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Jacques Jumeau-Lafond
Le the
Nathan, collection "Le gout de la vie", 1988. Format 15x24 cm, reliure editeur sous jaquette illustree, 125 pages. Tres bon etat.
Reference : 19185
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Librairie Frédéric Delbos
M. Frédéric Delbos
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5 book(s) with the same title
Appendix to the Case (presented on the part of the Government of Her Britannic Majesty to the Tribunal of Arbitration (in Geneva) constituted under Article 1 of the Treaty concluded at Washington on the 8th May, 1871, between Her Britannic Majesty and the United States of America). - Vol. II: Correspondence respecting the "Sumter", "Nashville", "Bermuda", "Hector", "Alexandra" and other Vessels.
(London. s.n., 1872). 32,7x21 cm. XXIV, 741 S. Roter Chagrinlederband mit goldgeprägtem Rückentitel, Rückenvergoldung, reicher Deckelfiletierung, Steh- und Innenkantenvergoldung sowie Ganzgoldschnitt.
Einer von 9 Dokumentenbänden für das Genfer Schiedsgericht über finanzielle Ansprüche Englands durch die amerikanischen Beschlagnahmungen während des Nordamerikanischen Bürgerkrieges, den sogenannten "Alabama Claims". - "Am 15.9.1872 verurteilte ein in Genf tagendes Schiedsgericht Grossbritannien zur Zahlung einer hohen Entschädigung an die Vereinigten Staaten von Amerika, weil es im Sezessionskrieg seinen internat. Verpflichtungen zur Einhaltung strikter Neutralität nicht nachgekommen war. Gemäss Urteil beging die brit. Regierung eine schuldhafte Nachlässigkeit, indem sie zuliess, dass von ihrem Territorium aus zwanzig bewaffnete Schiffe -- darunter die Korvette "Alabama" -- an die aufständ. Südstaatler geliefert wurden. Der Genfer oder (geläufiger) Alabama-Schiedsspruch verdankt seine Bekanntheit einerseits seiner Bedeutung als Beispiel einer friedl. Konfliktregelung zwischen zwei Grossmächten. Zum andern stand bei dieser Affäre, die in den Vereinigten Staaten nach Beendigung des Bürgerkriegs hohe emotionale Wellen warf, für beide Länder polit., rechtl. und hinsichtl. des nationalen Prestiges sehr viel auf dem Spiel. Aus Schweizer Sicht ist erwähnenswert, dass der Schweizer Schiedsrichter, alt Bundesrat Jakob Stämpfli, im Schiedsverfahren eine entscheidende Rolle spielte und dass die Schlichtung dieses heiklen Streitfalls der Entwicklung Genfs zu einem internat. Forum förderl. war." (HLS). - Der vorliegende Band, aufwändig gebunden, vereinigt einen Teil der Korrespondenz zwischen einem Teil der Schiffe und der englischen Admiralität. - Titel mit gelöschtem Stempel des Schweiz. Bundesarchivs. Kanten leicht berieben. One of 9 volumes of documents for the Geneva Arbitration Court on the financial claims of England by the American seizures during the North American Civil War the so-called "Alabama Claims". - On 15.9.1872, an arbitral tribunal meeting in Geneva ordered Great Britain to pay high compensation to the United States of America because it had failed to meet its international obligations during the war of secession. It had failed to comply with its obligations to maintain strict neutrality. According to the judgement, the British government committed culpable negligence by allowing twenty armed ships -- including the "Alabama" corvette -- to rebel from its territory. Southerners were delivered. The Geneva or (common) Alabama arbitral award owes its fame on the one hand to its importance as an example of a peaceful, peaceful and peaceful world. Settlement of conflicts between two major powers. On the other hand, in this affair, which in the United States, after the end of the civil war, caused high emotional waves, a great deal was at stake for both countries politically, legally and in terms of national prestige. From a Swiss perspective, it is worth noting that the Swiss arbitrator, former Federal Councillor Jakob Stämpfli, played a decisive role in the arbitration process and that the arbitration of this delicate dispute has helped Geneva's development into an international centre of excellence. Forum." (HLS). The present volume, lavishly bound, unites part of the correspondence between some of the ships and the English admiralty. - Title with deleted stamp of Switzerland. Federal Archives. - Edges slightly rubbed.
A History of British Quadrupeds including the cetacea. Second edition revised an partly re-written bin the author, assisted by Robert F. Tomes and Edward Richard Alston.
London, John van Voorst 1874. Gross-8°. XVIII, 474 S., 2 n.n. S.Anzeigen. Mit 160 Xylographien im Text. Dunkelgrüner Originalleinwandband.
Überarbeitete Fassung der Ausgabe von 1837. - Wellcome 2, 138 (dort mit 1836 und only part III) des erfolgreichen populären zoologischen Werkes. - Auf dem fliegenden Vorsatz mit dem handschriftlichen Besitzvermerk "Edward A. Wilson. Oct. 1905", auf dem fliegenden Vorsatz, darunter von anderer Hand in Bleistift "Scott's last expedition. This book was taken to the Antarctic by E.A.Wilson 1910 - 1913". Obwohl die Innenfälze des Vorder- und Hinterdeckels angebrochen sind, das obere Kapital leicht angerissen und der Einbandbezug leicht fleckig, scheint mir persönlich der Zustand des Exemplares zu gut erhalten für einen Artefakten der berühmten Geschichte von Scotts 2. Antarktik Expedition, bei der Edward A. Wilson, zusammenn mit Scott und Henry „Birdie" Bowers am 29. März 1912 verstarb. Wilson (1872-1912), Mediziner und Zoologe, war bereits an der Discovery-Expedition von 1901-1904 als wissenschaftlicher Leiter beteiligt. Zurück von der mehrjährigen Reise erholte er sich im Sommer 1905 in Irland von den Strapazen der unzähligen öffentlichen Auftritten, Vorträgen und Einladungen. Dabei kam er in Kontakt mit dem Naturalisten Barrett-Hamiltonn der ihn als Illustrator für eine neue Monografie der " A History of British Mammals" engagierte. Wilson lebte im Herbst 1905 in Bushey, einem Künstlerort in der Nähe von London. Obwohl er keine akademische Kunstausbildung besass, wurden seine zoologischen Illustrationen zu Standards der Naturgeschichte Grossbritanniens. Über den Verbleib seiner Bibliothek scheint nichts bekannt zu sein. - Revised version of the 1837 edition - Wellcome 2, 138 (there with 1836 and only part III) of the successful popular zoological work. - With the handwritten ownership note 'Edward A. Wilson. Oct. 1905', on the flyleaf, underneath in another hand in pencil 'Scott's last expedition. This book was taken to the Antarctic by E.A.Wilson 1910 - 1913'. Although the inner folds of the front and back cover are cracked, the upper capital slightly torn and the cover slightly stained, the condition of the copy seems to me personally too well preserved for an artefact of the famous history of Scott's 2nd Antarctic expedition, during which Edward A. Wilson, together with Scott and Henry 'Birdie' Bowers, died on 29 March 1912. Wilson (1872-1912), a physician and zoologist, had already been involved in the Discovery Expedition of 1901-1904 as scientific director. After travelling for several years, he returned to Ireland in the summer of 1905 to recover from the strain of countless public appearances, lectures and invitations. He came into contact with the naturalist Barrett-Hamiltonn, who engaged him as an illustrator for a new monograph of 'A History of British Mammals'. In the autumn of 1905, Wilson was living in Bushey, an artists' village near London. Although he had no academic art training, his zoological illustrations became standards in the natural history of Great Britain. Nothing seems to be known about the whereabouts of his library.
The Art of Body-Loading and productions.
Bideford, Devon, The Surpreme Magic Compagny. (Nachdruck der Ausgabe von 1950). 4°. 40 Bl. Originalbroschur, geheftet.
Vervielfältigtes Typoskript. "Eddie Joseph (1899-1974) was a full-time professional performer, teacher and writer on things magical. Working under the name Eddie Jason, he played exclusive club and party dates in and around Calcutta and Bombay. He also conducted the School of Magic in Bombay. Eddie Joseph was a Baghdadi Jew from Calcutta where he was born. Most of his life he lived in India. Later he moved to England, working for Max Andrews. Contributions in magazines and internet claim he was born of English parents, which is obviously wrong. His interest in magic was aroused at an early age and at the age of twelve he saw his first big mystery show, Nicola. At eighteen, he became a part-time professional and remained so until 1945 when he became a full-time professional performer, teacher and writer. He was chosen to appear in the Silver Jubillee Show for King George V. He was also the first magician to do magic over the radio in India in 1933, making over 30 broadcasts from the All India Radio stations in Calcutta, Bombay and Lucknow. He had worked out an act in which he used no apparatus except ordinary and borrowed objects. He also did a mental act assisted by his wife, Sarah. For many years, Joseph was the Indian Representative of the I.B.M. and he was active in the Society of Indian Magicians. During World War II, he was drafted to do a turn in a revue for the entertainment of British and American servicemen. He and his wife traveled all over India for the balance of the war. - It's been said that he tried to invent one new trick every day. He wrote over 70 books and pamphlets and contributed many articles to Genii and The New Tops. Joseph's first contribution to The Linking Ring was in the September 1927 issue. The IBM Ring in Bombay, India is known as the Eddie Joseph Ring. Eddie Joseph passed away in England in June of 1974." (Magicpedia).
Place the chosen tautology. Opus 48. - Papierkleber mit maschinengeschriebenem Text auf starkem Karton, rückseitig mit Stempeldruck "Present".
(ca. 1970) 20 x 15 cm.
Fondazione Bonotto FX1364. - Eric Andersen’s pieces are so involved with the simple concept that it is sometimes impossible to discover if a piece is taking place at all. He not only takes blank structures to their logical extreme, but minimal art as well, which results in his establishing interesting new orders of boredom. For example, there is the following piece: Opus 48: which turns anonymous when the instruction is followed out It comes through the mail with a piece of cardboard that reads: place the chosen tautology So one chooses a tautology and hides it and has a secret. Only the sender and those he tells know what became of it, so it really does become both anonymous and private, making the title observation true. The public performance of a piece like this is unnecessary, however, by its nature. Still, the act is somehow boring and, through this, interesting. But we have now reached the point where performance art merges into nonperformance art, which brings us to the visual arts, among other things. (Larry Austin + Douglas Kahn, Source, Berkeley 2011).
Letters from a Persian in England to his Fried at Isphahan. The Fourth Edition, Corrected.
London, Printed for John Millan, next to Will's Coffee-House, Scotland Yard-Gate, Whitehall. 1735. 12°. VI, 254 S., 4 n.n. S. Katalog. Kalblederband der Zeit mit rotem goldgeprägtem Rückenschild, reicher floraler Rückenvergoldung, Deckelfiletierung und Eckfleurons.
Vierter Druck im Jahr der ersten Ausgabe, hier erstmals mit abweichender Verlagsanschrift. Der Vortitel mit "Price Three Shillings" und mit Abweichungen im Katalog. Am Schluss ohne das Erratablatt, dafür mit 4 Seiten Katalog. - Ob der fingierte Briefwechsel ein eigenständiges literarisches Werk ist oder doch eher eine englische Koloportage der "Lettres persanes", darüber lässt sich streiten. - Oberes Kapital mit kleiner Fehlstelle. Name auf dem Vorsatz. Durchgehend, stellenweise auch stark gebräunt. - Fourth print in the year of the first edition, here for the first time with a different publisher's address. The pre-title with "Price Three Shillings" and with deviations in the catalogue. At the end without the errata sheet, but with 4 pages catalog. - Whether the fictitious correspondence is an independent literary work, or rather an English colo-portage of the "Lettres persanes" is debatable. - Throughout, in parts also strongly browned. Name on the flyleaf. Upper capital with small imperfection.
