G. P. Putnam's Sons. 1959. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 447 pages. Illustré de nombreuses photos et cartes en noir et blanc hors texte. Eléments de la jaquette d'origine encollés au dos des plats et en pages de garde, avec quelques annotations.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Reference : RO60070547
Preface by the author. 1914. 1915. 1916. 1917. 1918. Classification Dewey : 420-Langue anglaise. Anglo-saxon
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, Yale University Press, 1994 Hardcover, 336 pages, ENG, 295 x 250 x 30 mm, dustjacket, In very good condition!, 330 b&w illustrations, 70 colour plates, index. ISBN 9780300057041.
"It is unspeakable, godless, hopeless. I am no longer an artist interested and curious. I am a messenger who will bring back word from the men who are fighting to those who want the war to go on forever. Feeble, inarticulate, will be my message, but it will have a bitter truth." - Paul Nash, 1918, at Passchendaele. The trauma of the First World War had an immensely powerful effect on the painters, sculptors, and printmakers who participated in it. They produced an extraordinary range of striking images that conveyed the immediacy and horror of their experiences and feelings. This arresting book is the first to bring together and examine the full international array of images spawned by the Great War. Richard Cork shows how avant-garde artists from Europe, Russia, and the United States challenged the recruiting posters and other propagandist views of the struggle by producing art that reflected the degradation of the trenches. The conflict was anticipated before hostilities began by the visionary and apocalyptic work of painters such as Meidner and Kandinsky. Chagall, Nevinson, Hartley, Beckmann, Kirchner, and other artists were quick to define war's essential tragedy with objective, expressionist, or allegorical art that alluded to their own wartime experiences. The harshest images of war were made in the latter stages or after the Armistice, when artists such as Dix had time to consider their participation in the war. Ironically, the post-war years also witnessed the redemptive work of Spencer and Brancusi, who after the Armistice produced monumental affirmations of brotherhood, fortitude, and love. This lavishly illustrated book will accompany a major exhibition of art from World War I, to be held at the Altes Museum in Berlin from June 4 to August 28 and at the Barbican Art Gallery in London from September 29 to December 11, 1994.
Cambridge, Massachusetts, London, England, Harvard University Press, 2011. 1 volume, in-8, 336 pp., hardcover, enriched with black and white photographs, in excellent condition.
Contents: Notes on Romanization, page ix. Introduction, pages 1-9. Chapter 1: Great War and Great Crisis: China, Britain, France, and the "Laborers as Soldiers" Strategy, pages 10-37. Chapter 2: The Recruitment and European Odyssey of the Men for Britain and France, pages 38-54. Chapter 3: The Hidden Story of the Secret Canadian Pathway, pages 55-79. Chapter 4: Work, pages 80-102. Chapter 5: Treatment and Perceptions, pages 103-125. Chapter 6: Strangers in a Strange World: Chinese Lives in Europe, pages 126-151. Chapter 7: American Soldiers and Chinese Laborers, pages 152-173. Chapter 8: The Association Men and Chinese Laborers, pages 174-197. Chapter 9: The Fusion of Teaching and Learning: Students as Teachers and Vice Versa, pages 198-219. Chapter 10: A Fusion of Civilizations, pages 220-239. Conclusion, pages 240-244. Appendix 1: Huimin Contract with the French Government, pages 245-250. Appendix 2: British Contract, pages 251-252. Notes, pages 253-304. Selected Glossary, pages 305-306. Selected Bibliography, pages 307-324. Acknowledgements, pages 325-328. Index, 329-336.
Reference : alba184f8a3208509aa
Ryazan Book of Remembrance of the Great War of 1914-1918. Volume III. Predominantly Kasimovsky Yelatomsky and Sapozhkovsky counties. Losses of personnel and militia units that left Ryazan province for the front lines of the Great War In Russian (ask us if in doubt)/Ryazanskaya Kniga Pamyati Velikoy voyny 1914-1918 godov. T. III. Preimushchestvenno Kasimovskiy Elatomskiy i Sapozhkovskiy uezdy. Poteri kadrovykh i opolchenskikh chastey ushedshikh na fronty Velikoy voyny iz Ryazanskoy gubernii (prodolzhenie). i Ukazateli. A. I. Grigorov. M. Typography of the Ministry of Foreign Affairs of 2016 1558 and 396 p. SKUalba184f8a3208509aa.
National Alumni. 1923. In-8. Relié. Etat d'usage, Couv. défraîchie, Dos fané, Intérieur acceptable. 440 pages. Photo en noir et blanc en frontispice. Illustré de quelques photos en noir et blanc sur planches hors texte (avec serpentes). Tranche de tête dorée. Quelques rares annotations dans le texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
A Comprehensive and Readable Source Record of the World's Great War Emphasizing the Most Important Events, and Presenting These as Complete Narratives in the Actual Words of the Chief Officials and Most Eminent Leaders. Presenting Documents from Government Archives and Other Authoritative Sources, With Outline Narratives Indices, Chronologies, and Courses of Reading on Sociological Movements and Individual National Activities. Classification Dewey : 420-Langue anglaise. Anglo-saxon
Reference : bd-893711fd4c1da67
The Great War in Stereoscopic Pictures./Velikaya voyna v stereoskopicheskikh kartinakh. The Great War in Stereoscopic Pictures. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUbd-893711fd4c1da67.