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VERONIQUE ROY
MUSEUM.
LE GRAND LIVRE DU MOIS. 2006. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 435 pages.. . . . Classification Dewey : 840.092-XXI ème siècle
Reference : R240052546
ISBN : 2286022011
roman. Classification Dewey : 840.092-XXI ème siècle
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5 book(s) with the same title
Henri Michaux, Silkeborg Museum
1962 Couverture souple SIlkeborg, Paris, Silkeborg Museum, galerie Paris Rive-Gauche, 1962 et 1965. 2 volumes in-12, brochés, catalogue de l'exposition consacrée à Henri Michaux en 1962 au Danemark, couverture illustrée, dos rouge, 120 pages, texte de John Asger sur papier roux en danois, nombreuses reproductions d'oeuvres de Michaux. Complété par une plaquette de 31 pages, couverture jaune, quelques taches brunes sur les plats. Ce texte de Bertelé a été écrit à la demande de Jorn Asger, pour présenter les peintures et dessins de Michaux au Silkeborg Museum. Plaquette rare. Exemlaires en bon état.
Bon
MUSEUM ODESCALCUM SIVE THESAURUS ANTIQUARUM GEMMARUM QUAE A SERENISSIMA CHRISTINA SVECORUM REGINA COLLECTAE IN MUSEO ODESCALCO ADSERVANTUR
ROMAE PROSTANT APUD VENANTIUM MONALDINI BIBLIPOLAM 1747
Rarissima opera del 1747 sulla raccolta di gemme antiche della Regina Cristina di Svezia (1626-1689) nel Museo Odescalchi a cura di Bartoli Pietro Sante. Cristina di Svezia abdicò al trono nel 1655 e negli anni acquisì una ricca collezione di tesori, marmi e numismatica. Dopo la sua morte e quella del suo erede il Cardinale Decio Azzolino, la raccolta venne venduta agli Odescalchi. L'opera è composta da due tomi legati insieme ed è completa. Il volume è composto da 104 tavole che riproducono i disegni nelle gemme della collezione della Regina (con didascalia che riporta nome della gemma), alcune statue di marmo, statue in metallo. Indice con descrizione delle tavole. Incisione in antiporta incisa da G. Ab Amling del 1702. In buone condizioni. Copertina in piena pergamena coeva con titolo manoscritto e decorazioni a secco ai piatti in buone condizioni generali con lievi usure ai margini e dorso. Legatura in buone condizioni. All'interno le pagine si presentano in buone condizioni con rare fioriture.Lievi gore d'umidità marginali con macchie fungine al secondo tomo. In folio. Dim. 35x24,5 cm. Pp. (4)+(54)+(2)+(50). Peso Kg. 1,320Very scarce work of 1747 about the collection of ancient jems of the Queen Cristina di Svezia (1626-1689) in the museum Odescalchi by Bartoli Pietro Santi. Cristina di Svezia abdicated the throne in 1655 and during eyars collected a rich collections of treasures, statues and numismatics. After his death and that of his heir the Cardinal Decio Azzolino, the collection was sold to Odescalchi family. The work is amde up of two tomes bound togetheer and it is complete. The volume is amde up of 104 plates reproducing the drawings in the jems of the collection of the Queen (with didascalia with the name of the jem), some marble and metal statues. Index with description of plates. Engraving in the frontspice engraved by G. Ab Amling in 1702. In good conditions. Full parchment coeval cover with handwritten title in the spine and embossed decorations in the plates in good general conditions lightly worn in the extremities. Binding in good conditions. Inside pages are in good conditions with occasional foxing. Light dump stains in the extremities with mould stains in the second tome. In folio. Dim. 35x24,5 cm. Pp. (4)+(54)+(2)+(50). Weight Kg. 1,320
Museum Wormianum. Seu Historia Rerum rariorum, Tam Naturalium, quam Artificialium, tam Domesticarum, quam Exoticarum, quæ Hafniæ Danorum in ædibus Authoris servantur. Adornata ab...Variis & accuratis Iconibus illustrata. - [MUSEUM WORMIANUM]
Lugduni Batavorum (Leiden), Ex Officina Elzeviriorum, 1655. Folio. 18th century full calf with gilt spine. Gilding worn and some overall wear to boards, but fine and tight. Capitals restored. Internally very nice and clean, with just a bit of light brownspotting to the first and last leaves (dedication and index). Generally unusally nice, clean, and crisp. A small discreet stamp (Doublette der L.U. Bibl. Erl.) to title-page and a neat contemporary owner's inscription. Good margins. Bound without the portrait, which is often the case. Otherwise complete, with the magnificent double-page engaved plate showing the interior of the museum by Wingendorp, 11 beautiful engraved illustrations (one of which consisting in two illustrations), two of which are full-page (one being the famous one of the horn), and numerous lovely, and elaborate woodcut illustrations in the text. Woodcut title-vignette, woodcut vignettes and initials. Title-page, (4) pp. of dedication, (6) pp. of preface and index, double-page plate, 389, 3 (index) pp. A lovely copy, rarely seen in such nice condition.
The scarce first edition of this monumental work in early modern museum literature, constituting the catalogue of the first Danish museum and one of the most important cabinets of curiosities in Europe. The magnificent double-page engraved plate depicting the interior and outlay of the museum is one of the most well known and famous illustrations from any ""Wunderkammer""-book, iconographically summizing what we understand by the genre.The Museum Wormianum was filled with preserved animals, horns, tusks, skeletons, minerals, as well as various man-made objects that Worm found equally fascinating and interesting, either due to their age, their beauty, the wonder of their execution, their being exotic, etc., many of them depicted here in the finest manner. The text of the ""Museum Wormianum"" is divided into four books, the first three dealing with minerals, plants, and animals respectively. The fourth comprises man-made objects, e.g. archeological and ethnographical items, coins and some original works of art. This, Worm's magnum opus, is not merely a catalogue of the numerous wondrous items in the collection, however, it is a scientifically based scholarly work that also contains references to, and quotations from, other writers. The famous Danish doctor, Ole Worm (1588-1654), who was professor of medicine throughout the last thirty years of his life, had become professor of physics in 1621. Already the year before, in 1620, had he begun the famous collection that would become one of the greatest cabinets of curiosites in Europe (and one of the first museums) and which would earn him the position as the first great systematic collector (within natural history) in Scandinavia. It was his then newly begun collection that enabled him, as professor of physics, to introduce demonstrative subject teaching at the university, as something completely new. He continued building and adding to his magnificent collection, now known as ""Museum Wormianum"", throughout the rest of his life. Worm used his collection, not only in his teaching (for which he was famous), but also as a starting point for his speculations on philosophy, science, natural history, etc. He is responsible for many great discoveries, e.g. for identifying the narwhal's tusk as coming from a whale rather than a unicorn, as was generally believed at the time. As was also the case with other great cabinets of curiosities, the ""Museum Wormianum"" greatly served scientific advancement, not least when the images of its content were printed, as they were here, in 1655.As Worm visited other famous cabinets of curiosities, so many foreign visitors came to see his, which was famous throughout Europe. After his death, the collection was bought by the Danish King, Frederik III, and was thus included in Det Kongelige Kunstkammer (The Royal Art Chamber). The collection is now in Statens Naturhistoriske Museum (Natural History Museum), which in November 2011 famously reprodced the ""Museum Wormianum"", from what they could see it looked like on the great double-page plate in the fabulous catalogue, as a permanent exhibition. The magnificent folio catalogue of the collection was edited and seen through press by Worm's son Willum and was published by the Elzeviers. Willems 772" Paul Grinke: From Wunderkammer to Museum: no. 75.
Ten major museums of Shaanxi: Shaanxi History Museum : Museum of Qin Shi Huang Terra-cotta Army Vaults : Xi'an Museum of Steles : Banpo Museum : Xianyang ... Temple Museum : Yaozhou Kilns Museum [Paperback]
Broché très bon état .Contenu propre. 200 pages . 1994. Ten major museums of Shaanxi: Shaanxi History Museum : Museum of Qin Shi Huang Terra-cotta Army Vaults : Xi'an Museum of Steles : Banpo Museum : Xianyang ... Temple Museum : Yaozhou Kilns Museum. PHOTOS SUR DEMANDE
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Stained Glass before 1700 in the Philadelphia Museum of Art,
Turnhout, Brepols, 2003 Hardback, 432 p., 60 b/w ill. + 300 colour ill., 230 x 315 mm. ISBN 9781872501192.
The Philadelphia Museum of Art is renowned for its world-class collections, and the medium of stained glass was already recognized as an integral part of these collections since the time of the museum's establishment in 1876. It was in that year that the first stained glass window was purchased for the original building in Fairmount Park - Memorial Hall - and the acquisition of stained glass has played a significant role in the development of the museum ever since. Medieval glass in particular, displayed as it now is in the context of the museum's medieval installations, has enhanced both the appreciation as well as a deeper understanding of the art of the Middle Ages. The present volume, Part VI/1 of the series Corpus Vitrearum USA, illustrates and catalogues in great detail the entire holdings of more than 140 stained glass panels now in the Philadelphia Museum of Art. The collection is wide-ranging in both date and origin of production : it includes panels of high quality from the early thirteenth to the seventeenth century, and from a number of different countries and regions. Pride of place among the items catalogued are the large-scale ecclesiastical windows from France, the most precious of which are the three stained glass medallions commissioned in mid-thirteenth century by Louis IX for his palace chapel in Paris, the Sainte-Chapelle. Of equal importance is the holding of English armorial glass, considered to be the most extensive collection in the United States, while from the North and South Lowlands, the museum also owns an interesting group of unipartite glass panels. The author, Dr Renee Burnam, provides an exceptionally detailed and well-researched catalogue entry for each panel, and gives not only a full description of its iconography, style, technique and condition, but introduces every item with a lengthy account of the history of the glass, enlivening her text with a wealth of comparative illustrations. In addition to the main body of the catalogue, Dr Burnam also provides shorter descriptions of the figural glass acquired by the museum in 1945 from the estate of George Gray Barnard and of a group of composite heraldic glass, either altered or dated after 1700; and finally she includes entries for further unipartite panels either damaged, fragmented or dated post-1700. Furthermore there is a most interesting and useful Appendix listing de-accessioned glass that had been acquired earlier in the museum's history. How this substantial collection of stained glass was formed is the main theme of the author's Introduction to this volume. She traces the acquisitions, gifts and bequests from the time of the founding of the museum and shows how the present collection benefitted from the enterprise and discernment of successive museum directors and curators, and how great the contribution has been by the many generous collectors, donors and benefactors. All catalogued panels are reproduced in colour and juxtaposed with their relevant restoration charts. The volume also includes a Glossary, an exhaustive Bibliography and a comprehensive Index. Languages : English.
