‎INCONNU‎
‎COLOR.‎

‎Sources of Color Science , (Timaeus - On the soul ii - Sense and the sensible 2 - Meteorologica iii - New theory about light and colors - Opticks - Theory of colors and vision - Theory of light - On the theory of light and colors - Theory of compound colors - Theory of the perception of colors - The diagram of colors - Theory of compound colors, and the relations of the colors of the spectrum - On color vision - Physiological optics - Contribution to the physiology of visual sensations - Chromatic adaptation - Influence of adaptation on the effects produced by luminous stimuli - The optics of trichromatic photography - Outline of a theory of color measurement of daylight vision - Thresholds of color differences - Some problems of visual perception - Interpretation of quantitative data in visual problems - Measurability of sensations of hue, brightness, or saturation - Retinal structure and color vision - Laminar pattern of the lateral geniculate nucleus considered in relation to color vision)‎

‎The MIT Press Malicorne sur Sarthe, 72, Pays de la Loire, France 1970 Book condition, Etat : Bon hardcover, editor's binding, under editor's pink printed dust-jacket grand In-8 1 vol. - 292 pages‎

‎a few black and white text-figures 1st edition, 1970 Contents, Chapitres : Contents, Preface, x, Text, 282 pages - Plato : Timaeus - Aristotle : On the soul ii - Sense and the sensible 2 - Meteorologica iii - Isaac Newton : New theory about light and colors - Opticks - George Palmer : Theory of colors and vision - Theory of light - Thomas Young : On the theory of light and colors - Hermann Günter Grassmann : Theory of compound colors - James Clerk Maxwell : Theory of the perception of colors - The diagram of colors - Theory of compound colors, and the relations of the colors of the spectrum - On color vision - Herman von Helmholtz : Physiological optics - Johannes von Kries : Contribution to the physiology of visual sensations - Chromatic adaptation - Influence of adaptation on the effects produced by luminous stimuli - Frederic Eugene Ives : The optics of trichromatic photography - Erwin Schrödinger : Outline of a theory of color measurement of daylight vision - Thresholds of color differences - John Guild : Some problems of visual perception - Interpretation of quantitative data in visual problems - Lewis Fry Richardson : Measurability of sensations of hue, brightness, or saturation - Stephen Polyak : Retinal structure and color vision - Sir Wilfried E. Le Gros Clark : Laminar pattern of the lateral geniculate nucleus considered in relation to color vision near fine copy, minor wear on the top of the dust-jacket, with very small missing of paper on the top of the spine, the D-J remains nearly complete and fine, inside is fine, no markings‎

‎Color Harmony 3 Volumes. 1. Color in the Interior. The Art of Color Selection. 2. Interior. Color combinations that work‎

‎Color Harmony 3 Volumes. 1. Color in the Interior. The Art of Color Selection. 2. Interior. Color combinations that work. 3. Color Harmony. A practical catalogue of advanced color gamma with CMYK decoding of all shades. In Russian (ask us if in doubt)./Garmoniya tsveta 3 toma. 1. Tsvet v inter'ere. Iskusstvo vybora tsvetovoy gammy. 2. Inter'er. Tsvetovye sochetaniya kotorye rabotayut. 3. Garmoniya tsveta. Prakticheskiy katalog rasshirennykh tsvetovykh gamm s rasshifrovkoy vsekh ottenkov po sisteme CMYK. Minsk. Harvest. 2006. 320 and 320 and 320p.SKUalb3f6c870e2e32162c.‎

‎Interacting with Color: A Practical Guide to Josef Albers's Color Experiments.‎

‎<p><meta charset="utf-8"><strong>The essence of Josef Albers’s<span></span><em>Interaction of Color</em><span></span>in a format that engages learners of all ages and levels and encourages a hands-on approach</strong><br><span></span><br><em>Interaction of Color<span></span></em><span>is often presented as an overarching theory of color, but it is actually a method of learning how to better see and understand color—many of the color exercises illustrated in</span><em>Interaction of Color</em><span>were devised by Albers’s students: cutting and pasting, looking, pondering, and learning. This workbook companion is a teaching tool designed to enable readers to engage in the kinds of tactile creativity and exploration that characterized Albers’s own classroom.</span><br><span></span><br><span>Focusing on eight of the most important lessons in</span><em>Interaction of Color</em><span>, this book invites readers to learn by doing, using only simple materials. Core instructions for each exercise are enhanced by additional tips, references to Albers’s original text and illustrations, and stories about how Albers presented the ideas in class. The book and exercises are sufficiently nuanced to challenge and inspire seasoned artists, designers, and educators while also being readily accessible to younger readers and less-experienced practitioners.</span></p> Yale, 2024 Yale University Press 144 p., nombreuses illustrations couleur, broché. 15,2 x 23,4‎

‎Neuf‎

‎Ertes Theatre Costumes in Color. Ertes Theatrical Costumes in Full Color. New Y‎

‎Ertes Theatre Costumes in Color. Ertes Theatrical Costumes in Full Color. New York: Dover Publications, 19/Teatralnye kostyumy Erte v tsvete. Ertes Theatrical Costumes in Full Color. Na angl. yaz. Nyu-York: Dover Publications, 19 Ertes Theatrical Costumes in Full Color. New York: Dover Publications, 1979. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUbd--6a01506d9cee8676.‎

‎L szl Moholy-Nagy: Color in Transparency: Photographic Experiments in Color, 1934-1946‎

‎, Steidl/Bauhaus-Archiv, 2006, Hardcover with dusjacket 206 pages, throughout colour illustrations. ISBN 9783865212931.‎

‎Among the early twentieth-century's avant-garde, Hungarian-born photographer Lszlo Moholy-Nagy (1895-1946) was one of the most ardent seekers of the "New Vision." His preoccupation with the phenomenon of light was a defining influence on every period of his work, and one of his great strengths lay in his effortless skill in translating light and spatial dimensions from one medium to another. By the time the first color photographic processes became widely available in the early 1930s, he had mastered black-and-white, and he turned immediately to this next big thing. Color proved to be one of his most important mediums, not only during his early years in Germany, but also as he reestablished himself at the New Bauhaus and the Institute of Design, both of which he initiated upon moving to the United States and settling in Chicago. Until now, with only a few exceptions, his work in color has been unknown. Color in Transparency presents 100 pieces including advertisements, portraits, urban views, New Bauhaus studies and abstract compositions--created between Moholy-Nagy's first experiments with the medium in 1934 and his death in 1946. A foreword by his daughter, Hattula Moholy-Nagy, and an essay and captions by art historian and critic Jeannine Fiedler, along with a chronology and bibliography, elucidate the history of this appealing and accessible area of Moholy-Nagy's work, as well as its significance in his oeuvre.‎