‎ABBÉ VAUTHRIN JACQUES‎
‎ADAPTATIONS‎

‎Saminsky Lillian. Poems and adaptations by Lillian Saminsky. Designs by N. Gontc‎

‎Saminsky Lillian. Poems and adaptations by Lillian Saminsky. Designs by N. Gontcharova Natalie Hays Hammond. In English (ask us if in doubt)/Saminsky Lillian. Poems and adaptations by Lillian Saminsky. Designs by N. Gontcharova Natalie Hays Hammond. Illya N. Goncharova Oxford Ft the Oxonian press 1931 60 c. SKUalbd9e78d01f309b6ba.‎

‎Revue économique n° 5 - Les définitions de la structure et la conception volontariste de l'économie politique par André Marchal, Distorsions de structures et adaptations structurelles en France de 1789 à 1914 par Jacques Houssiaux, Types de capitalisme‎

‎Librairie Armand Colin. Septembre 1958. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Mouillures. Paginé de 681 à 848.. . . . Classification Dewey : 330-Economie‎

‎Sommaire : Les définitions de la structure et la conception volontariste de l'économie politique par André Marchal, Distorsions de structures et adaptations structurelles en France de 1789 à 1914 par Jacques Houssiaux, Types de capitalisme et transformations des structures par Marc Penouil, Les processus de distorsions et d'adaptations structurelles dans l'économie française depuis 1914 par Roland Tavitian Classification Dewey : 330-Economie‎

‎Copies and Adaptations from Renaissance and later Artists : German and Netherlandish Artists. Corpus Rubenianum Ludwig Burchard XXVI in 2 volumes set.‎

‎Turnhout, Brepols, 2009 Hardback, 2 volumes original editor's jacket, english, 600 pp., 378 b/w ill. + 21 colour ill., 180 x 265 mm. Corpus Rubenianum Ludwig Burchard XXVI in 2 volumes set. ISBN 9781905375387.‎

‎Corpus Rubenianum Ludwig Burchard (Rubens studied his own artistic heritage. In his early youth he copied German illustrated books, such as Holbein?s Dance of Death, Tobias Stimmer?s Bible (1576), Jost Amman?s Flavius Josephus (1580) and the immensely popular Petrarch edition with woodcuts attributed to Hans Weiditz (1532). He also made drawings after engravings by Hendrick Goltzius (1596-97) and Johannes Stradanus (1589). These copies fall into Rubens?s youth or the years immediately following his return to Antwerp. In later years, he occasionally copied from the paintings of his predecessors and compatriots, but he preferred to retain their compositions and designs by collecting and retouching their works. He reworked drawings by German masters such as Hans Holbein the Younger, Hans Suss von Kulmbach and several artists from the school of Durer. Sheets of Netherlandish masters were retouched by Rubens: Cornelis Bos, Bernard van Orley, Pieter Coecke van Aelst, Michiel Coxcie, Aertgen and Lucas van Leyden, Jan Swart van Groningen and Marten van Heemskerck. He also painted copies from works by artists such as Hans Holbein, Quinten Massys, Willem Key, Joos van Cleve, Jan Vermeyen and Adam Elsheimer. Although no direct copies by Rubens after Pieter Bruegel the Elder are known, his late landscapes and genre scenes betray a profound influence from this great Flemish predecessor. He owned a number of drawings and paintings of peasant festivities with their accompanying scenes of drunkenness and brawls. It is in this category of works that we encounter all but one of the surviving Northern paintings retouched by Rubens. Among the Netherlandish paintings retouched by Rubens listed in seventeenth-century Antwerp inventories but no longer identifiable, at least one is also of a low-life subject: a Brothel Scene, possibly by Marten van Cleve. ‎

‎Copies and Adaptations from Renaissance and later Artists: German and Netherlandish Artists SET 2 volumes‎

‎, Brepols, 2009 2 volumes, 600 p., 378 b/w ill. 21 colour ill., 180 x 265 mm, Languages: English,Hardbacks wth dusjackets, fine ISBN 9781905375387.‎

‎Rubens studied his own artistic heritage. In his early youth he copied German illustrated books, such as Holbein's Dance of Death, Tobias Stimmer's Bible (1576), Jost Amman's Flavius Josephus (1580) and the immensely popular Petrarch edition with woodcuts attributed to Hans Weiditz (1532). He also made drawings after engravings by Hendrick Goltzius (1596-97) and Johannes Stradanus (1589). These copies fall into Rubens?s youth or the years immediately following his return to Antwerp. In later years, he occasionally copied from the paintings of his predecessors and compatriots, but he preferred to retain their compositions and designs by collecting and retouching their works. He reworked drawings by German masters such as Hans Holbein the Younger, Hans Suss von Kulmbach and several artists from the school of Durer. Sheets of Netherlandish masters were retouched by Rubens: Cornelis Bos, Bernard van Orley, Pieter Coecke van Aelst, Michiel Coxcie, Aertgen and Lucas van Leyden, Jan Swart van Groningen and Marten van Heemskerck. He also painted copies from works by artists such as Hans Holbein, Quinten Massys, Willem Key, Joos van Cleve, Jan Vermeyen and Adam Elsheimer. Although no direct copies by Rubens after Pieter Bruegel the Elder are known, his late landscapes and genre scenes betray a profound influence from this great Flemish predecessor. He owned a number of drawings and paintings of peasant festivities with their accompanying scenes of drunkenness and brawls. It is in this category of works that we encounter all but one of the surviving Northern paintings retouched by Rubens. Among the Netherlandish paintings retouched by Rubens listed in seventeenth-century Antwerp inventories but no longer identifiable, at least one is also of a low-life subject: a Brothel Scene, possibly by Marten van Cleve.‎

‎Théâtre complet - Tome 12 : Adaptations - le procès de Jeanne d'Arc à Rouen 1431 - tambours et trompettes - exercices pour les comédiens.‎

‎L'Arche. 1968. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 164 pages - couverture légèrement jaunie.. . . . Classification Dewey : 792-Théâtre‎

‎Tome 12 : Adaptations - le procès de Jeanne d'Arc à Rouen 1431 - tambours et trompettes - exercices pour les comédiens. Classification Dewey : 792-Théâtre‎