‎BLANCHET JEAN-BERNARD, CONVARD ALAIN‎
‎ÇA COM‎

‎Les papiers du paradis ... Et pourtant ça roule encore ! Ca roule en noir, en blanc, en camaïeu et même en zébré... Ca roule en ville, autant qu'à la campagne, aussi bien à la sortie des lycées que dans les discos "Madonnées"... Ca roule chez les cadres sup comme chez les employés, chez les bonnes espagnoles comme dans les chambres de leurs patronnes... Bref, ça roule partout et ça roule n'importe quoi, avec toutefois chez les connaisseurs, une prédilection pour les végétaux importés de Colombie ou du Niger... Papier, donc ! Papier à rouler les cigarettes et plus sûrement les joints, les sticks ou les pétards...‎

‎ Bâtimage est une collection BàT - Supplément au numéro 86, juin 1986 - in-8 broché - 16 pages illustrées‎

‎bon état ‎

‎Private Collectors in Brussels, Antwerp, and Ghent, ca. 1780-1914 Between Public Relevance and Personal Pleasure‎

‎, Brepols - Harvey Miller, 2024 hardcover, dusjacket, Pages: 376 pages,Size:216 x 280 mm , Illustrations:19 b/w, 128 col., 3 tables b/w. Language(s):English FINE. ISBN 9782503606194.‎

‎In the first half of the nineteenth century, Belgium was repeatedly praised as a country of collectors and amateurs, and private art and antique collectors were important and highly visible actors in urban cultural life. At a time when the public museum was still a relatively recent innovation, private collections were quite easily accessible for local and international visitors of the same social rank as the collectors. By the beginning of the twentieth century, however, the collector?s position in the public sphere had changed dramatically. Private collections were less accessible to an ever-expanding and increasingly culture-consuming public, and functioned more strongly in the context of the personal and explicitly private aims and networks of their owners. This book uncovers the premises and reasons for private collectors? shifting public role and relevance in nineteenth-century Brussels, Antwerp and Ghent. It examines the specific social, cultural, political, artistic and material context of private collectors? activity. Its main focus is on three related issues: 1) collectors? social profiles and networks; 2) collectors? tastes; and 3) the function, accessibility, display and reception of the collections. Attention is also paid to the differences between Brussels, Antwerp and Ghent with regard to the urban collecting cultures. The book intends to further our understanding of the diverse ways in which private collectors interacted with the social, cultural and artistic life of their cities and what the collectors? changing relationship to the public sphere can tell us about broader shifts in nineteenth-century culture, art and society.TABLE OF CONTENTS Private collectors and the public sphere: An introduction 1. The collector as a research subject 2. Towards a collective biography 3. Of amateurs, connoisseurs and collectionneurs 4. Sources, methods and the urban dimension 5. Looking ahead 1. An elite cultural practice in an age of transition 1.1. Preserving national heritage at the dawn of the nineteenth century 1.2. Belgian amateurs through the eyes of international travellers, ca. 1780-1860 1.3. Transformation of the collector scene, ca. 1860-1914 1.4. Personal profiles, artistic taste and local identities 1.5. Gender norms and the exclusivity of private collections 2. Enlightenment and the persistence of noble collecting, ca. 1780-1860 2.1. Arenberg. A rich tradition of collecting 2.2. The picture gallery and the art historical canon 2.3. Patronage and politics 2.4. Contemporary art and (semi-)private spaces 2.5. The adaptation and (dis)continuation of an influential model 3. Local historiography and Romantic imagination, ca. 1815-1880 3.1. Ghent as a city of antiquarian collecting 3.2. Heritage and experience in the Mus e Minard-Van Hoorebeke 3.3. The collector?s cabinet as a place of artistic inspiration 3.4. Family bonds, gender and the maintenance of a legacy 3.5. The end of Romantic collecting 4. The rise of Belgian art and its patrons, ca. 1830-1860 4.1. Cultural politics and the public life of private collections 4.2. Th odore de Coninck and the encouragement of the Belgian school in Ghent 4.3. The lithograph album: Dissemination and self-presentation 4.4. Common goals, distinct tastes ? 4.5. ? and personal agendas 5. The amateur in an expanding art world, ca. 1850-1900 5.1. Inventing the golden age of private collections: Politics and nostalgia 5.2. The Huybrechts family and the status of contemporary art in Antwerp 5.3. Elite sociability and the collector?s private realm 5.4. Forging a new position in the public sphere 5.5. The public-private divide 6. The cultural significance of the aesthete, ca. 1880-1914 6.1. Personal taste and national representativeness 6.2. Charles-L on Cardon and his multiple roles in the art world 6.3. The lure of the Early Flemish Masters 6.4. The private interior as a work of (national) art 6.5. A model of taste 6.6. Private collections and public impact 7. The emancipation of female taste, ca. 1890-1914 7.1. The disinterested maecenas and the collection as an alternative social space 7.2. Emma Lambotte and the avant-garde in Antwerp 7.3. The home as a means of self-expression and distinction 7.4. Women and the canon of modern Belgian art‎

‎Télérama n° 1470 - Si la télévision était un poumon, L'Orient Express, la star des sleepings, Et si on laissait tomber les petites Anglaises, Esprit, tords-tu ?, La musique parle a la folie, A l'Ouest du Rio Grande, Ca danse, ça saute, ça galope‎

‎Télérama. 15 mars 1978. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 110 pages. Nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 791.45-Télévision‎

‎Sommaire :Si la télévision était un poumon, L'Orient Express, la star des sleepings, Et si on laissait tomber les petites Anglaises, Esprit, tords-tu ?, La musique parle a la folie, A l'Ouest du Rio Grande, Ca danse, ça saute, ça galope, ça se multiplie c'est du McLaren Classification Dewey : 791.45-Télévision‎

‎Riches Beyond the Horizon. Long-distance Trade in Early Medieval Landscapes (ca. 6th-12th centuries)‎

‎, Brepols, 2022 Paperback, 320 pages, Size:178 x 254 mm, Illustrations:106 col., 16 tables b/w., 58 maps b/w, Language: English. ISBN 9782503599816.‎

‎Summary This book offers new and innovative perspectives on long-distance trade between Europe, the Mediterranean area, the Middle East, Africa, India and China during the Early Medieval period. The archaeological data and historical insights presented in this volume are without exception of great interest, often exciting, and more than once astonishing. The goods which travelled between the continents in the timespan under discussion (ca. 6th to 12th centuries) include pottery in all shapes and forms, textiles, coins, metal, lava millstones, glass, marble columns, rock-crystal beads, and also plants used for incense. The scope of the contributions includes the wide-ranging economic contacts of a Viking community, the changing patterns of long-distance trade in the Byzantine Empire, the spread of Chinese pottery to Africa, the Near East and Europe, the information on maritime routes provided by shipwrecks in the Java Sea, the reconstruction of an incense trade network, and the production and distribution of textiles as well as stone objects in the Middle East and beyond. The varied approaches in this volume underline that the movement of objects in Early Medieval times over vast distances not only reflect mechanisms of exchange, but also imply social networks and the transfer of ideas. Thus, Riches Beyond the Horizon sheds compelling light on a world which was much more complex and much more interconnected than has often been assumed. TABLE OF CONTENTS Joanita Vroom, Preface Hagit Nol, Long distance trade in the Early Medieval period: A general introduction Natalie Kontny, Arabo-Islamic geographies: Indian Ocean trade in Ibn KhurradKit (fl. 884 CE) Sterenn Le Maguer-Gillon, Elusive remains: Identifying incense trade routes in western Asia from biodegradable commodities (ca. 7th-13th centuries) Dashu Qin & Justin Ching Ho, Chinese ceramics exported to Africa during the 9th-10th centuries Guangcan Xin, Maritime trade in Southeast Asia from the 9th-10th centuries: A study of the Belitung and Cirebon Shipwrecks Joanita Vroom, From Xian to Birka and back: Constantinople as a nodal point in long-distance contacts during the early Middle Ages (ca. 6th-12th centuries) Hagit Nol, Rolling stones: Distribution patterns of marble, basalt and beach rock from Early Medieval Israel (ca. 7th-11th centuries) Orit Shamir & Alisa Baginski, Early medieval textiles from excavations in Israel (9th-13th centuries) trade and Transfer Ralf Wiechmann, Advancing into unknown lands: The numismatic material of Gros Stromkendorf near Wismar during the Early Viking age (ca. 8th-9th centuries)‎

‎Verzameling van ca. 25 toeristische gidsen en stadsplannen van Antwerpen.‎

‎2. Collectie in goede staat. Alle items met een formaat tussen 19 x 14 cm. [1] Église St. Jacques ...guide sommaire s.d. prix 0.25 fr. [2] Hotel de Ville d'Anvers, Gust Janssens, 1913, 31 pp. Idem in Engels/Duits/Nederlands (4 items). [3] Beknopte Gids Haven van Antwerpen , oblong formaat, , 1963, 71 pp. [4] Guide to Antwerp, A. Stappaers, s.d.(1920 ), 103 pp, + map of the city. [5] Beknopte Gids Antwerpen , Dienst voor Toerisme, 1968, met stadsplan. [6] Antwerpen, Kleiner Wegweiser. Verkehrsbüro, 1951, met stadsplan. [7] Antwerpen, Kurzer Führer, Fremdenverkehr, s.d. ( ca. 1952), met stadsplan. [8] Beknopte Gids voor Antwerpen met dagindeeling. (1936) , met addendum-blad 1947. [9] Antwerpen. Buschmann, ( vouwblad met kleine zwart/wit foto's) (ca. 1900 ). [10] Antwerpen, de stad van Rubens. s.d. ( ca. 1930 ?) (12)nn pp , geniet. [11] Antwerpen, (kosteloos), Propaganda-dienst, 1929, 32 pp, omslagontwerp Marfurt. [12] Plan van Antwerpen, s.d. ( vóór 1960), vouwblad. Idem in Duits, Frans, Spaans, Engels (5 items) [13]Antwerpen, s.d. ( ca. 1920 ?), 32 pp, zonder uitgever. Titel in reliefdruk op voorplat. [14] Antwerpen 1913. Buschmann, 31 pp, in het Duits, geniet ( nietjes met corrosie). [15] De voordelen der Haven van Antwerpen. Gemeentebestuur, 1929, 24 pp, ( geen ills.) [16] VTB Wandelboekjes. Een dag te Antwerpen door Frans Luyten, met stadsplan. ( na 1925). [17] Antwerp, concise guide to the city and the port. 1973, Tourist Office. [18] Antwerpen. Stadsplan in atlas-formaat. 64 pp, met 41 kaarten en overzichtskaart, ( ca. 1955). [19 Remi de Cnodder. Zoo Antwerpen - 125 jaar. 1968, Vlaam. Toer. Bib. nr. 94.‎