 6. Women in Trade: Female Advertisers in Eighteenth-Century French Provincial Towns Deborah Simonton 7. Working Girls: Girlhood, Mobility, and Gender in Eighteenth-Century Europe Kristine Dyrmann 8. Elite Women's Spaces and Practices of Letter-Writing in Late Eighteenth-Century Denmark Birgitte Possing 9. Will, Wisdom, Values, Life's Works, and Networks Karen Gram-Skjoldager 10. Gabriele Rohde and the Transformation of Mid-Twentieth-Century Diplomacy Rubina Raja 11. 'This Is a Man's World' Women Working in Jerash in the Early Twentieth Century and Some Notes on the Societal Contextualization of Research Interest Development Index
Vocable/Société Maubeugeoise d'édition et cie. 2003. In-8. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 15 pages. Texte en anglais. Quelques illustrations/photos en couleurs, in texte. Accrocs en 2ème plat.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Sommaire:Simple past or past continuous- Simple past or past perfect- Prounounce the past endings- City dozen- Culture shock- etc. Classification Dewey : 420-Langue anglaise. Anglo-saxon
Vocable. 2001. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 15 pages. Texte en anglais. Quelques illustrations/photos en couleurs, in texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Sommaire: Simple past or past continuous- Pick whether it's the past perfect- S-sound circles- Culture- choose the right definition - etc. Classification Dewey : 420-Langue anglaise. Anglo-saxon
GAGLIARDI (Pasquale), Bruno LATOUR, Pedro MEMELSDORFF (dir.).
Reference : 122239
(2010)
ISBN : 9788822259936
Florence, Leo S. Olschki, 2010, in-8°, xviii-208 pp, 12 pl. d'illustrations dont 9 en couleurs, broché, couv. illustrée, bon état (Fondazione Giorgio Cini. Civiltà veneziana. Studi, vol. 52). Texte en anglais
This book is based on the 2007 Dialogo di San Giorgio Inheriting the past. Tradition, translation, betrayal, innovation, which explored the relationship between original and copy, and the contribution that new technologies can offer to preserve our cultural heritage, with regards to visual arts, music, ecosystems and texts. — Table : Prologue. The “return” of the Wedding at Cana to the monastery of San Giorgio Maggiore (Pasquale Gagliardi). A note on the unveiling of the facsimile of Veronese’s Wedding at Cana (Adam Lowe). Introduction (Pasquale Gagliardi, Bruno Latour, Pedro Memelsdorff). I. Copies creating originals (Joseph Leo Koerner). II. A building’s trajectory (Albena Yaneva). III. Lacuna. The restoration of past sound (Pedro Memelsdorff). IV. Skills as non-material artifacts. Learning from baboons (Shirley Carol Strum). V. Conservation of art and species (David Western). VI. Re-producing acoustic landscapes (Steven Feld). VII. Transmission and translation in Classical and Biblical studies (Frederick Brenk). VIII. Invisible texts, visible images (Carlo Ginzburg). IX. Saving the best wine for last (Richard Powers). X. Concluding remarks. How to inherit the past at best (Bruno Latour).