Write to the booksellers
LINDEMANN Gottfried
TRIUMPH DER RENAISSANCE
Georg Westermann. 1966. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 192 pages, illustrées de planches couleur et de gravures noir et blanc dans le texte. Ouvrage en allemand.. Avec Jaquette. . . Classification Dewey : 430-Langues germaniques. Allemand
Reference : RO60014737
Meisterwerke der bedeutendsten italienischen Maler des 15. Jahrhunderts. Classification Dewey : 430-Langues germaniques. Allemand
Bookseller's contact details
Le-livre.fr / Le Village du Livre
ZI de Laubardemont
33910 Sablons
France
05 57 411 411
Payment mode
Sale conditions
Les ouvrages sont expédiés à réception du règlement, les cartes bleues, chèques , virements bancaires et mandats cash sont acceptés. Les frais de port pour la France métropolitaine sont forfaitaire : 6 euros pour le premier livre , 2 euros par livre supplémentaire , à partir de 49.50 euros les frais d'envoi sont de 8€ pour le premier livre et 2€ par livre supplémentaire . Pour le reste du monde, un forfait, selon le nombre d'ouvrages commandés sera appliqué. Tous nos envois sont effectués en courrier ou Colissimo suivi quotidiennement.
5 book(s) with the same title
Reference : alb460fdc1f000d1da2
Anderson K. Architecture. The Triumph of Harmony. Renaissance in Europe. In Russ
Anderson K. Architecture. The Triumph of Harmony. Renaissance in Europe. In Russian (ask us if in doubt)/Anderson K. Arkhitektura. Torzhestvo garmonii. Renessans v Evrope. M. Word 2021. 264 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb460fdc1f000d1da2
African Art in the Barnes Foundation. The Triumph of l'Art nègre and the Harlem Renaissance.
New York: Skira Rizzoli, 2015 in-4, 294 pages, richement illustré. Reliure toile imprimée d'éd., très bon état.
African Art in the Barnes Foundation. The Triumph of l'Art nègre and the Harlem Renaissance. (New York: Skira Rizzoli, 2015) [M.C.: Art africain, African Art]
Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe
Kren, Thomas and Scot McKendrick: Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe. Exhibition: London, Royal Academy and Los Angeles, Getty Museum, 2003. c.480pp with 201 colour and 215 monochrome illustrations. Paperback. 31x23.5cms. Focuses on the zenith of Flemish illustrated manuscript production. Spanning the period between 1467 when Charles the Bold began his reign, to 1561, artists featured include Simon Marmion, Gerard David, Simon Bening and Gerard Horenbout. Discusses both secular and religious manuscripts, placing them in the wider context of contemporary visual arts.
Focuses on the zenith of Flemish illustrated manuscript production. Spanning the period between 1467 when Charles the Bold began his reign, to 1561, artists featured include Simon Marmion, Gerard David, Simon Bening and Gerard Horenbout. Discusses both secular and religious manuscripts, placing them in the wider context of contemporary visual arts. Text in English
AFRICAN ART IN THE BARNES FOUNDATION : The triumph of l'art n gre and the Harlem renaissance
, SKIRA / Rizzoli 2015, 2015 Hardcover, 288 pages, ENG, 325 x 235 mm, dustjacket, 325 illustrations in full colour, New, . ISBN 9780847845217.
The first publication of the Barnes Foundation?s important and extensive African art collection. The Barnes Foundation is renowned for its astonishing collection of Postimpressionist and early Modern art assembled by Albert C. Barnes, a Philadelphia pharmaceutical entrepreneur. Less known is the pioneering collection of African sculpture that Barnes acquired between 1922 and 1924, mainly from Paul Guillaume, the Paris-based dealer. The Barnes Foundation was one of the first permanent installations in the United States to present objects from Africa as fine art. Indeed, the African collection is central to understanding Barnes?s socially progressive vision for his foundation.This comprehensive volume showcases all 123 objects, including reliquary figures, masks, and utensils, most of which originated in France?s African colonies?Mali, C te d?Ivoire, Gabon, and the Congo?as well as in Sierra Leone, Republic of Benin, and Nigeria. Christa Clarke considers the significance of the collection and Barnes?s role in the Harlem Renaissance and in fostering broader appreciation of African art in the twentieth century. In-depth catalog entries by noted scholars in the field complete the volume.
Illuminating the Renaissance. The Triumph of Flemish Manuscript Painting in Europe.
Los Angeles, J. Paul Getty Museum, (2004). Large 4to. Orig. full cloth with d/j. 575 pp. Richly illustrated, partly in colour. Clean and fine.
