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WESTON Edward / PITTS Terence / ANSEL Adams / HEITING Manfred
Edward Weston.
Taschen, , 1999, 251 p.,cartonnage éditeur sous jaquette, environ 33x27cm, de menues déchirures sur le bas du dos de la jaquette, bon état.
Reference : 86344
En anglais. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
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Librairie Diogène
Mme Claire Dulac
29 rue saint jean
69005 Lyon
France
33 04 78 42 29 41
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4 book(s) with the same title
Edward Weston, formes de la passion.
1995 Paris, Le Seuil, 1995, in 4° relié pleine toile grise de l'éditeur, jaquette illustrée, 367 pages.
Avec des textes de Terence Pitts, Trudy Wilner Stack, Theodore Strebbins, Alan Trachtenberg. 349 photographies reproduites. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Edward Weston Nudes
UK, Gordon Fraser. 1977, First Edition. (ISBN: 086092002X) Remembrance by Charis Wilson. Weston's photographs are accompanied by excerpts from his day books and letters. 'To Weston's eye..the landscape of the human body was an unending revelation of forms both voluptuous and abstract. His genius lay in his ability to respond to both with equal passion'. The things of every day experience have been transformed by Weston into organic sculptures. One of the best collections of nude photographs. Endpapers have been replaced some time past with clean, soft, cream paper. Some foxing to prelims. Contents Fine . Very Good/Very Good.
photos sur demande , pictures if you ask me .....
Anton Josef Trcka, Edward Weston, Helmut Newton : The Artificial of the Real
, Scalo Publishers, 1998 Hardcover, 208 pages, ENG, 280 x 230 x 25 mm, dustjacket, in fine condition, photographs in colour / b/w . ISBN 9783931141882.
This book presents 3 important photographers--Anton Josef Trcka, Edward Weston, and Helmut Newton, and explores the relationships between reality and representation. ? ====================== ? In the works of Anton Josef Trcka nature is picturesque, an embellishment atmospherically enhancing his portraits. In Edward Weston's work it appears in its most basic, purest forms, as both reality and its metaphor. And for Helmut Newton nature is the hyper-real backdrop against which he stages the pictorial worlds which accompany and pursue us today. Body: Trcka uses the body as a vehicle for a new expressiveness, a new gesture, a new image of mankind, which at the turn of this century could only be created by means of a photography both so close to, yet so remote from reality. For Weston the body is pure form, one of the world's primordial forms, an abstract representation of human, physical existence. And Newton: here bodies are creations invented by the director behind the camera, manifestly rooted in reality, but nevertheless vigorously detached from it for the sake of art and artificiality. The Artificial of the Real is about the art of perceiving reality and representing it. Three photographers show how human beings have experienced themselves in their world at different moments during this century. For this, photography is how the artificiality of the real is rendered perceptible.
Edward Weston (Auteur), Charis Wilson (Auteur, Sous la direction de)
Reference : lc_72770
Edward Weston Nude
Millerton, New York. Aperture. 1977.,
Sa fragile ouverture légèrement passée, plis intérieur très frais.
