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S&SM. 1998. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 462 pages + 1 CD. Nombreuses illustrations en noir et blanc dans le texte. Reliure d'éditeur moderne.. . . . Classification Dewey : 4-Traitement des données. Informatique
Reference : RO30048705
ISBN : 2744004138
Classification Dewey : 4-Traitement des données. Informatique
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5 book(s) with the same title
Willem Key (1516-1568). Portrait of a Humanist Painter .
, Brepols, 2011 Hardback with dusjacket., Languages: English, 345 pages., 50 b/w ill. 150 colour ill., 190 x 250 mm, fine condition . ISBN 9782503536781.
Willem Key was one of the leading portrait and history painters in sixteenth-century Antwerp. He was born in Breda in 1516. Following in his older brother Wouter's footsteps, Willem went to Antwerp to become a painter. He studied under Pieter Coecke (1529) and later, like Frans Floris, apprenticed in the workshop of Lambert Lombard in Liege before becoming a free master in 1542. In 1568, just when he had reached the top of his abilities and enjoyed the patronage of outstanding individuals and institutions, Willem Key died suddenly. The artist?s biographer and painter Karel van Mander tells us that Key was blessed with ?Sulcke edele gheesten,? such a noble mind. And, he had a ?Docta manus,? a learned hand, as the Bruges humanist and painter Domenicus Lampsonius phrased this topos in 1572. This is the first monograph to place Willem Key and his oeuvre in a historical framework. It demonstrates why the nobility, including the Duke of Alba and Cardinal Granvelle, considered him the best portrait painter of his day and why leading humanists viewed his many history paintings as eloquent visualizations of contemporary art theory. The reason why Willem Key's peers regarded him as such an exceptional painter lay in his creative ability to do battle on an uneven playing field with the artists who had been to Italy. In his reconciliation of the Netherlandish tradition with the rapidly advancing Italian manner, Key grasped the spirit of the Renaissance as formulated by Alberti. The quintessence of Key's art inspired numerous artists in his own time and later, including the grandmaster of the Baroque, Pieter Paul Rubens. By shedding light on this amazing confrere of Pieter Bruegel, Pieter Aertsen, Anthonis Mor and Frans Floris and placing him in the highly complex and fascinating time he lived in, this monograph and catalogue raisonne of the art of Willem Key restores the artist to his rightful place in sixteenth-century Antwerp art.
Eugene-Joseph Verboeckhoven en zijn medeschilders, Le peintre animalier et ses collaborateurs - The animal painter and his fellow painters
, Brussel, Van de Ven, , 2006 Bound, with dusjacket, 24x29,5cm,, 448 pages and 400 illustration in color, ; 30 cm. - Jaquette conserv e part / Nieuwstaat / neuf / fine condition. ISBN 90810195.
Monograph;; De dierenschilder en zijn medeschilders - Le peintre animalier et ses collaborateurs - The animal painter and his fellow painters .text in French +English + Dutch, a very good book about this famous painter. Verboeckhoven en zijn voorlopers en zijn omgeving, zijn faam en levensloop, Eug ne-Joseph Verboeckhoven : 1798-1881 : de dierenschilder en zijn medeschilders = le peintre animalier et ses peintres collaborateurs = the animal painter and his fellow painters / Herman De Vilder, Kris Van de Ven. - Peutie : Kris Van De Ven , 2006. - - 125 EUR.
Eugene-Joseph Verboeckhoven en zijn medeschilders, Le peintre animalier et ses collaborateurs - The animal painter and his fellow painters
, Brussel, Van de Ven, , 2006 Bound, with dusjacket, 24x29,5cm,, 448 pages and 400 illustration in color, ; 30 cm. - Jaquette conserv e part / Nieuwstaat / neuf / fine condition. ISBN 90810195.
Monograph;; De dierenschilder en zijn medeschilders - Le peintre animalier et ses collaborateurs - The animal painter and his fellow painters .text in French +English + Dutch, a very good book about this famous painter. Verboeckhoven en zijn voorlopers en zijn omgeving, zijn faam en levensloop, Eug ne-Joseph Verboeckhoven : 1798-1881 : de dierenschilder en zijn medeschilders = le peintre animalier et ses peintres collaborateurs = the animal painter and his fellow painters / Herman De Vilder, Kris Van de Ven. - Peutie : Kris Van De Ven , 2006. - - 125 EUR.
ABELLO, juan; painter; la vie et oeuvre. ***** With inscrible of the painter and a drawing in color.
, Spain, Reunidas, 1974, Bound, with dusjacket, 327pp.
With inscrible of the painter and a drawing in color. and three original photo's of the painter also signed.
Jan Massys : Renaissance Painter of Flemish Female Beauty.
, Brepols - Harvey Miller, 2024 Hardback, 239 pages, ENG. edition; 305 x 220 x 20 mm; llustrations: 82 b/w, 223 col., 2 tables b/w., 1 tables col. . ISBN 9782503607207.
This book rediscovers the Antwerp painter Jan Massys (c.1510-1573) and his artistic milieu. / The painter Jan Massys (c. 1510-1573) trained under his father Quinten, succeeding him after his death (1530) at the head of Antwerp's most famous workshop. However, his career, destined for certain success, was abruptly cut short in 1544. Condemned for joining the Loysts sect, he had to flee Antwerp, finding refuge perhaps initially in France and at one point in Italy. Only in 1555 was he able to return to his homeland, regaining his artistic leadership within a few years. His oeuvre consists exclusively of works for private use and is characterized, in particular, by the depiction of elegant and seductive nude or half-naked female figures, protagonists of biblical or mythological subjects. The identification of the patron of the 1561 Venus with the view of Genoa (Stockholm, Nationalmuseum) in the person of the noble Genoese banker Ambrogio di Negro, offered the possibility of reconstructing the social context of the artist's clientele and his relations with those intellectuals ? both Genoese and Flemish-who gave life to the lively humanist academies of Antwerp. The figure emerges of a cultivated and particularly refined painter, who shared with his patrons the ideals of neo-Petrarchan poetry and executed paintings of great preciousness, characterized by a meticulous and skillful painting technique. TABLE OF CONTENTS Chapter 1 Johannes Massiis alias Quintens Chapter 2 A career of ups and downs Chapter 3 Jan Massys and female beauty Chapter 4 A varied painting technique for depicting beauty, lechery, and luxury Chapter 5 Inside Jan Massys? Workshop: good and not-so-good workshop practices Chapter 6 Inside Jan Massys Workshop: known and unknown assistants Chapter 7 ConclusionBIO Maria Clelia Galassi graduated in art history at the University of Genoa and obtained her PhD from the University of Milan. Since 2000 she is professor at the University of Genoa, where she teaches History of collecting and Technical Art History. She focused her researches on Flemish and Italian painting technique during the Early Modern Age, and in the artistic relationship between Genoa and the Netherlands in the 15th and 16th centuries.
