‎BENAVENTE Jacinto‎
‎Teatro.‎

‎Un teatro de guerra («las guerrillas del teatro»).‎

‎ Madrid-Barcelona, Editorial Nuestro Pueblo, 1938 in-12, 96 pp, broché, couv. illustrée, bon état. Texte en espagnol‎

‎A la fin de l'année 1937, une initiative importante visant à pénétrer l'espace de la production culturelle de l'arrière-garde dans l'espace du front a eu lieu : la création des "Guerrillas del Teatro", dirigée par María Teresa León et approuvée par décret le 14 décembre 1937. Les guérilleros du Théâtre de l'Armée de l'Est agiront, par exemple, dans les positions du front de Gandesa entre mars et avril 1938, zone où se trouvaient les unités militaires les plus combatives et les mieux organisées, qui étaient aussi les mieux contrôlées par le PCE. Plusieurs des pièces jouées ont été compilées dans le livre “Un teatro de guerra (Las Guerrillas del Teatro)”, publié à Barcelone en 1938 par la maison d'édition Nuestro Pueblo. Parmi les pièces rassemblées, plusieurs traitent des relations entre les soldats et les paysans des villages proches du front, par exemple Pueblos de vanguardia et Defendemos la tierra. (Mario Martin Gijón, El teatro durante la guerra civil española en el frente y la retaguardia de la zona republicana, 2011) ‎

‎Teatro Colombiano contemporaneo. Antologia. contemporaneo. Antologia.1) Teatro Uruguayo. 1120 p.2) Teatro Venezolano. 1182 p.4) Teatro Mexicano. 1600 p.5) Teatro Argentino. 1210 p.6) Teatro Chileno. 1260 p.‎

‎Madrid, Centro de Documentation Teatral, 1992, in-8vo, 1010 p., clothbound, jackett.‎

‎TESORO DEL TEATRO ESPAÑOL, DESDE SU ORIGEN (AÑO DE 1356) HASTA NUESTROS DIAS, 5 TOMOS‎

‎Baudry, Librairie Européenne, Paris. 1841. In-8. Relié demi-cuir. Etat passable, Plats abîmés, Dos abîmé, Rousseurs. 5 tomes d'env. 600 pages chacun. Gravures en noir et blanc en frontispices (portraits, sauf pour le tome I). Texte sur 2 colonnes. Quelques étiquettes de code et tampons de bibliothèque. Dos très abîmés, fendus, avec de nombreux manques, et les cahiers se détachant. Quelques plats détachés.. . . . Classification Dewey : 460-Langues espagnole et portugaise‎

‎Coleccion de los Mejores Autores Españoles, Tomos X, XI, XII, XIII, XIV. Arreglado y dividido en cuatro partes por Don Eugenio de OCHOA. Tomo I: Origenes del Teatro Español por D.L.F. de MORATIN, Piezas dramaticas anteriores a Lope de Vega. Tomo II: Teatro Escogido de Lope de Vega. Tomo III: Teatro Escogido de Calderon de la Barca. Tomo IV: Teatro Escogido desde el Siglo XVII, 1. Tomo V: Teatro Escogido desde el Siglo XVII, 2. Classification Dewey : 460-Langues espagnole et portugaise‎

‎GUIDA AL TEATRO.‎

‎ Accademia, Milano, 1949. In-8 p., 2 opere in 1, tela editoriale, pp. 402,(10) con 4 tavv. f.t. di disegni di W. Molino. Guida al teatro dalla fine dell'Ottocento fino alla meta' del XX secolo. Con dedica autografa dell'A. Prima edizione. Rilegato con: "Vita segreta del teatro. Autori, attori, pubblico, critici". Milano, Garzanti, 1948, pp. VIII,257,(3), con tavv. in b.n. f.t. Prima edizione. Ben conservato.‎

‎Elogi historici di Bresciani illustri teatro di Ottavio Rossi .‎

‎Brescia, Bartolomeo Fontana, 1620. 4to (225 x 170 mm). In contemporary full vellum with yapp edges. Title in contemporary hand to spine. Extremities with light soiling and a few dots and marks. Ex-libris (Richard Luckett) pasted on to pasted-down front end-paper. Small stamp to lower margin of front free end-paper. With light occassional brownspotting throughout. With numerous marginal annotations throughout by Bernardino Faini (or Faino - see below). Leaf inserted between p. 298 and p. 299, next to the entry of Cardinal Duranti, Bishop of Brescia, with a 12-line note (signed ""Bernadinus Fainus""), in which he descibes the Duranda-family from Pare in the commune of Bergamo. Engraved title-page and two blanks. (28), 519 pp. Provenance: Dr Richard Luckett (1945-2020), Research Fellow of St Catharine's, Cambridge.Constance Jocelyn Ffoulkes (1858–1950) or Monsignor Rodolfo Maiocchi (1862-1924). (see ""Vincenzo Foppa of Brescia: Founder of the Lombard School, His Life and Work"", p. 79).Bernardino Faino (1600-1673). ‎

‎A most interesting copy with a fascinating provenance of the rare first edition of Rossi’s famous account of notable people and families from Brescia which, still today, is considered one of the most important late Renaissance and early Baroque sources to Brescia and the surrounding area. The present copy has belonged to Bernadino Faino, himself a notable Brescian. Faino has made numerous marginal corrections and annotations, many of which are of scholarly interest. For instance, the marginal annotations in the present copy possibly contain the only dating (1472) we have of the altarpiece by Vincenzo Foppa in Church of S. Maria Maddalena at Brescia (See Ffoulkes & Maiocchi, “Vincenzo Foppa of Brescia”, p. 79). Bernadino Faino (1600-1673) was an Italian priest and historian whose life was characterized by both adventurous exploits and scholarly pursuits. Instead of continuing in the family trade as a blacksmith, Faino chose a military career, joining Captain Tiberio Tengatini's company in the Venetian Republic's army. His loyalty to Tengatini led to a dramatic episode where he avenged his captain's murder by killing the perpetrator. This act resulted in a trial and his imprisonment, but he was eventually acquitted in 1626. In an unexpected turn, Faino was ordained as a priest in 1627, despite the serious charges he had faced. He served as chaplain and confessor at the Benedictine monastery of S. Spirito and was the General Superior of the Company of S. Orsola. His dedication to his ecclesiastical duties extended to his role as a caretaker of the Cathedral and director of the school of Christian Doctrine. Late in life, Faino turned to the study of hagiography and local ecclesiastical history - the period during which he most likely made the annotations in the present work. His works were the product of diligent document collection and scholarly effort. He authored various texts on archaeology, heraldry, and the history of Brescia, though his claims, especially regarding local saints, were often fantastical and primarly a product of his imagination. ‎