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GREENBLATT STEPHEN
QUATTROCENTO
FLAMMARION. 2013. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 345 pages- bandeau d'éditeur. . . . Classification Dewey : 810-Littérature américaine
Reference : R150215463
ISBN : 208128457X
Traduit par C Arnaud Classification Dewey : 810-Littérature américaine
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4 book(s) with the same title
Introduction au Quattrocento.
Coll. "Histoire" n° 93, Bruxelles, éd. Complexe, 1995, in-12, cartonnage souple, couv. ill. coul. éd., 110 pp., table des matières, L'histoire du XVe siècle en Italie, ou l'épanouissement des arts du Quattrocento. Pas courant Très bon état
TUTTITALIA, N° 249, DIC. 1965, LAZIO, 9, ENCICLOPEDIA DELL'ITALIA ANTICA E MODERNA (Sommario: Lazio. Roma. J. Raspi Serra: Dai primi secoli cristiani al XIV secolo (fine). M. Chiarini: Pittura e scultura del Quattrocento. C. Tiberi: L'architettura nel...)
Sansoni - Istituto Geografico de Agostini. 1965. In-4. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur acceptable. Paginé de 266 à 296. Illustré de nombreuses photos en couleur et en noir et blanc. Texte sur 3 colonnes. Plats détachés.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Sommario: Lazio. Roma. J. Raspi Serra: Dai primi secoli cristiani al XIV secolo (fine). M. Chiarini: Pittura e scultura del Quattrocento. C. Tiberi: L'architettura nel Quattrocento e Cinquecento... Classification Dewey : 450-Italien, roumain, rhéto-romain
Maioliche del Quattrocento a Pesaro. Frammenti di Storia dell'arte Ceramica dalla Bottega dei Fedeli
Ciaroni, Andrea: Maioliche del Quattrocento a Pesaro. Frammenti di Storia dell'arte Ceramica dalla Bottega dei Fedeli. Milan: 2004. 278 pages with 55 colour plates and 150 colour illustrations. Inscribed by the author. Hardback. 29.2x22.5cms. Detailed and beautifully designed study of the development of maiolica production in the main studio of Pesaro during the 15th-century, illustrated by both complete pieces and numerous pottery shards. With a genealogy of families involved, thermo-luminescence tests and other supporting documents. Text in Italian.
Detailed and beautifully designed study of the development of maiolica production in the main studio of Pesaro during the 15th-century, illustrated by both complete pieces and numerous pottery shards. With a genealogy of families involved, thermo-luminescence tests and other supporting documents. Text in Italian
[Taddeo di Bartolo] - Solberg, Gail Elizabeth
Reference : 121802
(2024)
ISBN : 9781909400818
Taddeo di Bartolo. Siena's Painter in the Early Quattrocento. 2 volumes
Solberg, Gail Elizabeth: Taddeo di Bartolo. Siena's Painter in the Early Quattrocento. 2 volumes. 2024. Volume 1: 831 pages, no illustrations. Volume 2: 839 pages, 802 colour and 166 black & white illustrations. Hardback. 30 x 23cms. A study of Sienese painting from 1380 to 1420, focused on the life and work of Taddeo di Bartolo. The first volume is divided into 20 chapters, exploring his early life, late trecento painting in Siena, his altarpieces, his time spent in Florence, Lucca, Pisa, Padua, Genoa, Volterra, San Gimignano and Liguria, his work on the cathedral, 'palazzo pubblico' and late civic commissions in Siena, his 'Madonna and Child' paintings, predellas, and polyptychs, his later drawings, and his legacy. Looking in particular at his assumption triptych for the Agrazzi at Montepulciano, his double-sided heptaptych for the Franciscans in Perugia, and his heptaptych for the Dominicans at Gubbio. The second volume contains the illustrations to the catalogue raisonne and 3 appendices on the contemporary reception of his work, transcriptions of archival documents, and a list of problematic attributions.
A study of Sienese painting from 1380 to 1420, focused on the life and work of Taddeo di Bartolo. The first volume is divided into 20 chapters, exploring his early life, late trecento painting in Siena, his altarpieces, his time spent in Florence, Lucca, Pisa, Padua, Genoa, Volterra, San Gimignano and Liguria, his work on the cathedral, 'palazzo pubblico' and late civic commissions in Siena, his 'Madonna and Child' paintings, predellas, and polyptychs, his later drawings, and his legacy. Looking in particular at his assumption triptych for the Agrazzi at Montepulciano, his double-sided heptaptych for the Franciscans in Perugia, and his heptaptych for the Dominicans at Gubbio. The second volume contains the illustrations to the catalogue raisonne and 3 appendices on the contemporary reception of his work, transcriptions of archival documents, and a list of problematic attributions
