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LINDEMANN Gottfried
TRIUMPH DER RENAISSANCE
Georg Westermann. 1966. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 192 pages, illustrées de planches couleur et de gravures noir et blanc dans le texte. Ouvrage en allemand.. Avec Jaquette. . . Classification Dewey : 430-Langues germaniques. Allemand
Reference : RO60014737
Meisterwerke der bedeutendsten italienischen Maler des 15. Jahrhunderts. Classification Dewey : 430-Langues germaniques. Allemand
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5 book(s) with the same title
Reference : alb460fdc1f000d1da2
Anderson K. Architecture. The Triumph of Harmony. Renaissance in Europe. In Russ
Anderson K. Architecture. The Triumph of Harmony. Renaissance in Europe. In Russian (ask us if in doubt)/Anderson K. Arkhitektura. Torzhestvo garmonii. Renessans v Evrope. M. Word 2021. 264 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb460fdc1f000d1da2
Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe
Kren, Thomas and Scot McKendrick: Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe. Exhibition: London, Royal Academy and Los Angeles, Getty Museum, 2003. c.480pp with 201 colour and 215 monochrome illustrations. Paperback. 31x23.5cms. Focuses on the zenith of Flemish illustrated manuscript production. Spanning the period between 1467 when Charles the Bold began his reign, to 1561, artists featured include Simon Marmion, Gerard David, Simon Bening and Gerard Horenbout. Discusses both secular and religious manuscripts, placing them in the wider context of contemporary visual arts.
Focuses on the zenith of Flemish illustrated manuscript production. Spanning the period between 1467 when Charles the Bold began his reign, to 1561, artists featured include Simon Marmion, Gerard David, Simon Bening and Gerard Horenbout. Discusses both secular and religious manuscripts, placing them in the wider context of contemporary visual arts. Text in English
AFRICAN ART IN THE BARNES FOUNDATION : The triumph of l'art n gre and the Harlem renaissance
, SKIRA / Rizzoli 2015, 2015 Hardcover, 288 pages, ENG, 325 x 235 mm, dustjacket, 325 illustrations in full colour, New, . ISBN 9780847845217.
The first publication of the Barnes Foundation?s important and extensive African art collection. The Barnes Foundation is renowned for its astonishing collection of Postimpressionist and early Modern art assembled by Albert C. Barnes, a Philadelphia pharmaceutical entrepreneur. Less known is the pioneering collection of African sculpture that Barnes acquired between 1922 and 1924, mainly from Paul Guillaume, the Paris-based dealer. The Barnes Foundation was one of the first permanent installations in the United States to present objects from Africa as fine art. Indeed, the African collection is central to understanding Barnes?s socially progressive vision for his foundation.This comprehensive volume showcases all 123 objects, including reliquary figures, masks, and utensils, most of which originated in France?s African colonies?Mali, C te d?Ivoire, Gabon, and the Congo?as well as in Sierra Leone, Republic of Benin, and Nigeria. Christa Clarke considers the significance of the collection and Barnes?s role in the Harlem Renaissance and in fostering broader appreciation of African art in the twentieth century. In-depth catalog entries by noted scholars in the field complete the volume.
Thomas Kren; Scot McKendrick; Catherine Reynolds; Brigitte Dekeyzer;
Reference : 55045
Illuminating the Renaissance : The Triumph of Flemish Manuscript Painting in Europe
, Getty Trust Publications, 2004 Hardcover, 575 pages, English, 315 x 240 x 50 mm, In Good Condition !!, red cloth with goldcoloured imprint, illustrated dustjacket, with coloured / b/w illustrations. ISBN 9780892367030.
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period - beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening - the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of colour, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Focusing on the notable artists of the period - Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others - the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style.
The Renaissance. The Triumph of Flemish Manuscript painting in Europe.
Los Angeles, Getty Foundation, 2003, in-4°, xv + 575 pp, index, bibliography, coloured ills. red publisher's cloth with dustjacket. Fine copy, published on the occasion of an exhibition at the Paul Getty foundation and in London at the Royal Academy.
