Write to the booksellers
BROADLEY Hugh T.
Flemish painting.
National Gallery of Art, Washington, D.C.. 1960. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 43 pages, illustrations in colour.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Reference : RO60002506
Classification Dewey : 420-Langue anglaise. Anglo-saxon
Bookseller's contact details
Le-livre.fr / Le Village du Livre
ZI de Laubardemont
33910 Sablons
France
05 57 411 411
Payment mode
Sale conditions
Les ouvrages sont expédiés à réception du règlement, les cartes bleues, chèques , virements bancaires et mandats cash sont acceptés. Les frais de port pour la France métropolitaine sont forfaitaire : 6 euros pour le premier livre , 2 euros par livre supplémentaire , à partir de 49.50 euros les frais d'envoi sont de 8€ pour le premier livre et 2€ par livre supplémentaire . Pour le reste du monde, un forfait, selon le nombre d'ouvrages commandés sera appliqué. Tous nos envois sont effectués en courrier ou Colissimo suivi quotidiennement.
5 book(s) with the same title
Concept, Design and Execution in Flemish Painting (1550-1700),
Turnhout, Brepols, 2000 Paperback, 296 p., ill., 210 x 297 mm. ISBN 9782503507316.
This publication on Flemish painting deals with those elements of the social and intellectual context which played a role in the realisation of any work of art, the concrete steps taken within a workshop in preparing for the production of the work, and the production through to completion of the draft. Part One,Concept, deals with those elements of the social and intellectual context which played a role in the realisation of any work of art. This section therefore examines individual motivations and the intellectual background of artists and their patrons, as also their institutional context and working conditions. Part Two,Design, examines the concrete steps taken within a workshop in preparing for the production of a work of art. These include the use of study materials, such as collections of exempla, as well as the stages of work required to make exploratory sketches, the finished draft and thence its transfer to the definitive medium to be used. Part Three,Execution, focuses on the production through to completion of the draft on its support medium. This may be done by the artist himself, or through one or other method of sharing the work, such as the employing of assistants or specialists. Introduction by Frans Baudouin. I. CONCEPT Carl Van de Velde, Status quaestionis; Elisabeth McGrath, Personifying new ideas: the influence of books and humanism on the invention of allegorical figures; Fiona Healy, The satus of mythological painting in sixteenth- and early seventeenth-century Flanders; Jeffrey Muller, The use of art by confraternities in the St.Jacob's church, Antwerp; Christine Van Mulders, Peter Paul Rubens en Jan Breughel I: de drijfveren van hun samenwerking. II. DESIGN Arnout Balis, Status quaestionis; Jeremy Wood, Rubens as thief; Gregory Martin, The preparatory work for the Banqueting Hall ceiling; Anne-Marie Logan, Consistency and change in Rubens's preliminary drawings; Nora De Poorter, Seriewerk en recyclage: doorgedreven efficientie in het geroutineerde bedrijf vanJacob Jordaens. III. EXECUTION Hans Vlieghe, Status quaestionis; Kathelijne Van der Stighelen, Van zelfbeeld tot ezel: kunstenaarsalaam op 16de- en 17de eeuwse (zelf)portretten; Konrad Renger. New book.
VAN EYCK TO BRUEGEL. 1400 TO 1550 : DUTCH AND FLEMISH PAINTING IN THE COLLECTION OF THE MUSEUM BOYMANS-VAN BEUNINGEN.
Rotterdam, Museum Boymans-van Beuningen, 1994 Illustrated cardboard cover in colour, colour frontispice, 408pp., beautiful and profound colour illustration. ISBN 9069181370.
Catalogue tof Old Master paintings and sculptures. Excellent condition.
Dutch and Flemish Painting: Portraits 1600-1800, Old Masters' Gallery Catalogues, Szepmuveszeti Muzeum Budapest, Volume 1.
NL-, Primavera, 2011 Bound, hardcover, 304 pag., 22 x 28 cm, bound, ca. 150 ill. mostly colour fine condition !. ISBN 9789059971004.
The collection of Dutch Old Master paintings in the Szepm?veszeti Muzeum, Budapest, is one of the largest in the world outside the Netherlands and Belgium. This first volume of its catalogue raisonne series discusses one hundred and five Dutch and Flemish portraits from 1600 to 1800, an abundant and varied section of the collection. Represented are such great masters like Anthony van Dyck, Frans Hals, Thomas de Keyser, Bartholomeus van der Helst, and it includes fine works by leading portraitists from nearly all the famous centres of Dutch painting. The core of this material comes from the Prince Esterhazy collection purchased in 1871, which was subsequently enriched by gifts and bequests of further Hungarian aristocrats and bourgeois collectors. Until recently the collection of portraits has been augmented through resolute or occasional aquisitions by gallery directors, starting with Karoly Pulszky, Gabriel Terey and others. This volume is the first systematic overview of that special part of the Budapest collection, containing new achievements of research: several new attributions, names of sitters, and unknown data to the provenance of the paintings. The text is in English and Hungarian. Rudi E.O. Ekkart, director of the Rijksbureau voor Kunsthistorische Documentatie in the Hague, is the leading authority on seventeenth-century Dutch and Flemish portraits, author of scholarly catalogues and co-curator of special exhibitions. He is professor of arthistory at the Utrecht University.
DUTCH AND FLEMISH PAINTING IN NORFOLK. A HISTORY OF TASTE AND INFLUENCE, FASHION AND COLLECTING,
London, Her Majesty's Stationery Office, 1988 Illustrated cardboard cover in colour, 200 x 295mm., 186pp., illustrated in colour and b/w. ISBN 9780117010611.
Norwich Castle Museum, 10 September - 20 November 1988. In good condition.
Ten schools of Painting (10 volumes en sous emboîtage) American Painting, French Painting:19th century- Early Italian painting- French Painting:16th-18th centuries- Flemish painting- Later Italian painting- Dutch painting- British- German-Spanish
National Gellery of art. 1960. In-12. Broché. Etat d'usage, Couv. légèrement passée, Agrafes rouillées, Papier jauni. Environ 50 pages par volume. Texte en anglais. Sous emboîtage abîmé. Quelques rousseurs. Coins frottés. Dos fané. Nombreuses reproductions en noir et blanc et en couleurs, in et hors texte.. . Sous Emboitage. . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Autres auteurs: Hereward Lester cooke; Hugh T. Broadley, Thomas P. Baird. Classification Dewey : 420-Langue anglaise. Anglo-saxon
