Paul Hamlyn. 1969. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 158 pages, illustrations en couleurs dans le texte de Peter Morter & Design Bureau.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Reference : RO60004167
Hamlyn all-colour paperbacks. Classification Dewey : 420-Langue anglaise. Anglo-saxon
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Meredith Chilton / Johann Kr ftner | Claudia Lehner-Jobst | Ghenete Zelleke | Johanna Lessmann
Reference : 60838
, Arnoldsche, 2009 Hardcover, 1432 pages / seiten , Deutsch, 350 x 260 x 120 mm, 3 Teile im stabilen Koffer, Illustrationen in sch nes Farben, wie Neu !!. ISBN 9783897903081.
Du Paquier, an independently operating Viennese porcelain factory, was established in 1718, only eight years after Meissen. Although its heyday was brief, lasting only twenty-five years, Du Paquier produced porcelain of great beauty, notable for an enchantingly graceful style and consummate sophistication of execution. In three sumptuously illustrated volumes, scholars of international standing present the distinctive style and the exciting history of Du Paquier porcelain in the context of Baroque Vienna. The first comprehensive publication on this important porcelain factory, this work has been made possible through a five-year research programme conducted by the Melinda and Paul Sullivan Foundation for the Decorative Arts. The objects shown, many of them for the first time here, are in major public and private collections. The first volume deals with the historical and stylistic background of Du Paquier porcelain: art and architecture in early eighteenth-century Baroque Vienna; furthermore, the history of the porcelain factory, its style and its manifold sources of inspiration as well as Du Paquier?s relationship to Meissen and the role played at Du Paquier by independent porcelain painters and decorators (Hausmaler). The second volume places this Viennese porcelain in its cultural context, providing broad-ranging information on court banquet ceremony as well as private pleasures such as drinking and festive dining. Objects used in aristocratic circles are shown along with choice presents of state made to the Ottoman and Russian courts. In addition, this volume contains a new study on the Dubsky Room, the only room still in existence devoted to Du Paquier porcelain. The contents of the third volume include an annotated catalogue comprising approx. 500 objects, scholarly analysis and a chapter on the history of collecting Du Paquier porcelain, an inventory of the Dubsky Room, a bilingual glossary of terms and a complete bibliography. An enclosed CD-ROM contains transcriptions of original documents that have played an important role in the history of the Du Paquier porcelain factory. The arts in Baroque Vienna represent the cultural background for the magnificent Du Paquier porcelain. These lavishly designed books provide a comprehensive introduction to this courtly society and the distinctive porcelain made by Du Paquier. Essays by distinguished scholars in the field make this publication a standard work, not only for specialists but also for collectors and connoisseurs of porcelain as well as anyone interested in the Baroque era.
Reference : alb5a2bc7c9b4210ab6
Porcelain from the State Plant. Graphics by I.F. Rerberg and S.V. Chekhonin In Russian (ask us if in doubt)/Farfor Gosudarstvennogo zavoda. Grafika I.F. Rerberga i S.V. Chekhonina Short description: In Russian (ask us if in doubt).His book Porcelain of the State Plant is devoted to the history and production of the famous Imperial Porcelain Plant as it is known renamed after the October Revolution into the State Porcelain Plant. Imperial Porcelain Plant is one of the oldest in Europe the first and one of the largest in Russia for the production of artistic porcelain products. Initially it was called Porcelain Manufacture since 1765 the Imperial Porcelain Plant since 1917 the State Porcelain Plant in 1925 the plant was named after M.V. Lomonosov in connection with the 200th anniversary of the Russian Academy of Sciences. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb5a2bc7c9b4210ab6
, Published by Tommy Eklof, 2013 Hardcover with illustrated cover, 165 pages, 30x21cm. very richly illustrated with coloured illustrations, fine condition!. ISBN 9789163733376.
A handbook for dating Chinese porcelain from facial features and adornments for museums, collectors and dealers alike. To arrive at a stylistic chronology in the rendering of facial features of people in porcelain decorations, the author has collected and categorized more than 3900 faces of men, women and children in Chinese porcelain decorations, dating from the 15th century until present day. The book contains: *Facial features and adornments described and dated in diagrams "quantity/year": - different outlines - 18 hairstyles - 27 headgear - 10 adornments - 6 clothes * 29 different categories of faces (men, women, children) described and dated in diagrams (quantity/year) with 12 faces examples for each gender for the most categories. Total more than 800 faces shown. * about 100 examples "copy versus authentic" to train the eyes. * advices to new collectors. The author is active as board moderator for the world's largest English language Chinese porcelain Internet site, "gotheborg". Some voices: "This book is a milestone for dating Chinese porcelain, for museums, collectors and dealers alike." "One thing that also sets this book apart from most other publications is the massive research and the number of pieces that has gone into its making. We are not talking about a few samples, not even a few hundreds of samples. The samples for this one counts into the thousands. This is not an idea, or a 'suggested direction of further research' etc., this is the thing.!" "It overwhelms me in every sense. Now I have a good reference at hand to date the porcelain by faces. A good guide mark for every porcelain lover, a milestone for dating porcelain." "I am more than pleased ! You have mastered what I think is the basis of true international language the ability to communicate simply. The format of simple text and great pictures works wonderfully well when trying to assimilate knowledge. You have nailed it!" "This is a refreshing change, although I am English I have to sit with a dictionary to fully understand some of the older classic reference books and the archaic language used by oxford graduates! This is a reference book for all, well done!" " A significant weapon in the armoury against confusion, misinformation and fakery!".
, Pitman House, 1980 Hardcover, 224 pages, ENG, 280 x 220 x 25 mm, dustjacket, in New Condition !, illustrated in colour / b/w. ISBN 9780273015383.
Porcelain is prized for its vivid whiteness, but it has always posed particular problems for the ceramicist using it. In Contemporary Studio Porcelain, Peter Lane provides a strong history and celebration of the development of porcelain at the turn of the new millennium. He gives particular consideration to the technical achievements, working practices, and aesthetic concerns of ceramicists who work with this most popular medium and its close relative, bone china. The international group of artists featured in this book demonstrates the confidence and versatility found in contemporary porcelain, resulting in a breathtaking look at the exciting and innovative work that is currently being done internationally in this field. Contemporary Studio Porcelain presents a wide diversity of porcelain objects that will both inspire and enthrall. This classic work, now substantially revised, is a must not only for any potter working in porcelain but also for collectors of fine ceramics.
Sigalas, Vanessa and Meredith Chilton: All Walks of Life, A Journey with the Alan Shimmermam Collection. Meissen Porcelain Figures of the Eighteenth Century. Stuttgart: 2021. 400 pages, 550 illustrations. Hardback. 21x28cms. A look at the history of the 18th-century Meissen porcelain figures in the Alan Shimmermam Collection. Ten essays discuss Johann Joachim Kaendler's production, the market for porcelain figures, their production, the socio-political context of Dresden during the Augustan Era as well as common urban, rural and court character types. Appendices consider Meissen figures made after the 18th century, scientific analysis of figures in the collection and a catalogue of Paris Criers drawings.
A look at the history of the 18th-century Meissen porcelain figures in the Alan Shimmermam Collection. Ten essays discuss Johann Joachim Kaendlers production, the market for porcelain figures, their production, the socio-political context of Dresden during the Augustan Era as well as common urban, rural and court character types. Appendices consider Meissen figures made after the 18th century, scientific analysis of figures in the collection and a catalogue of Paris Criers drawings. Text in English