‎VERONIQUE ROY‎
‎MUSEUM.‎

‎Pieces of a Nation: South Sudanese Heritage and Museum Collections.‎

‎<meta charset="utf-8"><p data-mce-fragment="1">South Sudan became independent in 2011 after decades of rebel wars with the Government of Sudan. Independence prompted discussions about South Sudanese identity and shared history, in which material objects and cultural heritage featured as vitally important resources. However, the long-term effects of colonialism and conflict had largely precluded any concerted attempts to preserve material culture within the country; museums remained in Khartoum, the capital of the formally united Sudan. Furthermore, tens of thousands of objects had been removed from what is now South Sudan during the nineteenth and twentieth centuries to museum and private collections around the world.</p><p data-mce-fragment="1">Up to now there have been few attempts to reconnect the history of these South Sudanese museum collections with people in or from South Sudan.<span data-mce-fragment="1"></span><em data-mce-fragment="1">Pieces of a Nation</em><span data-mce-fragment="1"></span>is the first extended study of South Sudanese material cultural heritage in museum collections and beyond.</p><p data-mce-fragment="1">The chapters discuss a range of different objects and practices – from museum objects taken from South Sudan in the context of enslavement and colonialism in the nineteenth and twentieth centuries to efforts by South Sudanese to preserve their country’s cultural heritage during recent conflicts.</p><p data-mce-fragment="1">With essays by 32 contributors in Europe, South Sudan, Uganda and Australia, this book delivers a unique range of perspectives on museum objects from South Sudan and on heritage practices in the country and among its diaspora. Written by curators, academics, heritage professionals and artists in accessible and engaging style, it is intended for scholars, museum professionals and a wide range of individuals interested in South Sudan, African arts and cultures, the history of museum collecting and colonialism and/or the role of material heritage in peacebuilding and refugee contexts.</p><p data-mce-fragment="1">At a time of widespread, prominent debates over the provenance of museum collections from Africa and calls for restitution, this book provides an in-depth empirical study of the circumstances and practices that led to South Sudanese objects entering foreign museum collections and the importance of these objects in South Sudan and around the world today.</p> Leiden, 2021 Sidestonepress 214 pages, 14 illustrations N/B., 36 illustrations couleur, broché. 18 x 25‎

‎Neuf‎

‎Ludwig Museum in the Russian Museum. Ludwig Museum in the Russian Museum. Ludwi‎

‎Ludwig Museum in the Russian Museum. Ludwig Museum in the Russian Museum. Ludwig Museum im Russischen Museum. In Russian /Muzey Lyudviga v Russkom Muzee. Ludwig Museum in the Russian Museum. Museum Ludwig im Russischen Museum. In Russian, English and German. St. Petersburg. Palas Editions. 1998. You are welcome to reach out to us for a detailed description of the copies currently available. SKUalbcd247efbd11af6bd.‎

‎Ten major museums of Shaanxi: Shaanxi History Museum : Museum of Qin Shi Huang Terra-cotta Army Vaults : Xi'an Museum of Steles : Banpo Museum : Xianyang ... Temple Museum : Yaozhou Kilns Museum [Paperback]‎

‎ Broché très bon état .Contenu propre. 200 pages . 1994. Ten major museums of Shaanxi: Shaanxi History Museum : Museum of Qin Shi Huang Terra-cotta Army Vaults : Xi'an Museum of Steles : Banpo Museum : Xianyang ... Temple Museum : Yaozhou Kilns Museum. PHOTOS SUR DEMANDE ‎

‎ Merci de nous contacter à l'avance si vous souhaitez consulter une référence dans notre boutique à Authon-du-Perche.‎

‎Stained Glass before 1700 in the Philadelphia Museum of Art,‎

‎Turnhout, Brepols, 2003 Hardback, 432 p., 60 b/w ill. + 300 colour ill., 230 x 315 mm. ISBN 9781872501192.‎

‎The Philadelphia Museum of Art is renowned for its world-class collections, and the medium of stained glass was already recognized as an integral part of these collections since the time of the museum's establishment in 1876. It was in that year that the first stained glass window was purchased for the original building in Fairmount Park - Memorial Hall - and the acquisition of stained glass has played a significant role in the development of the museum ever since. Medieval glass in particular, displayed as it now is in the context of the museum's medieval installations, has enhanced both the appreciation as well as a deeper understanding of the art of the Middle Ages. The present volume, Part VI/1 of the series Corpus Vitrearum USA, illustrates and catalogues in great detail the entire holdings of more than 140 stained glass panels now in the Philadelphia Museum of Art. The collection is wide-ranging in both date and origin of production : it includes panels of high quality from the early thirteenth to the seventeenth century, and from a number of different countries and regions. Pride of place among the items catalogued are the large-scale ecclesiastical windows from France, the most precious of which are the three stained glass medallions commissioned in mid-thirteenth century by Louis IX for his palace chapel in Paris, the Sainte-Chapelle. Of equal importance is the holding of English armorial glass, considered to be the most extensive collection in the United States, while from the North and South Lowlands, the museum also owns an interesting group of unipartite glass panels. The author, Dr Renee Burnam, provides an exceptionally detailed and well-researched catalogue entry for each panel, and gives not only a full description of its iconography, style, technique and condition, but introduces every item with a lengthy account of the history of the glass, enlivening her text with a wealth of comparative illustrations. In addition to the main body of the catalogue, Dr Burnam also provides shorter descriptions of the figural glass acquired by the museum in 1945 from the estate of George Gray Barnard and of a group of composite heraldic glass, either altered or dated after 1700; and finally she includes entries for further unipartite panels either damaged, fragmented or dated post-1700. Furthermore there is a most interesting and useful Appendix listing de-accessioned glass that had been acquired earlier in the museum's history. How this substantial collection of stained glass was formed is the main theme of the author's Introduction to this volume. She traces the acquisitions, gifts and bequests from the time of the founding of the museum and shows how the present collection benefitted from the enterprise and discernment of successive museum directors and curators, and how great the contribution has been by the many generous collectors, donors and benefactors. All catalogued panels are reproduced in colour and juxtaposed with their relevant restoration charts. The volume also includes a Glossary, an exhaustive Bibliography and a comprehensive Index. Languages : English. ‎

‎[ Lot de 10 ouvrages relatifs au Muséum ] 7 catalogues d'exposition du Muséum d'Histoire Naturelle de Bordeaux : Richesses du Monde Minéral 12-27 Mai 1979 - Quand vivaient les Dinosaures... 1982 - Quels étaient les Animaux de la Préhistoire ? à Pair-non-Pair, en Gironde, 1986 - Ver à Soir. Vers la Soie, 1990 - Bois et Cornes, 1991 - Les chauves-souris, 1991 ; Centenaire de "Miss Fanny". Eléphant au Muséum, 1992 ; Fossiles typiques du Bordelais, par Philippe Rocher, s.d. [ circa 2000 ] [ On joint : ] Document pédagogique destiné aux enseignants : La Chauve-Souris ... et l'Homme, 1991 ; Animaux des Amériques 500 ans de découvertes, 1992 [ On joint : ] Muséum de Bordeaux, par Chapin-Audinet, L'Horizon Chimérique, 1990, 15 pp. [ Livre dédicacé par l'auteur ]‎

‎10 vol. à savoir 7 vol. petit in-8 br.,Muséum d'Histoire Naturelle de Bordeaux : Quand vivaient les Dinosaures... 1982, 31 pp. - Quels étaient les Animaux de la Préhistoire ? à Pair-non-Pair, en Gironde, 1986, 101 pp. - Ver à Soir. Vers la Soie, 1990, 101 pp. - Bois et Cornes, 1991, 53 pp. - Centenaire de "Miss Fanny". Eléphant au Muséum, 1992, 59 pp. et 2 vol. in-4 br., Document pédagogique destiné aux enseignants : La Chauve-Souris ... et l'Homme, 1991 ; Animaux des Amériques 500 ans de découvertes, 1992 ; Muséum de Bordeaux, par Chapin-Audinet, L'Horizon Chimérique, 1990, 15 pp. [ Livre dédicacé par l'auteur ]‎

‎Bon ensemble, non séparable.‎