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MICHENER James
LE ROMAN
JC Lattès. 1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 419 pages.. . . . Classification Dewey : 810-Littérature américaine
Reference : R160000575
ISBN : 2709613832
Traduit de l'américain par Paul Seran. Classification Dewey : 810-Littérature américaine
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5 book(s) with the same title
Overeensstemmelse og Forskiæl imellem den Romerske og Danske Ræt. - [FIRST DANISH WORK ON ROMAN LAW]
Kjøbenhavn, Groth, 1736. 4to. In contemporary half calf with three raised bands. Binding with wear and small paper-label pasted on to top of spine. A few leaves brownspotted but internally generally nice and clean. (8), 8, 677, (48) pp. + frontispiece and 1 folded table (included in the pagination).
The rare first edition of Clitau’s seminal work, being the work Danish work on Roman Law - Both in content and in timing, the work marks a turning point in Danish legal scholarship. Clitau here compared Roman and Danish law and extended his analysis to include Lübeck law, public law, feudal law, as well as German, Saxon, and natural law (ius naturae), along with criminal law. His book continued the scholarly project initiated by Weghorst and stands as the first comprehensive work of comparative law in Denmark that systematically engaged with Danish legal tradition. He argued that the Institutiones framework was the most suitable method for organizing legal knowledge. Nonetheless, he explained that he had chosen not to interpret Roman law through Danish law or vice versa. Had he taken Danish law as the foundation, he contended, substantial parts of Roman jurisprudence — such as theories of legal interpretation, legal taxonomy, and general personal rights — would have been excluded, as Danish law lacked direct equivalents. Conversely, he saw little value in including uniquely Danish legal provisions (e.g., those concerning hunting rights or the status of peasants) where no Roman parallels existed. In such cases, he remarked, he would have been limited to merely citing “the bare words of the law, which any reader can find in the Danish Law Book”—an exercise, he argued, of little scholarly use. This admission reflects not only Clitau’s ambivalence toward explicating native law, but also a broader misconception of the time—namely, the belief that the clear language of Danske Lov required no interpretation. Clitau's methodological innovation lay in his reorganization of the Corpus Juris Civilis according to the tripartite division of Personae, Res, and Actiones. He systematically arranged all legal material found in the Digest and Pandects under these headings—an approach that, as far as we know, was unprecedented. (see Björne, PATRIOTER OCH INSTITUTIONALISTER, rättsvetenskapens historia)Biblioteca Danica I, 650
Serrate silver denarius. - [MAGNIFICENT ROMAN COIN - IN NEAR MINT CONDITION - DEPICTING ODYSSEUS ]
Rome, minted in 82 BC. 18mm. A magnificent specimen, with very clear, sharp imprint and sharp edges. Near mint - the finest copy we have seen. Obverse: Draped bust of Mercury right, wearing winged petasos caduceus and control letter behind. Reverse: Ulysses standing right, holding staff in left hand and extending right hand to Argus C•MAMIL to left, LIMETAN to right. Crawford 362/1 BMCRR Rome 2725" RSC Mamilia 6.
A denarius of the Roman Republic featuring one of the very few references to Homer's Odyssey in ancient coinage. On the obverse is Mercury, a god very much propitious to Odysseus, easily recognizable by the winged petasos and the caduceus. The reverse depicts one of the most moving passages in literature, hardly matched to this day. In book XVII (290-327) Odysseus returns to Ithaca disguised as a beggar. His faithful dog, Argos, has been waiting for his return for 20 years. Ignored, abandoned by everyone, the dog is ridden with ticks and fleas, lying in a pile of manure. Odysseus is accompanied to the palace by Eumaeus the shepherd, who is unaware of the beggar's true identity. Odysseus recognizes his dog and is forced to hide a single tear that rolls down his cheek. He cannot greet the dog, as that would give away his identidy. Argos, after all those years, recognizes his master as well, but if he were to run to him it would most certainly cause his death by the suitors. Here Homer cannot do anything other than to end the life of Argos, otherwise the entire Odyssey would have been for naught. So Argos dies upon the vision of his master having fulfilled his life purpose: to await his return. It is also the moment that marks the end of the twenty year cycle since Odysseus left for the Trojan War, thus announcing the imminent closing of the Trojan Cycle itself. The denarius' reverse depicts the idealized moment of the scene where master and dog would be just about to meet and greet each other, but as we have seen, the reunion cannot happen. ""There lay the hound Argos, full of vermin"" yet even now, when he marked Odysseus standing near, he wagged his tail and dropped both his ears, but nearer to his master he had no longer strength to move. Then Odysseus looked aside and wiped away a tear. [...] But as for Argos, the fate of black death seized him straightway when he had seen Odysseus in the twentieth year."" Mamilius Limetanus is one of the three moneyers for the year 82 BC. The moneyers, selected every year, were magistrates in charge of the production of coinage, and they were at liberty to determine the design of the coins, which were often deities and characters associated with their personal family history. Like most Roman Patricians, Limetanus claimed to be a descendant of a Homeric character, in this case, Odysseus—Julius Caesar's family, for example, thought themselves to be descendants of Aeneas. A spendid specimen of this magnificent Roman denarius.
Serrate silver denarius. - [MAGNIFICENT ROMAN COIN DEPICTING ODYSSEUS ]
Rome, minted in 82 BC. 20mm. 3.74 g. Avery nice specimen, with clear imprint and light rubbing. Obverse: Draped bust of Mercury right, wearing winged petasos caduceus and control letter behind. Reverse: Ulysses standing right, holding staff in left hand and extending right hand to Argus C•MAMIL to left, LIMETAN to right. Crawford 362/1 BMCRR Rome 2725" RSC Mamilia 6.
A denarius of the Roman Republic featuring one of the very few references to Homer's Odyssey in ancient coinage. On the obverse is Mercury, a god very much propitious to Odysseus, easily recognizable by the winged petasos and the caduceus. The reverse depicts one of the most moving passages in literature, hardly matched to this day. In book XVII (290-327) Odysseus returns to Ithaca disguised as a beggar. His faithful dog, Argos, has been waiting for his return for 20 years. Ignored, abandoned by everyone, the dog is ridden with ticks and fleas, lying in a pile of manure. Odysseus is accompanied to the palace by Eumaeus the shepherd, who is unaware of the beggar's true identity. Odysseus recognizes his dog and is forced to hide a single tear that rolls down his cheek. He cannot greet the dog, as that would give away his identidy. Argos, after all those years, recognizes his master as well, but if he were to run to him it would most certainly cause his death by the suitors. Here Homer cannot do anything other than to end the life of Argos, otherwise the entire Odyssey would have been for naught. So Argos dies upon the vision of his master having fulfilled his life purpose: to await his return. It is also the moment that marks the end of the twenty year cycle since Odysseus left for the Trojan War, thus announcing the imminent closing of the Trojan Cycle itself. The denarius' reverse depicts the idealized moment of the scene where master and dog would be just about to meet and greet each other, but as we have seen, the reunion cannot happen. ""There lay the hound Argos, full of vermin"" yet even now, when he marked Odysseus standing near, he wagged his tail and dropped both his ears, but nearer to his master he had no longer strength to move. Then Odysseus looked aside and wiped away a tear. [...] But as for Argos, the fate of black death seized him straightway when he had seen Odysseus in the twentieth year."" Mamilius Limetanus is one of the three moneyers for the year 82 BC. The moneyers, selected every year, were magistrates in charge of the production of coinage, and they were at liberty to determine the design of the coins, which were often deities and characters associated with their personal family history. Like most Roman Patricians, Limetanus claimed to be a descendant of a Homeric character, in this case, Odysseus—Julius Caesar's family, for example, thought themselves to be descendants of Aeneas. A wonderful specimen of this magnificent Roman denarius.
Joseph und seine Brüder. 3 Bde. Erster Band. Die Geschichten Jaakobs. Roman. Der junge Joseph. Roman. + Zweiter Band. Joseph in Ägypten. Roman. + Dritter Band. Joseph, der Ernährer. Roman.
Stockholm, Bermann-Fischer Verlag, 1948. 3 uniform orig. brown full cloth w. gilt lettering to spines and gilt decoration to front boards. A nice and clean set w. only minor traces of use.
First collected edition of all four novels that together make up the grand ""Joseph and his Brothers"".
Le Roman d’un jeune homme pauvre.
1858 À Paris, chez Michel Lévy frères, 1858.
1 volume in-12 (17,5 cm x 10,5 cm), demi-chagrin rouge (reliure de l’époque), dos à nerfs orné de motifs dorés. [4]-352 pages (complet). Frottements la reliure, rousseurs éparses, feuillet 3ii déchiré. État correct. Seconde édition. Exemplaire avec envoi autographe signé : “À Monsieur Charles Edmond, affectueuse sympathie, Octave Feuillet”.Octave Feuillet (1821-1890), est un romancier et dramaturge français, surnommé le « Musset des familles ». Membre de l'Académie française, il connut ses premiers grands succès en 1852, avec son roman Bellah et une comédie, La Crise. Tous deux furent réimprimés dans la Revue des Deux Mondes, publication prestigieuse où parurent également un grand nombre de ses romans ultérieurs. D’autres œuvres furent acclamées comme La Petite Comtesse (1857), Dalila (1857) et Le Roman d’un jeune homme pauvre qui fut très populaire (1858). Agréable exemplaire.
