Emile Marchand. début XXème. In-4. En feuillets. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 4 pages. Lettrines en couverture. Petites déchirures.. . . . Classification Dewey : 780.26-Partitions
Reference : RO50006587
Partitions pour piano. Classification Dewey : 780.26-Partitions
Le-livre.fr / Le Village du Livre
ZI de Laubardemont
33910 Sablons
France
05 57 411 411
Les ouvrages sont expédiés à réception du règlement, les cartes bleues, chèques , virements bancaires et mandats cash sont acceptés. Les frais de port pour la France métropolitaine sont forfaitaire : 6 euros pour le premier livre , 2 euros par livre supplémentaire , à partir de 49.50 euros les frais d'envoi sont de 8€ pour le premier livre et 2€ par livre supplémentaire . Pour le reste du monde, un forfait, selon le nombre d'ouvrages commandés sera appliqué. Tous nos envois sont effectués en courrier ou Colissimo suivi quotidiennement.
Paris, Paul Dupont, 1924, in 4 br. de 167 pp., couvert. illustrée d'une composition à pleine-page signée par Paul-Franz NAMUR, portrait photographique de l'auteur en front., broché bon etat
Ray G5*
Brussel, Horta/ Cera, 2022 Bound, Hardcover, 288 pages: with 300 illustrations,. ENGLISH TEXT ISBN 9782960202137.
The first volume Art Nouveau in Belgium innovation and ideal, of the project Belgian Art Nouveau Belge is organized around the figure of Victor Horta. To be architectural work may often be the center of attention stand, it is different with his countless creations in the field of decorative arts, be it ironwork, furniture, molds in plaster or frames in wood; there is currently no scientific publication yet that provides a complete overview outlines this topic. The same applies to the realizations of Georges Hob (1854-1936), Fernand Dubois (1861-1939), Paul Du Bois (1859-1938) and L on Ledru (1855-1926). For each of these five artists, a researcher provides an accompanying scientific article with bibliographical references and illustrations often never before were published. This first volume also contains a foreword that was written by Prof. Paul Greenhalgh, director of the Sainsbury Center for Visual Arts (Norwich), as well as an introductory text by Fran oise Aubry (former curator of the Horta Museum), titled Gustave Serrurier, Victor Horta, Paul Hankar and Henry van de Velde: create a new mobilier la fin du XIX si cle?. In his relentless quest, Horta gradually strives for more purity and sobriety in the pieces of furniture he is in front of makes customers - who are usually wealthy and like what is new. To take stock of its contribution to innovation of the decorative arts from the last decade of the 19th century century, including a close collaboration with the studio by the furniture maker Henri Pelseneer (1847-1909), no one is better placed than Fran oise Aubry, an indispensable reference in the research to Belgian Art Nouveau and internationally recognized specialist of the oeuvre of Horta. The architect Georges Hob , who was a self-taught artist and a great competitor of Horta, enjoyed considerable success in his lifetime in Belgium, before falling into oblivion. The rediscovery of his work, both in architecture and decorative arts, owes a lot to Pr. Raymond Balau (ENSAV La Cambre), who is an architect as well as an urban planner, art and architecture critic and researcher in the field of architecture from the twentieth century in Belgium. As part of the Belgian Art Nouveau project Belge, Balau will focus on two exhibitions in particular in which Horta and Hob played an important role, with in particular the Belgian part of the International Exhibition for Modern Decorative Arts in Turin in 1902 and the Modern Section Decorative Arts of the Belgian Pavilion of the Internationale Exhibition of Milan in 1906. VICTOR HORTA (1861-1947) Chair Mahogany wood and imitation crocodile leather Chateau de la Hulpe Woodworker Henri Pelseneer (1847-1909) Belgian Art Nouveau: Vision, Design and Craft
Couverture souple. Broché. 46 pages. Couverture tachée.
Livre. Editions Les livres Nouveaux, Vers 1940.
Paris Imprimerie Paul Dupont 1924 in 4 (28x22,5) 1 volume broché, couverture illustrée (dos défraichi, avec une petite trace de mouillure claire), 167 pages [3], portrait photographique de l'auteur en frontispice, nombreux dessins hors-texte par Paul-Franz Namur, et nombreuses photographies noir et blanc. Notre exemplaire est incomplet des 2 premiers feuillets (1°/ premier feuillet blanc et 2°/ page de faux-titre avec la justification au verso). Exemplaire de l'édition originale sur beau papier vergé. Bon exemplaire, tel quel ( Photographies sur demande / We can send pictures of this book on simple request )
Bon
Paris Librairie Arnaud, 1910, in-12, broché, 204p. Edition originale. Très bon état.