Write to the booksellers
traverses
le design
revue traverses numéro 2 novembre 1975 in 8 carré broché 142 pages - nombreuses illustrations
Reference : 2709
huguette briand-le bot : la question du design - marc le bot : art/design - jean baudrillard : le crépuscule des signes - henri-pierre jeudy : la fonction symbolique et le design - tadao umesao : l'âme et les choses matérielles - françois barré : en signe de ville - anatole kopp : aux origines du design en U.R.S.S - eric michaud : le projet social du bauhaus gestalfung : la question du pouvoir
Bookseller's contact details
Le Monde à l'Envers
M. Daniel Daix
5 rue gambetta
45200 Montargis
France
02 38 89 39 31
Payment mode
Sale conditions
sauf mention contraire les livres sont en bon état - les ouvrages sont expédiés en colissimo dès le règlement de la facture effectuée par chèque bancaire à l ordre de Daniel Daix ou paypal.
5 book(s) with the same title
Mateo Kries Jochen Eisenbrand Co-auteur: R egg, Arthur Pavitt, Jane Thau, Carsten M cel, Otakar Tegethoff, Wolf B scher, Henrike Ferrari, Fulvio de Roode, Ingeborg Sudjic, Deyan Et Al
Reference : 53182
Atlas of Furniture Design; The new encyclopedic publication on 200 years of furniture design
, Vitra Design Museum, 2018 Hardcover 1018 pages, 310 x 235 mm, Illustrated. ISBN 9783931936990.
the Vitra Design Museum publishes the Atlas of Furniture Design , a new comprehensive overview on the history of modern furniture design. With more than 1,000 pages, the Atlas is the most extensive book ever to be published on the topic. It documents 1,740 objects by over 540 designers, and features more than 2,800 illustrations, from object photographs to design sketches and interiors as well as patents, brochures, art, architecture, and portraits of the designers. The Vitra Design Museum collection, which counts among the world?s largest of its kind with upwards of 20,000 objects, including over 7,000 pieces of furniture, serves as the basis for Atlas of Furniture Design . The publication includes works by the most significant designers of the past 230 years and documents all important stages of design history. This includes 19th century furniture made out of bentwood and metal, Art Nouveau and Secession style designs, iconic designs by protagonists of modernism such as Le Corbusier, Gerrit Rietveld, Charlotte Perriand, Marcel Breuer, and Eileen Gray, but also post-war, post-modern, and contemporary furniture by designers such as Charles and Ray Eames, Eero Saarinen, Gae Aulenti, Finn Juhl, Ettore Sottsass, Philippe Starck, Hella Jongerius, Jasper Morrison, and Konstantin Grcic. The Atlas of Furniture Design is the product of over 20 years of research at the Vitra Design Museum and was compiled by a team of more than 70 authors. It contains comprehensive essays on the socio-cultural and design-historical contexts of furniture design, over 550 detailed texts on pioneering objects, and numerous information graphics that provide new visual insights into the history of furniture design. Furthermore, the book contains a complete appendix that includes designer biographies, bibliographies, a glossary of producers and materials, as well as a keyword index. These features make this publication an encyclopedic reference guide and indispensable resource for collectors, scholars, and experts, and without a doubt a book to be treasured by design lovers all over the world. The Atlas of Furniture Design is a treasure trove that offers not only definitive information about beloved staples of design history, but also new, fresh and often unexpected perspectives, all presented in a generous format that captures the breadth and depth of this important subject. Paola Antonelli, Senior Curator of Architecture and Design, The Museum of Modern Art Mateo Kries, director of the Vitra Design Museum and co-editor of the publication, explains: The Atlas paints a portrait of our entire collection while simultaneously providing an unprecedented overview of the history of modern furniture. The publication is set up to provide a new comprehensive outline for scholars of furniture design by considering the latest academic research, questioning extant knowledge, and giving top experts a platform to share their ideas. The book touches on a range of subjects spanning the beginnings of industrialization to digitalization, which is becoming increasingly influential in contemporary furniture design. Whether as a selection of iconic designs or as a history of styles, a chronicle of evolution or of revolution, a history of objects or of images, or a narrative of domestic habits or of individual designers, this book can be read in a vast range of ways. But the Atlas of Furniture Design can also be enjoyed by readers who prefer to dispense with complex theories and just want to concentrate on each single object.
California Graphic Design - Showcasing 27 Leading Edge Design Firms in California
Madison Square Press Malicorne sur Sarthe, 72, Pays de la Loire, France 1997 Book condition, Etat : Bon hardcover, under illustrated dust-jacket In-4 1 vol. - 232 pages
over 500 exhibits 1st edition Contents, Chapitres : Adams Moriaka Inc. - Kimberly Bear Design - Bielenberg Design - Black Dog - Tom Bonaura Design - Bright Strategic Design - Curtis Design - Stan Everson Design - Wayne Hunt Design - Ingalls + Associates - Lisa Levin Design - Louey / Rubino Design - Luxon-Carra - Mauk Design - Norman Moore Design - Michael Osborne Design - Yashi Okita Design - Ph. D - Profile Design - Sackett Design - Sargent & Berman - Michael Schwab Studio - Shimokochi / Reeves - Patrick SooHoo Design - Vrontikis Design - The Warren Group - White Design - Zimmerman Crowe Design - NB: sur l'Ecole californienne de Design, ouvrage abondamment illustré de créations artistiques dans le domaine du design contemporain en Californie near fine copy, no markings, very small wear on the corner of the jacket and on the spine, else fine copy
Art & Design Atomium Museum. The Plastic Collection
, [BE] CFC-Editions , Paperback, 280x230mm, 216p, 300 colour illustrations, English/ French/ Dutch (NL)/ German edition . ISBN 9782875720153.
De la collection privee du Plasticarium a un musee d'art et de design a Bruxelles. Nouveau musee et centre d'art, le ADAM (Art & Design Atomium Museum) a pour ambition de devenir une reference museale en matiere d'expositions d'art et de design a Bruxelles. Installe sur le plateau du Heysel, a deux pas de l'Atomium, il dispose de pres de 5.000m2 et a pour exposition permanente la collection du Plasticarium. Constituee depuis les annees 1980, cette collection est un ensemble singulier et unique au monde qui regroupe plusieurs centaines d'objets en plastique, allant du plus usuel a l'?uvre d'art, en passant par l'objet de design. Si cette collection occupe la large place qu'elle merite au sein du musee, d'autres espaces proposent des expositions temporaires dediees a l'art et au design du XXe siecle et d'aujourd'hui. Le present ouvrage reprend les creations des designers parmi les plus importants dans le domaine du plastique depuis les annees 1950 jusqu'a nos jours. Un florilege de formes et de matieres magnifiquement illustre par des reproductions en quadrichromie dont beaucoup en pleine page. Un livre reference, qui compte egalement quelques ?uvres d'art ayant recours au plastique, publie en quatre langues (francais, neerlandais, anglais, allemand). Les auteurs : Les textes sont signes par des experts dans le domaine du design : - Anne Bony : historienne de l'art, specialiste de l'histoire du design, collaboratrice aux editions du Regard en tant que directrice de collection et auteur d'une serie d'ouvrages sur la creation au XXe siecle (? Les Annees 10, 20, 30, 40, 50, 60, 70, 80 et 90 ? ), ainsi que ? Meubles et decors des annees 40, 60 et 70 ? . Elle a publie, en 2006, aux editions Larousse, ? Le Design. Histoire, principaux courants, grandes figures ? . - Alexandra Midal : docteur en histoire du design et commissaire d'exposition. Apres avoir ete directrice du FRAC de Haute-Normandie, assistante de Dan Graham, pensionnaire de la Villa Medicis, elle est aujourd'hui professeur en histoire et theorie du design, directrice des Masters Design et curatrice de la Design Project Room a la Haute ecole d'art et de design de Geneve. Elle a publie dans de nombreuses revues internationales et dans des catalogues de musees (MoMA?). - Richard Thommeret : professeur a l'universite de Bruxelles depuis 1998, il y intervient principalement au sein du master de Design industriel & d'Architecture d'interieur. Ingenieur de formation, ancien chercheur en materiaux polymeres, il a publie en 2013, aux editions Eyrolles, l'ouvrage ? Plastiques & design ? . Le catalogue reprend de nombreuses pieces importantes -voire mythiques- de l'histoire du design base sur l'utilisation du plastique, des annees 1950 a nos jours, signees des plus grands designers internationaux. Het Atomium in Brussel werd voor het eerst in gebruik genomen in 1958, het werd gerenoveerd in 2006, maar 2015 wordt een nieuwe scharnierdatum in zijn geschiedenis. In december 2015 wordt immers het Art & Design Atomium Museum (ADAM) feestelijk geopend op de Heizelvlakte. Het werd ontworpen als museum voor design en kunst, en niet louter als museum van design stricto sensu. We zien hier inderdaad voorwerpen die we elke dag wel gebruiken maar waarvan we de formele kwaliteiten niet meer zien, stoelen die niet langer aan hun basisfunctie herinneren, provocerende of ongewone kunstwerken, ook foto's die raken of verrassen en architectuur die bewierookt of lange tijd ondergewaardeerd werd en meer dan de moeite waard is om nu te herontdekken. De prive-collectie, het Plasticarium, van Philippe Decelle, is uniek in de wereld en vormt de kern van de permanente tentoonstelling van het ADAM. Tientallen jaren lang verzamelde deze liefhebber kunststofmateriaal. De tentoonstelling bevat grote stukken, prototypes, ons welbekende alledaagse consumptievoorwerpen en ook meesterwerken van beroemde kunstenaars.
Design, Design, Design, Design, Design the Poor
, Notice Notice, 2012 Paperback, 108 pages, ENG, 210 x 155 x 10 mm, front and backside have been wet in the past, rest of the book is as New, images in colour /b/w. ISBN 9780615694986.
Notice Notice, 2012. Design, Design, Design, Design, Design the Poor. The book presented the literal interpretation of seemingly innocuous communications as a source of truth, lessons in value along the silk road, architecture against poor women, Robin Hood appropriation, respect to the ghosts we walk all over every day in our developing cities, listening to the radio, and resurrection. Contributions from Peter Fend, Jana Leo, Temporary Services, Shillz da Realz, Jill Freedman, Chris Leo, Mich le Champagne, David N. Hartt, Freeman House.
Blocks on the Road to Instructional Design Prescriptions. A Methodology for I.D.-Research Exemplified.
Leuven, Universitaire Pers, 1995 Paperback, English, original editor's jacket, 16x24 cm., xii-274 pp. ISBN 9789061867081.
Studia Paedagogica : 8. The development of instructional design as a linking science and, more specifically, the formulation of theoretically sound, empirically valid, and applicable prescriptions may contribute to bridge the gap between theory and practice. In this study, a heuristic approach is proposed that conceptualizes the steps involved in prescriptive research. It is assumed that prescriptions are tight to learning or cognitive tasks, which represent instructional problems in a specific instructional setting. Furthermore, it is argued that prescriptions are to be embedded in an overarching framework. This framework determines the meaning of the prescriptions, restricts their applicability, and may guarantee their mutual compatibility. I.D.-models have been argued to offer such frameworks. The first step of the proposed approach, then, consists of the construction of an I.D.-model. In a second step, this model is elaborated in order to tune it to the learning or cognitive tasks for which prescriptions will be formulated. An analysis of both the available research embedded in the descriptive knowledge base and the specifications of the referent system, results in a number of problem detection- and prediction-rules. These rules provide indications on problems learners may encounter in their efforts to execute the selected task, or link learner characteristics and instructional interventions to learning outcomes. The last step consists of the validation of the prespecified rules in an ecological setting. This empirical validation may lead to prescriptions which applicability is restricted to the settings specified in the referent system. The approach above is followed as an exemplar of prescriptive I.D.-research. A definition of instructional design is provided and five structural components (descriptive knowledge base, referent system, design parameters, design procedures, and design/development processes) of I.D.-models are identified. An analysis of the influence of cognitive research outcomes on instructional design and the elaboration of the approach for prescriptive instructional design research (Chapter 1), precedes the construction of a cognitive oriented instructional design model (C.I.D.-model). The model is completed by outlining design/development processes and the features of some design procedures (Chapter 2). The model gets further elaborated by taking the referent system more fully into account and specifying the model toward a specific cognitive task: determining importance of information-elements in printed instructional materials (Chapter 3). Considering the outcomes of descriptive research about the influence of both learner and text characteristics on both learning from text and text comprehension, an empirical validation study is presented (Chapter 4). Arguing that descriptive research outcomes cannot be directly transformed into prescriptions, but can help to detect problems students eperience and may suggest possible solutions, problem detection- and prediction-rules are identified. Application of problem detection- and prediction-rules leads to the implementation of three types of interventions or support devices: printing important information bold, integrating important information elements in summaries, and restructuring the text. Results (Chapter 5) indicate that (1) overall, students determine importance by applying a 'safety'-strategy; (2) interventions do not lead to improved performance on determining importance or learning outcomes tests, and (3) content prior knowledge influences performance on learning outcomes tests. Overall, no valid prescriptions can be formulated. The overall non-significant results may be due to a variety of reasons. Retrospective interviews suggest that the results may be explained by the non-use or inappropriate function-attribution of instructional interventions by students. This study does not result in valid prescriptions. In addition, questions are to be raised about the C.I.D.-model and, more specifically, the selection of learner-related design parameters. However, these conclusions pertain only to the hypothesis-testing part of the study and do not consider contributions made with regard to the development of cognitive instructional design, and, more methodologically, the explorative aspects of this prescriptive study.
