‎Pynchon Thomas‎
‎V. - roman‎

‎Das größte Glück im Leben: Roman | Bezaubernder Ostsee-Roman über ein Haus am Meer das Glück verspricht‎

‎Piper 2023 384 pages 13 7x20 5x3 6cm. 2023. perfect. 384 pages.‎

‎Etat correct‎

‎Histoire du Roman et de ses rapports avec l'Histoire dans l'Antiquité Grecque et Latine.‎

‎ Paris, Didier,1862 ; grand in-8°,demi-chagrin vert de l' époque , jeux de quadruples filets dorés et à froid, titre doré;2ff.,IVpp.,472pp.; très rares piqûres, pales juanissures en début et fin d'ouvrage.Bon exemplaire bien relié.‎

‎I-Le Roman pendant l'Epoque Attique: Les premières narrations fabuleuses en prose dans la littérature grecque. Les romans dans l'école de Socrate.- II- Le Roman pendant l'époque Alexandrine : Le Roman et l' Histoire pendant l' époque Alexandrine. Roman sur la vie des hommes célèbres.Premier age du roman d'Alexandre. Roman épique, ou narrations en prose sur les temps héroiques et la Guerre de Troie. Roman sur la géographie.-III- Le Roman pendant la période romaine : Le Roman et l'histoire pendant l'époque des Antonins. Le roman philosophique. Le Roman Juif et le Roman Chrétien. Roman sur la vie des hommes cél!èbres.Second age du Roman d' Alexandre. Le Roman Epique.Romans sur la géographie.Romans d'amour et d' aventures.Traces des Romans anciens dans la Littérature du Bas-Empire et du Moyen-age. ‎

‎Funerary Portraiture in Greater Roman Syria‎

‎, Brepols, 2019 Paperback, xviii + 232 pages, Size:216 x 280 mm, Illustrations:229 col., 1 tables b/w., Language: English. ISBN 9782503576336.‎

‎Summary This volume provides a unique survey of locally produced funerary representations from across regions of ancient Syria, exploring material ranging from reliefs and statues in the round, to busts, mosaics, and paintings in order to offer a new and holistic approach to our understanding of ancient funerary portraiture. Up to now, relatively little attention has been paid to the way in which local and regional production of material in this area formed part of a broader pattern of sculptural and iconographical development across the Roman Near East. By drawing on material from an area encompassing modern Lebanon, Jordan, Syria, and Turkey, as well as Egypt and Achaia, the contributions in this book make it possible for the first time to take a wider perspective on the importance of funerary portraiture within Greater Roman Syria, and in doing so, to identify influences, connections, and iconographical analogies present throughout the region, as well as local differences, larger-scale boundaries, and ruptures in traditions that occurred across time and place. TABLE OF CONTENTS Michael Blömer & Rubina Raja, Funerary Portraits in Roman Greater Syria - Time for a Reappreciation Michael Blömer & Rubina Raja, Shifting the Paradigms: Towards a New Agenda in the Study of the Funerary Portraiture of Greater Roman Syria Andrea U. De Giorgi, 'Til Death Do Us Part: Commemoration, Civic Pride, and Seriality in the Funerary Stelai of Antioch on the Orontes Michael Blömer, The Diversity of Funerary Portraiture in Roman Commagene and Cyrrhestice Jutta Rumscheid, Different from the Others: Female Dress in Northern Syria Based on Examples from Zeugma and Hierapolis Michael A. Speidel, Roman Soldiers' Gravestones in Greater Syria: Thoughts on Designs, Imports, and Impact Rubina Raja, Funerary Portraiture in Palmyra: Portrait Habit at a Crossroads or a Signifier of Local Identity? Signe Krag, Palmyrene Funerary Female Portraits: Portrait Tradition and Change Achim Lichtenberger & Rubina Raja, Portrait Habit and the Funerary Portraiture of the Decapolis Karl-Uwe Mahler, Funerary Portraiture from the Coastal Region of Roman Syria Bilal Annan, Petrified Memories: On Some Funerary Portraits from Roman Phoenicia C. H. Hallett, Mummies with Painted Portraits from Roman Egypt and Personal Commemoration at the Tomb Sheila Dillon, Attic Funerary Portraiture in the Roman Period‎

‎Roman Identity. Between Ideal and Performance‎

‎, Brepols, 2023 Paperback, 402 pages, Size:156 x 234 mm, Illustrations:10 col., 2 tables b/w., Language: English. ISBN 9782503599229.‎

‎Summary Recent years have seen a significant increase in migration and displacement. Due to economic, political, and climatic pressures, large numbers of individuals are leaving their countries of origin and settling in new environments and societies. As a result, national identity has increasingly come to the fore in public discourse. Shaping and reshaping national agendas, debates surrounding national identity are affecting policies and influencing voting behaviours. Discourse on this issue is often centred on the idea of autochthony and nativism. Yet we do not encounter such anxieties in ancient Rome, one of the longest-lasting political orders in history. Unlike among the Greeks, the idea of autochthony did not take root among the Romans. Instead, Rome's identity tended to be fluid, accommodating the development of highly variegated and multi-ethnic groups and societies. The purpose of this volume is to understand how the Romans represented themselves and how others defined and regarded them. It aims to identify the various narratives that contributed to the construction of Roman self-representation by raising the following questions: What stories did Romans tell about themselves? How did they enact and perform their selfhood in biographical and autobiographical sources? How did Greek and Judean sources understand and define Roman identity? And, taken together, how did these narratives influence Roman self-perception? Rather than arguing for a monolithic or coherent understanding of Romanitas, this volume explores a variety of performances and manifestations of Roman identity. It focuses both on sources where the self or individual is the primary focus, alongside more general texts dealing with specific elements of Roman identity. TABLE OF CONTENTS Introduction: Defining Self and Other in Changing Situations and Discourses. The Dynamism and Fluidity of the Notion of Identity (Lautaro Roig Lanzillotta) I. Roman Identity in (Auto)Biographical Texts Similarities and Dissimilarities: Roman Identity and Models of Behaviour in Nepos' Punic Lives (Francesco Ginelli) Identity in Latin Verse Autobiography (Helen Kaufmann) Lucretia, Tullia and Tanaquil: Shaping the Identity of Rome's Women in the Augustan Period (Nuno Simões Rodrigues) Pythagoreanism and Roman Identity in Plutarch's Aemilius Paullus (Davide Morelli) Overcoming Otherness in Flavian Rome: Flavius Josephus and the Rhetoric of Identity in the Bellum Judaicum (Eelco Glas) Performing Roman Identity in Suetonius' Caesars (José Luís Brandão) When the Emperor is the Other: Perceptions of Identity in the Historia Augusta's Life of Maximinus (Cláudia Teixeira) II. Roman Identity in Political and Legal Discourses Quirites and Populus Romanus: New Identities and Old Figures in Archaic Legal Formulas (Carlo Pelloso) Rome in the Mirror: Varro's Quest for the Past, for a Present Goal (Federica Lazzerini) Sacra privata perpetua manento: A Reading of Cicero's De Legibus (Cláudia Beltrão) Roman Maiestas: Becoming Imperial, Staying Republican (Ália Rodrigues) What's in a Natio: Negotiating Ethnic Identity in the Roman Empire (Kelly Nguyen) Index rerum ac nominum‎

‎Le Roman comique.‎

‎Compositions de Edouard Zier Paul Scarron était un écrivain français du XVIIe siècle, surtout connu pour son roman intitulé "Le Roman comique." Il était un écrivain satirique et humoristique de l'époque baroque. "Le Roman comique," publié pour la première fois en 1651, est considéré comme l'un des premiers romans français à adopter une approche résolument comique et satirique. Le roman raconte les aventures d'une troupe de comédiens itinérants en France pendant la première moitié du XVIIe siècle. Il se présente comme une parodie des romans populaires de l'époque, en particulier les romans précieux et sentimentaux. Scarron utilise le récit de la vie de la troupe de comédiens pour se moquer des conventions littéraires et sociales de son époque. Le roman est également remarquable pour son utilisation de l'autodérision. Scarron se moque souvent de lui-même, notamment en raison de son infirmité due à une paralysie. Il utilise son propre vécu pour créer des personnages comiques et excentriques. "Le Roman comique" est un exemple précoce de roman picaresque, un genre littéraire qui met en scène des anti-héros ou des personnages marginaux. Il a influencé de nombreux écrivains ultérieurs, notamment Molière et son théâtre comique. En résumé, "Le Roman comique" de Paul Scarron est un roman satirique et humoristique du XVIIe siècle qui se moque des conventions littéraires et sociales de l'époque tout en racontant les aventures d'une troupe de comédiens itinérants. Il est important dans l'histoire de la littérature française en tant que précurseur du roman picaresque et du théâtre comique. complet en deux volumes in-4 brochés en parfait état, 250x170, 228, 224pp. En parfait état, Editions Jules Tallandier, " Collections les Chefs-d'Oeuvres de l'esprit ", ss date 1900. ref/192‎