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ROBERT LAFFONT. 1976. In-8. Broché. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur frais. 237 Pages - Dos insolé. . . . Classification Dewey : 840.091-XX ème siècle
Reference : R160180305
Classification Dewey : 840.091-XX ème siècle
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5 book(s) with the same title
1 kuan note. 14th century Ming Dynasty banknote. Original cash value of a string of 1,000 copper coins, or 1 kuan [Kwan]. - [KUAN PAPER-MONEY FROM EARLY MING DYNASTY - THE EARLIEST OBTAINABLE COMMERCIAL PRINTING ON PAPER]
[China, Hung-wu era, Printed during the reign of the first Ming emperor, Emperor Zhu Yuanzhang (Ming Taizu) (1368-98)] Folio (340 x 225 mm). Woodblock printed on grey mulberry paper. Uncirculated condition (UNC). Ornamentation and text faded, which happens naturally over time with mulberry paper, but legible. Lower left corner slightly rounded, which is also due to the quality of the paper and not due to use.1. Two red (vermilion) seal handstamps, one at each side, are located on the note. These stamps are typically not so clear, because they naturally fade over time. The seals of the notes are what signatures are to modern notes.The red imperial seal is applied on the reverse.2. At the top are six chinese characters ""Ta Ming t'ung Hsing Pao Cha's (Treasure Note of the Great Ming) in regular (K'ai Shu) style. Text is in black.3. The outer frame is ornated with dragon patterns surrounding the text. Ornamentation is in black.4. The upper center is printed with the face value ""1 Kuan"" (One string) in regular (K'ai Shu) style. ""One String"" was at this time equivalent to 1000 copper cash or one tael of purse silver or one-fourth tael of gold.5. The middle center is printed with diagram of ten piles containing ten copper coins, each coin representing the value of 10 cash (this equals 1000 copper cash).6. On both sides of the center are eight chines characters ""Ta Ming Pao Ch'ao, Tien Hsia T'ung Hsing"" (The Great Ming note, circulates everywhere) in real (Chuan Shu) style.7. The lower center is written in chinese and could be translated to ""This Ta Ming Pao Cha'o is printed with the approval of the Emperor through the Hu Pao and used side by side with the copper cash. Those who counterfeit Ta Ming Pai Cha'o will be beheaded while an informant will be rewarded with 250 taels of silver with confiscated property of the convicts into the bargain"".The size of the 1 Kuan note is the largest paper-money ever issued.
Uncirculated condition, and by far the best preserved specimen we have ever handled, of this Ming dynasty 1 kuan note - the earliest obtainable commercial printing on paper, and nearly the earliest obtainable printing of anything - a full lifetime before Gutenberg. The oldest paper-money that are preserved until today are those from early Ming dynasty, dated year 1375. These notes are the earliest numismatic printings. Only a small number of these paper-money are still available for the numismatic or printing collector. The significance of the first 1 kuan banknote was emphasized by the fact that it featured as one the world-changing inventions in the British Museum project, A History of the World in 100 objects, selected by the Museum's Director, Neil MacGregor (Broadcasted by BBC 4 in 2010). No copies of the 1 kuan note was known until around 1900 where a cache of notes in the base of an overthrown statue of Buddha was discovered. The second find was made in Peking in 1936, when a pile of notes was uncovered during the demolition of one of the city walls. The beginning of the 15th century saw a high rise in inflation, primarily of the over-printing of notes. Because of the inflation and the silver bullion obtained through Chinese trade with the Spanish in Manila, the use of paper money gradually diminished. The first banknotes were not issued in the Western world until 1661, when Sweden printed kreditivsedlar (credit notes) as an alternative to their massive copper coins.
Dinastiya Min: siyanie uchenosti [Ming Dynasty: The Radiance of Knowledge]
Gorbatova, Irina: Dinastiya Min: siyanie uchenosti [Ming Dynasty: The Radiance of Knowledge]. Exhibition: Moscow, Kremlin Museum, 2018. 240 pages; illustrated in colour. Hardback. 31x24.5cms. The exhibition is dedicated to the Ming dynasty epoch (1368-1644) and aims to represent all the aspects for which Ming culture is renowned: porcelain, painting, stone carving and furniture. The catalogue is divided in four parts, mirroring the exhibition's structure: The 'Scholar's Studio' section, in which the museum's furniture collection is preminently showcased; the 'Passion for Antiquity' section, dedicated to archaeological artifacts, including very rare items of jewellery; the 'Porcelain Pleiad of the Ming Dynasty' section, which documents how coloured glaze and overglaze painting were developed during that period, along with new techniques of lacquer carving and cloisonne enamel; the 'Treasures Discovered in Ming Tombs' section, displaying a set of china statuettes, a honorary escort found in the tomb of the imperial family members. Text in Russian with English summary.
The exhibition is dedicated to the Ming dynasty epoch (13681644) and aims to represent all the aspects for which Ming culture is renowned: porcelain, painting, stone carving and furniture. The catalogue is divided in four parts, mirroring the exhibition's structure: The Scholars Studio section, in which the museum's furniture collection is preminently showcased; the Passion for Antiquity section, dedicated to archaeological artifacts, including very rare items of jewellery; the Porcelain Pleiad of the Ming Dynasty section, which documents how coloured glaze and overglaze painting were developed during that period, along with new techniques of lacquer carving and cloisonne enamel; the Treasures Discovered in Ming Tombs section, displaying a set of china statuettes, a honorary escort found in the tomb of the imperial family members. Text in Russian with English summary
Ming Qing jia ju and parallel English title: Furniture of the Ming and Qing dynasties Furniture of the Ming and Qing Dynasties (Set 2 Volumes)
, Edit. Charles Moreau, 2002 hardcovers , protective box ,267 + 311 pages, jacquets, 2 volumes : illustrations (chiefly color) ; 300 x 230 x 65 mm . ISBN 9782909458403.
Edition originale chinoise publiee sous le titre Meubles des dynasties Ming et Qing Collection du musee de la Cite interdite; v. 1]. Epoque Ming (1368-1644) --[v. 2]. Epoque Qing (1644-1911).
Ming. L'âge d'or du mobilier chinois. Collection Lu Ming Shi
Paris, Musee National Des Arts Asiatiques, Guimet, 2003, in-4, 229 pages, nomb. reproductions en couleurs, broché, couverture illustrée.
Paris Reunion Des Musees Nationaux 2003 Soft Cover Very Good This is a very good softcover copy with just light cover wear. Completely clean inside and out. Text in French and English. This catalog was prepared to accompany the exhibition at the Musee national des Arts asiatiques Guimet, from March to July 2003. The exhibition is a showcase for the magnificent Lu Ming Shi Collection of Philippe de Backer. The curator of the exhibition was Jean-Paul Desroches. Catalogue checklist with 74 works. Each piece with an extensive entry (with basic identifying information also in Chinese). All pieces illustrated with color photographs. Also other color and black & white illustrations in the text. Bibliography. 11" high X 8" wide, 231 pages.
The Garden of Perfect Brightness - The History of The Yuan Ming Yuan and of the Emperors who lived there.
Henry Regnery Company, Chicago, no date [1950].Chicago, Henry Regnery Company, 1950, first american edition. 1 volume 8vo, 239 pp., rebound in modern full leather, with a frontispice and many illustrations and photographs, a very good and clean copy with a small library stamp.
"The Yuan Ming Yuan - The Garden of Perfect Brightness - was presented by the Emperor K'ang His to the son whom he had selected to succeed him. The new Emperor, Yung Cheng, made the garden his principal place of residence both for pleasure and for conducting the affairs of State. He embellished it with pavilions and with halls where "he received his officials and scholars and spent his time in discussing literature, in composing poetry, in singing and in meditation." (Extract from the Introduction by J.T. Pratt).
