CANTINI. 1991. In-8. Broché. Très bon état, Couv. fraîche, Dos impeccable, Intérieur frais. 120 pages. Nombreuses planches d'illustrations en noir et blanc et en couleur hors-texte. Couverture rempliée. Textes en italien.. . . . Classification Dewey : 750-La peinture et les peintres
Reference : RO20034250
ISBN : 8877371064
"Catalogue complet de peinture. "" I gigli del'Arte"". Archive d'Art Ancien et Moderne. Classification Dewey : 750-La peinture et les peintres"
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[Francesco Mazzola called Parmigianino] - Giampaolo, Mario Di and Andrea Muzzi
Reference : 080312
(2003)
ISBN : 8822252810
Giampaolo, Mario Di and Andrea Muzzi: Il Parmigianino e il Fascino di Parma. Florence: 2003. 217pp with 129 monochrome illustrations. Paperback. 23.5x17.3cms. Explores draughtsmanship in Parma focussing on Parmigianino's drawings and his influence on his contemporaries, with 67 sheets by Parmigianino and 35 by others including Gandini del Grano, Anselmi, Boccaccino, Girolamo Bedoli, Orsi, Schiavone, Bertoja, and Schedoni. Text in Italian.
Explores draughtsmanship in Parma focussing on Parmigianino's drawings and his influence on his contemporaries, with 67 sheets by Parmigianino and 35 by others including Gandini del Grano, Anselmi, Boccaccino, Girolamo Bedoli, Orsi, Schiavone, Bertoja, and Schedoni. Text in Italian
[Francesco Mazzola called Parmigianino] - Franklin, David and David Eskerdjian
Reference : 079914
(2003)
ISBN : 0300103573
Franklin, David and David Eskerdjian: The Art of Parmigianino. Exhibition: Ottawa, National Gallery, 2003. 289pp with 90 colour plates and 86 monochrome illustrations. Hardback. 27.8x23cms. Detailed discussion of over 80 of Parmigianino's (1503-1540) works on paper, in an effort to reconsider his draughtsmanship and pin down the sources and developments of his style.
Detailed discussion of over 80 of Parmigianino's (1503-1540) works on paper, in an effort to reconsider his draughtsmanship and pin down the sources and developments of his style. Text in English
[Francesco Mazzola called Parmigianino] - Giampaolo, Mario di
Reference : 046974
(1991)
ISBN : 8877371064
Giampaolo, Mario di: Parmigianino. Catalogo completo dei dipinti. Florence: Cantini, 1991. 159pp with 65 colour plates (3 double-page) and 17 colour and monochrome illustrations. Paperback. 21x15.5cms. Catalogue of 49 works and six of uncertain attribution. Topographical index and bibliography. Text in Italian.
Catalogue of 49 works and six of uncertain attribution. Topographical index and bibliography. Text in Italian
[Francesco Mazzola called Parmigianino] - Ekserdjian, David
Reference : 082296
(2006)
ISBN : 0300108273
Ekserdjian, David: Parmigianino. London and New Haven: Yale University Press, 2006. 303pp with 100 colour and 150 monochrome illustrations. Cloth. 30x26cms. Catalogue of paintings, drawings and prints by the Italian artist (1503-1540). Also brings together the new paintings and drawings that have been discovered and published in recent years and discusses these works in the context of the artist's career and development.
Catalogue of paintings, drawings and prints by the Italian artist (1503-1540). Also brings together the new paintings and drawings that have been discovered and published in recent years and discusses these works in the context of the artist's career and development. Text in English
[Antonio Allegri da Correggio] - Bambach, Carmen C. et al
Reference : 071599
(2000)
ISBN : 0714126284
Bambach, Carmen C. et al: Correggio and Parmigianino. Master Draughtsmen of the Renaissance. Exhibition: London, British Museum, 2000. 192pp with 150 colour and 40 monochrome illustrations. Hardback. 27.6x21.9cms. A selection of 130 drawings, taken from worldwide collections such as the Ashmolean, Chatsworth, the Getty, Piepont Morgan Library and Windsor Castle, illustrate the differences and similarities between the working methods and personalities of the two 16th-century artists. Parmigianino is believed to have worked under Correggio and this is demonstrated in his early style, however his later style and approach contrasts that of Correggio. Expertly written by Carmen C. Bambach, Hugo Chapman, Martin Clayton and George R. Goldner. Brief bibliography, concordance and index of lenders.
A selection of 130 drawings, taken from worldwide collections such as the Ashmolean, Chatsworth, the Getty, Piepont Morgan Library and Windsor Castle, illustrate the differences and similarities between the working methods and personalities of the two 16th-century artists. Parmigianino is believed to have worked under Correggio and this is demonstrated in his early style, however his later style and approach contrasts that of Correggio. Expertly written by Carmen C. Bambach, Hugo Chapman, Martin Clayton and George R. Goldner. Brief bibliography, concordance and index of lenders. Text in English