Write to the booksellers
SCHWITTERS (Kurt) -
Anna Blume.
Traduit de l'allemand par Marc dachy et Corinne Graber. Paris : Editions Ivrea, 1994. Un volume broché (12,5x19 cm), 94 pages.
Reference : 44584
Bookseller's contact details
Le Livre à Venir
Mme et Mr. Florine et Richard Jaillet
41 Place de l'Oscambre
03140 Chantelle
France
06 44 78 76 58
Payment mode
Sale conditions
Règlement accepté : chèque, paypal, virement bancaire ou mandat. Nous garantissons l'état de nos livres conformes à la description donnée sur nos notices. Envoi de photographies sur demande. Les prix indiqués sont nets, port en sus à la charge de l'acquéreur. A réception de votre commande, vous recevrez une demande de règlement détaillée. Nous envoyons les ouvrages dans un délai de trois jours maximum, à réception de votre règlement par chèque,paypal, espèces ou virement bancaire. <br />
5 book(s) with the same title
elementar. Die Blume Anna. Die Neue Anna Blume eine Gedichtsammlung aus den Jahren 1918-1922. - [THE SYMBOL FOR THE DADAIST MOVEMENT]
Berlin, Verlag Der Sturm, (1923). 8vo. In the original printed wrappers. Light sunning to top of front wrapper. Upper part of spine with a small bump. Ex-libris (Alfred Liede) pasted on to verso of front wrapper. A fine and clean copy. 32 pp.
Rare first printing of one of the earliest edition of Schwitter's famous Dadaist 'sound-poems' (i.e. Dada Klang-Gedichten) often seen interpreted as a parody of a love poem. It famously became the symbol for the Dadaist movement, of the chaos and madness of the roaring 1920ies, and it was seen as the birth of a new poetic language. The poem made Schwitters famous overnight and it was parodied in newspapers and magazines, and strongly polarized public opinion throughout the 1920ies. Whilst Schwitters was never an official member of Berlin Dada, he was closely linked to many members of the group, in particular Raoul Hausmann and Hans Arp, and the poem is written in a dadaist style, using multiple perspectives, fragments of found text, and absurdist elements to depict the narrator's emotional state in the throes of love, or of Germany's political, military and economic collapse after the First World War.""Schwitter's developed his own version of Dada, which he called MERZ. Reportedly derived from truncating the name of the German bank Commerzbank, it uses not just ready-mades but also objects that had been thrown away. Merz differed in one crucial aspect from Dada: It was art, not anti-art. Best known are Schwitter's non-sense poems that make sense - just not in the usual sense, in the same way that Schwitters did not restrict himself to the usual five physical senses. His poem [the present] identifies Anna Blume as ""the beloved of my twenty-seven senses. The poem takes the reader through an accordingly distorted reality with statements, such as ""Blue is the color of your yellow hair, and an equally playful disregard of linguistic rules, while following a grammar of the heart, such as in the poem's last sentence: ""Anna Blume, you trickle beast, I love your!"". """"Despite his overtures, however, the Dadaists rejected Schwitters, burning his ""Blume"" pamphlet at the 1920 Berlin Dada Fair. Too iconoclastic for more conventional artistic movements, Schwitters was too painterly and sentimental for Dadaism. Denied entry by the club he desperately wanted to join, he slapped stickers that said ""Anna Blume"" wherever he went"" he interrupted other artists' talks by barking like a dog. And yet he was as energetic in his artistic activities proper as he was in his provocations, alternating between painting, printmaking, collage, stage design, poetry"".""Given Schwitter's drive towards multivalence, all of these interpretations (An Anna Blume as satire, An Anna Blume as both a critique and subsumption of modernity, An Anna Blume as an expressionistic exposure of the sense surrounding modern experience, and An Anna Blume as a deliberately fashioned alchemical parable) are all possible"". (Gamard, Kurt Schwitters Merzbau: The Cathedral of Erotic Misery, P. 57).
Lunapark n°7 nouvelle série printemps 2013 - James Joyce, Anna Livia Plurabelle - Kurt Schwitters, à Anna Blume traduction de Jean Rouaud - E.L.T. Mesens, Kurt Schwitters aux deux magots - Cécile Bargues, Un chateau en espagne, Raoul Hausmann et Ibiza...
Transédition. 2013. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 191 pages - couverture contrepliée - quelques illustrations en couleurs et en noir et blanc dans et hors texte.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Sommaire : James Joyce, Anna Livia Plurabelle - Kurt Schwitters, à Anna Blume traduction de Jean Rouaud - E.L.T. Mesens, Kurt Schwitters aux deux magots - Cécile Bargues, Un chateau en espagne, Raoul Hausmann et Ibiza - Pierre Restany, Dada et l'esprit du XXe siecle - Camille Laurens, Benjamin Constant 2.2.2.2.12.12.12.1 - Emmanuel de Waresqueil, Jacques Vaché et Jacques Rigaut - Christian Dotremont, Pierre Alechinsky, moi qui j'avais - Raymond Hains, propos recueillis par Vincent Queinnec - Laurence Bertrand Dorléac, la comédie de Drieu - Marie Magdeleine Lessana, Marylin l'incessante etc. Classification Dewey : 70.49-Presse illustrée, magazines, revues
Die Blume Anna. Die Neue Anna Blume. Eine Gedichtsammlung aus den Jahren 1918-1922. Einbecker Politurausgabe von Kurt Merz Schwitters.
Berlin, Verlag der Sturm, [1922]. In-8 broché de 32 pages, couverture de Kurt Schwitters, très légèrement insolée en bords.
Texte décrit comme une parodie d'un poème d'amour, un emblème du chaos et de la folie de l'époque, et en tant que précurseur d'un nouveau langage poétique. Dada Global, 123.
Anna Blume. Dichtungen.
Elftes bis dreizehntes Tausend. Hannover, Paul Steegemann Verlag 1922. 8°. 82 S., 6 n.n. S. Anzeigen. Originalbroschur.
Meyer 85. - Raabe 273.1. - Veränderte Neuauflage der 1919 in den "Silbergäulen" erschienenen Texte. - Entgegen dem Druckvermerk sind von der vorliegenden Auflage keine Exemplare mit einer Titelzeichnung Schwitters nachweisbar. - Broschur wie fast immer mit Randläsuren und Knickfalten. Papier wie stets etwas gebräunt.
Le voyage d'Anna Blume.
Couverture souple. Broché. 202 pages.
Livre. Traduction de Patrick Ferragut. Editions Actes Sud, 1995.
