ULLMANN PUBLISHING. 2009. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 8 pages. Nombreuses planches de papier cadeaux a détachés.. . . . Classification Dewey : 790-Loisirs et arts du spectacle
Reference : R240007962
ISBN : 3833153245
Classification Dewey : 790-Loisirs et arts du spectacle
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1 vol. in folio reliure pleine toile grise, format 42 x 33 cm, blason collé au premier plat avec devise "Dieu et mon droit", Album Souvenir des Funérailles du Roi Edouard VII. Recueil de Journaux et Documents - Souvenir Album of the Funeral of King Edward VII. Collection of Newspapers and Documents : The Daily Mirror. N°2048 20 May 1910, 16 pp. : The Kaiser arrives - Evening Standard and St James Gazette n°26794 May 19, 1910 : Kaiser's arrival, 20 pp. ; Official Programme of the Funeral Procession of his late Majesty King Edward VII, Friday May 20th 1910, 4 ff. ; ; The Sketch Double number May 11 1910. The Death of King Edward VII ; The Graphic Specla Number 2110A May 11, 1910, The Life of King Edward VII ; The Graphic. An illustrated weekly newspaper. Saturday May 14, 1910. King George V driving to St James's Palce to hold his first council ; The Sphere, n° 538, May 14, 1910 : Edward VII 1841-1910 ; The Illustrated London News double number. May 14, 1910, n° 3708 ; The Graphic. An illustrated weekly newspaper. n° 2112 Saturday May 21, 1910 : King Adward last sleep at Buckingham Palace ; Black & Whit May 21st 1910. A Nation in Mourning. In Memoriam ; The Graphic 2112A May 24 1910. Funeral of Edward VII ; The Sphere. n° 540 May 28, 1910 : Funeral Number. Edward the Peacemaker
Bel album souvenir, recueillant de nombreux journaux et magazines de l'époque, et provenant de la bibliothèque d'Ernesta Stern (1854-1926) alias "Maria Star", écrivain fameuse pour son salon du Faubourg Saint-Honoré où elle accueillit notamment Marinetti ou Marcel Proust. Née Maria Ernesta Hierschel de Minerbi, elle épousa le banquier Louis Stern. Beautiful souvenir album, collecting many newspapers and magazines of the time, and coming from the library of Ernesta Stern (1854-1926) alias "Maria Star", famous writer for her salon in Faubourg Saint-Honoré where she notably welcomed Marinetti or Marcel Proust. Born Maria Ernesta Hierschel de Minerbi, she married the banker Louis Stern.
Reference : albc2c41c603390fd4c
Aynsley J. Ainsley Jeremy. A Century of Graphic Design. Graphic Design Pioneers of the 20th Century Graphic Design Pioneers of the 20th Century. In English /Aynsley J. Eynsli Dzheremi. A Century of Graphic Design. Graphic Design Pioneers of the 20th Century Pionery graficheskogo dizayna KhKh veka. In English. New York. Barrons. 2001. 256 c. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbc2c41c603390fd4c.
Reference : bd-ac0270b4beb2aafb
Bruegel. Complete collection of graphic works. Bruegel. The Complete Graphic Works. London: Thames and Hudson, 20/Breygel. Polnoe sobranie graficheskikh rabot. Bruegel. The Complete Graphic Works. Na angl. yaz. London: Thames and Hudson, 20 Bruegel. Complete collection of graphic works. Bruegel. The Complete Graphic Works. London: Thames and Hudson, 2019. 284. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUbd-ac0270b4beb2aafb.
, Brepols, 2025 Hardback, xv + 355 pages, Size:156 x 234 mm, Illustrations:37 b/w, 12 col., 16 tables b/w., Language: English. *new ISBN 9782503600451.
Summary Graphic devices such as tables and diagrams and other visual strategies of organising text and information are an essential part of communication. The use of these devices and strategies in books and documents developed throughout the medieval and early modern periods, as knowledge was translated and circulated in European vernaculars. Yet the use of graphic practices and multimodal literacies associated with them have mostly been examined in the context of Latin, Greek, Arabic, and Hebrew, and early vernacular writing remains an under-researched area. This volume brings together contributors from English historical linguistics and book studies to highlight multimodal graphic practices and literacies in texts across a range of genres and text types from the late medieval period until the eighteenth century. Contributions in the volume investigate both handwritten and printed materials, from books in the domains of medicine, religion, history, and grammar, to administrative records and letter writing. TABLE OF CONTENTS Graphic Practices in Early English Texts MATTI PEIKOLA, JUKKA TYRKKÖ, and MARI-LIISA VARILA Part I Conventionalising Strategies of Verbal and Visual information COLETTE MOORE The Pragmatics of Late Medieval English Accounts: A Case Study KJETIL V. THENGS Plague on the Page: Mise-en-page and Visual Highlighting in the John of Burgundy Plague Tract from the Fourteenth to the Seventeenth Century ALPO HONKAPOHJA The Pragmatics of Punctuation in Early English Medical Recipe Books JAVIER CALLE-MARTÍN and JESÚS ROMERO-BARRANCO Visual Pragmatics and Late Modern English Letters INGRID TIEKEN-BOON VAN OSTADE Part II The A to Z of Middle English Indexing? The Tables of John Trevisa's Polychronicon WENDY SCASE A Visual and Linguistic Interpretation of the Pater Noster Table of the Vernon Manuscript OLGA TIMOFEEVA Visual Chronologies in Early Modern English Historiography AINO LIIRA, MATTI PEIKOLA, and MARJO KAARTINEN Visual Representation of Information in Medical Texts, 1500-1700 MARI-LIISA VARILA, CARLA SUHR, and JUKKA TYRKKÖ Verbal and Visual Instruction in Early Dance Manuals: The Curious Case of John Playford's Tables HANNA SALMI Graphic Elements in Early Printed Grammar Books JANNE SKAFFARI and JUKKA TYRKKÖ Afterword JEREMY J. SMITH Bibliography Index Notes on Contributors
, Brepols, 2022 Hardback, xix + 408 pages, Size:156 x 234 mm, Illustrations:4 b/w, 24 col., Language: English. ISBN 9782503598420.
Summary Visible English recovers for the first time the experience of reading and writing the English language in the medieval period through the perspectives of littera pedagogy, the basis of medieval learning and teaching of literate skills in Latin. Littera is at the heart of the set of theories and practices that constitute the 'graphic culture' of the book's title. The book shows for the first time that littera pedagogy was an 'us and them' discourse that functioned as a vehicle for identity formation. Using littera pedagogy as a framework for understanding the medieval English-language corpus from the point of view of the readers and writers who produced it, Visible English offers new insights on experiences of writing and reading English in communities ranging from those first in contact with Latin literacy to those where print was an alternative to manuscript. Discussing a broad range of materials from so-called 'pen-trials' and graffiti to key literary manuscripts, Visible English provides new perspectives on the ways that the alphabet was understood, on genres such as alphabet poems, riddles, and scribal signatures, and on the different ways in which scribes copied Old and Middle English texts. It argues that the graphic culture underpinned and transmitted by littera pedagogy provided frameworks for the development and understanding of English-language literacy practices and new ways of experiencing social belonging and difference. To be literate in English, it proposes, was to inhabit identities marked by Anglophone literate practices. TABLE OF CONTENTS Introduction: Visible English Chapter One: Graphs, Alphabets, and Scripts Chapter Two: Graphic Models Chapter Three: Graphic Play Chapter Four: Graphic Display Chapter Five: Reprographics Conclusion: Medieval English Literacy Index