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‎MORRISON Toni‎
‎Jazz.‎

‎ Belfond Christian Bourgois, 2006, 248 p., broché, bon état.‎

Reference : 113168


‎ Merci de nous contacter à l'avance si vous souhaitez consulter une r0 éférence au sein de notre librairie.‎

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5 book(s) with the same title

‎Emile Wennekes, Emilio Audissino (eds)‎

Reference : 66042

‎Cinema Changes: Incorporations of Jazz in the Film Soundtrack‎

‎, Brepols, 2019 Hardback, xxvi + 334 pages, Size:210 x 260 mm, Illustrations:35 b/w, 26 musical examples, Language: English. ISBN 9782503584478.‎


‎Summary Cinema is the form of entertainment that can be, above all, identified with the twentieth century. It gradually replaced theatre as a popular form of performed storytelling, and replaced opera too as the new "multimedia" art form, soon incorporating music as one of cinema's privileged means to co-tell stories. Speaking of music, jazz was as sensational a twentieth-century novelty as cinema was. The two soon teamed up, and jazz, with its various incarnations and styles, has accompanied the moving images and the cinematic narratives throughout the decades. It was inevitable that these two iconic art/entertainment forms, jazz and cinema, should meet, blend, cooperate, and have a reciprocal influence. While the early film music was mostly symphonic and inspired by the late-romantic nineteenth-century idiom, jazz and Afro-American music - in various form and with diverse and changing racial/social connotations - appeared onscreen even before the landmark film The Jazz Singer (1927), which officially launched the sound era. This collection of essays seeks to study the long-standing relationship between jazz and cinema, from the silent era to the contemporary sound cinema, on an international level. TABLE OF CONTENTS Emile Wennekes - Emilio Audissino Prologue: A Reel Jazz Survey Rendition / Reception Emile Wennekes Out of Tune? Jazz, Film and the Diegesis Phillip Johnston Jazzin' the Silents: Jazz and Improvised Music in Contemporary Scores for Silent Film Luca Stoll Cinema: A Privileged Way of Acquiring Intimacy with Jazz Standards Marida Rizzuti Play, My Fiddle, Play! Jazz and Klezmer at the End of the 1930s Randall Cherry Ethel Waters and the Search for Racial Redemption Jazz and National Cinemas Emilio Audissino The Multiform Identity of Jazz in Hollywood: An Assessment through the John Williams Case Study Nicolas Pillai Rhythms of the Everyday: an Alternative History of the British Jazz Film Philippe Gonin Jazz and Cinema: Which Jazz for Which Movies in France from 1945 to the early 1960s? Julio Arce - Celsa Alonso From the Chotis to the Charleston: Jazz in Spanish Films prior to the Civil War Roberto Calabretto Jazz Music in Michelangelo Antonioni's Films Willem Strank When Jazz Meets German Cinema: A Brief Overview Jason R. Hillebrand A Song Helps Us Live: The Narrative Function of Jazz in the Soviet Musical Film Jolly Fellows Case Studies Francesco Finocchiaro - Leo Izzo The Sound of the Nightmares: On the Jazz Music in Fritz Lang's Metropolis Ryan Patrick Jones Dignity in the Twilight of Minstrelsy: Race, Nuance, and Aspiration in Duke Ellington's Symphony in Black: A Rhapsody of Negro Life Adam Biggs The Blues and Dissonance in Michelangelo Antonioni's Blow-Up Armando Ianniello Umiliani, Trovajoli, and Rota: The Jazz Film Score of Boccaccio '70 Marcel Bouvrie Synergetic Jazz Score: The Narrative of the Relation between the Diegetic and Nondiegetic Music in Whiplash Mervyn Cooke 'The Same Goddamn Songs the Same Goddamn Way'? Makin' Whoopee with The Fabulous Baker Boys Abstracts Biographies Index of Names‎

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EUR120.00 (€120.00 )

‎Klomp, Jaap van de , Bill Crown., Scott Yanow.‎

Reference : 58554

‎Till we shall meet and never part. Jazz Lives.‎

‎, A.W. Bruna Uitgevers 2008, 2008 Hardcover, 223 pages, ENG, 330 x 225 mm, book is in New state, with very fine pictures of the final resting places of Jazz legends, in colour and b/w, . ISBN 9789022993538.‎


‎Jazz is an improvisational style of music influenced by West African rhythms and originated in the African American community of New Orleans from a cross-fertilization of ragtime, blues, folk and Negro spirituals. Originally, the word jazz meant a "highly energetic dance". Jazz was not widely accepted by the general public in the early years, mainly because this type of music was associated with loose morals and low social status. When white and mixed jazz orchestras such as Benny Goodman's began playing this music from the 1930s onward, it became an accepted form of entertainment for whites as well. The swing period that began then marked a peak in the popularity of jazz, largely due to the fact that jazz was then still exclusively dance music. As jazz evolved into more experimental musical forms from the 1950s, and due to the rise of exciting dance music such as rock and roll, sales of jazz records declined sharply. However, jazz has remained, and continues to renew itself. This article provides an overview of jazz history from ragtime and hot jazz to the fusion styles of the last decades‎

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EUR12.50 (€12.50 )

‎Aboucaya Jacques, Baudoin Philippe, Malson Lucien‎

Reference : R200114561

(2006)

ISBN : 2907891405

‎Cahiers du Jazz - N° 3 - Dossier Martial Solal - 2006 Nlle série - Le jazz musique sexotique - brésil et jazz un amour cannibale - histoire du jazz et de la musique afro-américaine - les trash d'ellery eskelin - les cuivres légers de clark terry‎

‎Outre mesure. 2006. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 223 pages.. . . . Classification Dewey : 781.65-Jazz‎


‎Le jazz musique sexotique - brésil et jazz un amour cannibale - histoire du jazz et de la musique afro-américaine - les trash d'ellery eskelin - les cuivres légers de clark terry - solal/constant : une recontre fructueuse - andré hodeir et la réalisation de jazz et jazz... Classification Dewey : 781.65-Jazz‎

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Phone number : 05 57 411 411

EUR24.90 (€24.90 )

‎COLLECTIF‎

Reference : R110281704

(1964)

‎JAZZ HOT N° 204 - Concert Loussier, Concert Clarke/Hodeir, Ath the jazz band ball 64, Mr Jelly Lord, Jazz a la loco, Jazz et jeunes, Festival de Prague, Voyage au fond du jazz, L'enterrement a la n.o., Un certain blues d'octobre, Woody Herman‎

‎BUREAU DE LA REVUE. DECEMBRE 1964. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 53 pages. Nombreuses photographies en noir et blanc dans et hors texte.. . . . Classification Dewey : 781.65-Jazz‎


‎Sommaire : Concert Loussier, Concert Clarke/Hodeir, Ath the jazz band ball 64, Mr Jelly Lord, Jazz a la loco, Jazz et jeunes, Festival de Prague, Voyage au fond du jazz, L'enterrement a la n.o., Un certain blues d'octobre, Woody Herman, Johnny Griffin, Bix Beiderbecke Classification Dewey : 781.65-Jazz‎

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Phone number : 05 57 411 411

EUR24.90 (€24.90 )

‎COLLECTIF‎

Reference : R110282531

(1984)

‎JAZZ MAGAZINE N° 331 - Jazz impressions, Jazz et série noire par Bernard Amiard, Samois, du coté de chez Django par François Billard, Cagliari, une rencontre jazz-Europe-Afrique concoctée par Franco d'Andrea, Angoulême, jazz en France 84 par Robert‎

‎N.E.M.M. ET CIE. JUILLET-AOUT 1984. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 49 pages. Nombreuses photographies en noir et blanc dans et hors texte.. . . . Classification Dewey : 781.65-Jazz‎


‎Sommaire : Jazz impressions, Jazz et série noire par Bernard Amiard, Samois, du coté de chez Django par François Billard, Cagliari, une rencontre jazz-Europe-Afrique concoctée par Franco d'Andrea, Angoulême, jazz en France 84 par Robert Latxague, Jean Marc Birraux et Claude Poquet Classification Dewey : 781.65-Jazz‎

Logo SLAM Logo ILAB

Phone number : 05 57 411 411

EUR24.90 (€24.90 )
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