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English humour
Belin. 1989. In-8. Relié. Bon état, Couv. convenable, Dos fané, Intérieur acceptable. 171 pages. Texte en anglais et français. Couverture souple. nombreux dessins en noir et blanc, in texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Reference : RO60145892
ISBN : 2701111900
Illustrations par Paul Woolfenden. Classification Dewey : 420-Langue anglaise. Anglo-saxon
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5 book(s) with the same title
English Humour
Belin. 1989. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur frais. 171 pages. Texte en anglais et français. Quelques illustrations en noir et blanc dans le texte.. . . . Classification Dewey : 847-Satire, humour
Illustrations de Paul Woolfenden Classification Dewey : 847-Satire, humour
Reference : 500137063
AN ANTHOLOGY OF ENGLISH HUMOUR
Easy Readers. Non daté. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 96 pages. Illustré de nombreux dessins en noir et blanc dans le texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Easy Readers, D, Vocabulary of 2400 Words. Shaw, Maugham, Chesterton, O'Flaherty, Hodges. Cover and illustrations by Ib & Oskar Jørgensen. Classification Dewey : 420-Langue anglaise. Anglo-saxon
Africans in English Caricature 1769?1819 Black Jokes White Humour.
, Brepols - Harvey Miller, 2017 Hardcover with dusjacket, 223 pages., 49 b/w ill. + 88 colour ill., 220 x 280 mm, Languages: English. ISBN 9781909400504.
Between 1769 and 1819 London experienced an unprecedented growth in the proliferation of texts and images in the popular sphere, engaging learned citizens in discussion and commentary on the most pressing social and political issues of the day. From the repeal of the Stamp Act to the French revolution, the local Westminster election or the abolition of the slave trade, these prints, political pamphlets, plays, novels and periodicals collaborated (sometimes intentionally) in critique, praise and assessment of the country?s changing socio-economic climate. African people were a critical aspect of this world of images, and their presence conveyed much about the implications of travel, colonialism and slavery on the collective psyche. Whether encountered on the streets of the city, in opulent stately homes, or in tracts describing the horrors of the slave trade, the British paid attention to Africans (consciously or not), and developed a means of expressing the impact of these encounters through images. Scholarship has begun to interrogate the presence of Africans in British art of this period, but very little has been written about their place in visual and literary humour created in a metropolitan context. This book fills this scholarly lacuna, exploring how and why satirical artists both mocked and utilized these characters as subversive comic weaponry. Dr. Temi Odumosu is an art historian, educator, and cultural strategist focussed on diversifying and transforming communications practices. Her international research and curatorial interventions have been concerned with identity politics, Black aesthetics, and the psychosocial consequences of distorted representations. Working in the spaces between archives, memory and the creative imagination, she also uses technology as a tool for activating and bringing to life history and culture in the present.
The church mice and the moon / Les souris de l’église dans la lune. Arthur and Sampson’s method : learn english with humour / La méthode “Arthur et Samson” : l’anglais par l’humour. Traduction de Patrick Jusserand.
Gallimard, 1982. In-8° à l’italienne, cartonné, illustrations.
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