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SAVAGE GEORGE
GLASS
Octopus Books. 1972. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 97 pages. Photo en couleur en page de titre. Illustré de nombreuses photos en couleur et en noir et blanc dans et hors texte.. Avec Jaquette. . A l'italienne. Classification Dewey : 420-Langue anglaise. Anglo-saxon
Reference : RO60072275
ISBN : 0706400380
143 illustrations in colour and b&w. Classification Dewey : 420-Langue anglaise. Anglo-saxon
Bookseller's contact details
Le-livre.fr / Le Village du Livre
ZI de Laubardemont
33910 Sablons
France
05 57 411 411
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Les ouvrages sont expédiés à réception du règlement, les cartes bleues, chèques , virements bancaires et mandats cash sont acceptés. Les frais de port pour la France métropolitaine sont forfaitaire : 6 euros pour le premier livre , 2 euros par livre supplémentaire , à partir de 49.50 euros les frais d'envoi sont de 8€ pour le premier livre et 2€ par livre supplémentaire . Pour le reste du monde, un forfait, selon le nombre d'ouvrages commandés sera appliqué. Tous nos envois sont effectués en courrier ou Colissimo suivi quotidiennement.
5 book(s) with the same title
Nus. Photographies originales de Zoltan Glass.
Paris, Société Parisienne d'Editions Artistiques, coll. Album Nouvelle Série Couleurs N° 1, sans date (circa 1950), 1 brochure in-4 de 295x235 mm environ, relié par 3 agrafes sous jaquette illustrée en couleurs, une page de texte en anglais, allemand et français. Avec 5 HT et une couverture couleurs. Frottements et petites déchirures sur les bordures de la jaquette et le dos avec léger manque sur le haut du dos, intérieur bon état.
Zoltan GLASS (26 Avril 1903-24 Février 1982) était un photographe hongrois. En 1925 , Glass a commencé à travailler comme dessinateur et retoucheur. En 1931, il a déménagé à Berlin où il s'établit en tant que photographe. Passionné de sport automobile vif, Glass a couvert la plupart des grandes courses au Nürburgring et les Avus circuits. Cependant, en 1936, il a été rejeté par le journal Berliner Tageblatt en raison de son ascendance juive. En 1938, il a fui l' Allemagne, et porte ses négatifs à Londres. Au cours de sa période de Londres Glass commmence une deuxième carrière en tant que photographe de mode et de nus, sa principale activité à partir des années 50. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
Traité des maladies du poumon, par M. COSTE, Conseiller, Docteur en Medecine, ancien Medecin des Gardes de Sa Majesté le Roi de Prusse (première partie) - Thomae Glass commentarii duodecim de febribus ad Hippocratis disciplinam accommodati (deuxième partie) 2 textes reliés en 1 volume).
A Paris, chez Hérissant fils, 1767 / Lugduni Batavorum, Typis Cornelii de Pecker, 1753, Prostant Lovanii Apud Joan. Franc. Van Overbeke, 2 textes reliés en 1 volume in-12 de 155x95 mm environ, (1) f., xi-132-(18) ff (titre, préface)-191 pages (1) f. (index), plein veau brun marbré, dos à nerfs portant titres dorés, orné de caissons à petits fers dorés (motifs écureuils), tranches rouges. Mouillure sur la couverture et la marge interne, cuir frotté avec mors en partie fendus mais structure solide, rares rousseurs, intérieur bon état.
Jean François Coste est un medecin militaire, né le 4 juin 1741 à Villes, petit village du Bugey aujourd'hui dans le département de l'Ain,et, mort le 8 novembre 1819 à Paris. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
Glass made transparent, Praktische gids ontmaskert bedrog en falsificaties.
NL., Esveld, 2010 softcover, Illustrated cardboard cover in colour, 205 x 260mm., 176pp., beautiful colour illustration throughout. **Text in English. ISBN 9789081577601.
Met Glass made transparent schreef antiquair Tiny Esveld een praktische gids over glas vervaardigd door de grote Franse glaskunstenaars Gall , Daum en Schneider. Het boek geeft vakkundig inzicht in de techniek en fabricage om dat is de opzet zowel liefhebbers als kenners en verzamelaars van dit prachtige en bijzonder soort glas voor miskopen te behoeden. Want bedrog komt in de wereld van antiek glas veel voor. De valkuilen bij aankoop zijn talrijk. Maar geen bedrog slim of geslepen genoeg of Esveld ontmaskert het in Glass made transparent, de eerste onthullende publicatie in zijn soort. Het boek is een nuttige, mooi vorm gegeven en rijk ge llustreerde handleiding. Logisch van opbouw en praktisch in het gebruik. Frans glas heeft voortaan geen geheimen meer. Glass made transparent verschijnt in het Engels, met samenvattingen in het Frans, Nederlands en Spaans, en wordt behalve in een gedrukte editie ook uitgebracht als e-book. Glass made transparent maakt de lezer in acht hoofdstukken wegwijs in de wereld van Gall , Daum en Schneider, de grote Franse glaskunstenaars uit de periode 1890-1930. Esveld beschrijft de schoonheid en artisticiteit van hun glaskunst, maar meer nog doet ze de technische kanten ervan uit de doeken. Dit boek helpt om echt van vals te onderscheiden, puntgave objecten van beschadigde, oog te krijgen voor bijgeslepen of samengesteld. Het leert gevoel te ontwikkelen voor perfecte vormgeving en modellen, bewust te kijken naar decoratie, kleur, afwerking en signatuur n het wijst op alle trucs die in vroegere tijd en vandaag de dag zijn toegepast om de argeloze koper om de tuin te leiden. Alleen gave stukken zijn kostbaar en blijven waardevol voor al het andere betaalt men altijd teveel op veilingen of e-bay, waar men koopt voor eigen risico. Tiny Esveld, an antique dealer, has written a practical guide book called Glass made Transparent about art glass produced by the great French glass artists Gall , Daum and Schneider. The main objective of the book is to give a professional insight into the technique and production of these beautiful and exceptional pieces in order to protect lovers, connoisseurs and collectors from making a mistake. The world of glass is unfortunately full of deception. The pitfalls accompanying a purchase can be plentiful but however fraudulent or deceitful Esveld reveals all in Glass made Transparent, the first revealing publication of its kind. The book is a beautifully designed guidebook rich in illustration with excellent practical guidelines. French glass no longer maintains any secrets. Glass made Transparent is published in the English language with a resume in French, Dutch and Spanish and is also available as an e-book publication. Glass Made Transparent guides the reader in eight chapters through the world of the great French glass artists Gall , Daum and Schneider of the period 1890 1930. Esveld not only describes the beauty and artistry of their glass art but also reveals the technical side of their creations in great detail. This book helps to detect a genuine example from a falsification, a flawless piece from a damaged one and it trains the eye for any cut glass or combinations of pieces put together. It educates the reader to develop a feeling for the perfect style and shape, to learn to look sharply at the decoration, colour, finish and signature of its maker. It also points out all the applied tricks of the trade of the past and present day in order to deceive the unsuspecting buyer. Only the flawless pieces remain expensive and maintain their value. All the others bought at ones own risk, either at auctions or on e-bay are always paid over the top.
GLASS MADE TRANSPARENT. A PRACTICAL GUIDE TO FRENCH ART GLASS BY GALLE, DAUM AND SCHNEIDER,
Rijkevorsel, Auteur, 2010 Illustrated cardboard cover in colour, 205 x 260mm., 176pp., beautiful colour illustration throughout. ISBN 9789081577601.
Tiny Esveld, an antique dealer, has written a practical guide book called Glass made Transparent produced by the great French glass artists Galle, Daum en Schneider. The main objective of the book is to give a professional insight into the technique and production of these beautiful and exceptional pieces in order to protect lovers, connoisseurs and collectors from buying by mistake. The world of glass is unfortunately full of deception. The pitfalls accompanying a purchase can be plentiful but however fraudulent or deceitful Esveld reveals all in Glass made Transparent, the first revealing publication of its kind. The book is a beautifully designed guidebook rich in illustration with excellent practical guidelines. French glass no longer maintains any secrets. Glass made Transparent is published in the English language with a resume in French, Dutch and Spanish and is also available as an e-book publication. Glass Made Transparent guides the reader in eight chapters through the world of the great French glass artists Galle, Daum and Schneider of the period 1890 - 1930. Esveld not only describes the beauty and artistry of their glass art but also reveals the technical side of their creations in great detail. This book helps to detect a genuine example from a falsification, a flawless piece from a damaged one and it trains the eye for any cut glass or combinations of pieces put together. It educates the reader to develop a feeling for the perfect style and shape, to learn to look sharply at the decoration, colour, finish and signature of its maker. It also points out all the applied tricks of the trade of the past and present day in order to deceive the unsuspecting buyer. New book.
Stained Glass before 1700 in the Philadelphia Museum of Art,
Turnhout, Brepols, 2003 Hardback, 432 p., 60 b/w ill. + 300 colour ill., 230 x 315 mm. ISBN 9781872501192.
The Philadelphia Museum of Art is renowned for its world-class collections, and the medium of stained glass was already recognized as an integral part of these collections since the time of the museum's establishment in 1876. It was in that year that the first stained glass window was purchased for the original building in Fairmount Park - Memorial Hall - and the acquisition of stained glass has played a significant role in the development of the museum ever since. Medieval glass in particular, displayed as it now is in the context of the museum's medieval installations, has enhanced both the appreciation as well as a deeper understanding of the art of the Middle Ages. The present volume, Part VI/1 of the series Corpus Vitrearum USA, illustrates and catalogues in great detail the entire holdings of more than 140 stained glass panels now in the Philadelphia Museum of Art. The collection is wide-ranging in both date and origin of production : it includes panels of high quality from the early thirteenth to the seventeenth century, and from a number of different countries and regions. Pride of place among the items catalogued are the large-scale ecclesiastical windows from France, the most precious of which are the three stained glass medallions commissioned in mid-thirteenth century by Louis IX for his palace chapel in Paris, the Sainte-Chapelle. Of equal importance is the holding of English armorial glass, considered to be the most extensive collection in the United States, while from the North and South Lowlands, the museum also owns an interesting group of unipartite glass panels. The author, Dr Renee Burnam, provides an exceptionally detailed and well-researched catalogue entry for each panel, and gives not only a full description of its iconography, style, technique and condition, but introduces every item with a lengthy account of the history of the glass, enlivening her text with a wealth of comparative illustrations. In addition to the main body of the catalogue, Dr Burnam also provides shorter descriptions of the figural glass acquired by the museum in 1945 from the estate of George Gray Barnard and of a group of composite heraldic glass, either altered or dated after 1700; and finally she includes entries for further unipartite panels either damaged, fragmented or dated post-1700. Furthermore there is a most interesting and useful Appendix listing de-accessioned glass that had been acquired earlier in the museum's history. How this substantial collection of stained glass was formed is the main theme of the author's Introduction to this volume. She traces the acquisitions, gifts and bequests from the time of the founding of the museum and shows how the present collection benefitted from the enterprise and discernment of successive museum directors and curators, and how great the contribution has been by the many generous collectors, donors and benefactors. All catalogued panels are reproduced in colour and juxtaposed with their relevant restoration charts. The volume also includes a Glossary, an exhaustive Bibliography and a comprehensive Index. Languages : English.
