Paris : Editions du Temps (Collection "Sculpteurs modernes"), 1961- un volume 15x20,5cm broché sous jaquette illustrée en deux tons, (10) pages de texte par Michel Seuphor suivies de 31 planches hors texte - bon état -
Reference : 38813
Le Livre à Venir
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Walburga Krupp, Isabelle Ewig, Medea Hoch, Agathe Mareuge, Simona Martinoli, Susanne N. Nielsen, Caroline Ugelstad, Laura Pirkelbauer, Flas/De Boodt, Hans Arp
Reference : 64649
, Mercatorfonds, 2024 HB+, 290 x 230 mm, 288 p, 280 Color illustrations, ENG edi. ISBN 9789462303782.
Hans (Jean) Arp (1886-1966) and Sophie Taeuber-Arp (1889-1943) are probably the best-known artist couple in modern art of the 20th century, alongside Robert Delaunay and Sonia Delaunay-Terk. Both were highly gifted and worked in many different genres. Arp was a painter, poet, sculptor and made collages, drawings, reliefs, textiles, woodcuts and much more. TaeuberArp was a textile artist, dancer, designer, editor of an art magazine, painter, sculptor and teacher. They were both pioneers of abstract art, Arp in a biomorphic way, Taeuber-Arp in a more geometric way. As pioneers of abstract art. they created a unique body of work. When they met in Zurich in 1915, shortly before Dada began, it was the beginning of a lifelong, fruitful artistic exchange and collaboration. From drawing to construction, from textile to wall paintings, Sophie Taeuber-Arp and Hans (Jean) Arp gave rhythm to their lives, opening up geometric and organic abstraction to dance. decor, architecture, sculpture and the applied arts. Like other artist couples. they developed not only an emotional but also an artistic intimacy, as they closely followed the creation of their partner's work and discussed their aspirations almost daily. Each partner implicitly regarded the other as both disciple and guide, even when the two were working on the same project. They interacted alternately as producers and critics. performers and spectators, and considered their joint efforts not so much in the light of individual works or even a series of works in progress, but in terms of an ideal community in which other artists would eventually participate. From 1926 to 1928, they worked together on several interior design projects in Strasbourg, which allowed them to move trom Zurich to Clamart on the outskirts ot Paris in an atelier-house designed by Sophie Taeuber-Arp. The French years - from spring 1929 to autumn 1942, when they left France tor a temporary stay in Switzerland, where Taeuber-Arp accidentally died in 1943 in Zurich - were their most successful years as artists and as a couple.
Astrid von Asten, Rapha l Bouvier, Catherine Chevillot, Lilien Feledy, Tessa Paneth-Pollak, Jana Teuscher
Reference : 62385
, Fondation Beyeler / Hatje Cantz Verlag 2002, 2021 Hardcover ,200 pages, ENG, 315 x 280 x 20 mm, NEW, over 120 illustrations in colour / b/w.*new ISBN 9783775748759.
For the first time in a museum exhibition?and hence, in this catalogue?the groundbreaking work of a great innovator of late-nineteenth-century sculpture encounters the influential work from a protagonist of twentieth-century abstract sculpture: Auguste Rodin meets Hans (Jean) Arp. Both artists are characterized by their unique artistic innovations and the joy of experimentation; both strongly influenced their eras and have lost nothing of their topicality to this day. As sculptural milestones, the creations of Rodin and Arp illustrate in a vivid and exemplary way fundamental aspects in the development of modern sculpture. Rodin?s pioneering ideas and new artistic horizons for sculpture were taken up by Arp and fascinatingly developed, reinterpreted, or contrasted. Indeed, both oeuvres exhibit numerous artistic affinities and points of reference, which become a particularly revealing visual experience in this clever juxtaposition. AUGUSTE RODIN (1840?1917) led sculpture to new forms of expression, ultimately approaching Impressionism stylistically with his dynamic surface, while also under the influence of Symbolism, in terms of content. Sculptures such as The Thinker, The Kiss or The Burghers of Calais are among the icons of modernism. HANS (JEAN) ARP (1886?1966), founder of the Dada movement in Zurich, is known for his biomorphic sculptures in plaster, stone, and bronze. He sought the expression of ?organic abstraction.? His oeuvre also includes paintings, drawings, and poems.
Alberto Celesia 1966 In-8 Broché
EDITION ORIGINALE éditée à la mort de Jean Arp survenue le 7 juin 1966. Portrait de l'artiste en frontispice. Mise en page par Jan Tschichold. 3 poèmes inédits de Arp, en français et en allemand. Textes d'André Aubry, Carola Giedion-Weckler, Hansjörg Gisiger, Georges Ritleng, Carlo Speziali, Fritz Usinger. Tirage non précisé, sur papier Ingres. >>>>JOINT la carte de visite "Hommage de Madame Jean Arp", et un article du Nouvel Observateur du 14 septembre 1966 publiant des poèmes de Arp extraits de "Jours effeuillés". Très bon 0
Pfullingen, Günther Neske Verlag, 1959. Un volume in-4 (279 x 211 mm), reliure éditeur toilée gris clair, dos à la bradel, plat supérieur illustrée d’un dessin de Arp reproduit. ÉDITION ORIGINALE. Texte en allemand. - EXEMPLAIRE DE TÊTE AVEC SEPT GRAVURES DE HANS ARP SIGNÉES AU CRAYON. - TIRAGE : un des 33 exemplaires de tête, celui-ci numéroté X, signé par Hans Arp, les seuls à comporter toutes les gravures signées. Rarissime et magnifique, les gravures de toute beauté. Références : Arntz 396-402b - Tiessen I, 46. - ENGLISH DESCRIPTION : Pfullingen, Günther Neske Verlag, 1959. A volume in-4 (279 x 211 mm). Publisher's cloth binding, light gray canvas, back to the bradel, upper cover illustrated with a drawing by Arp reproduced. ORIGINAL FIRST EDITION, with the text in German. HEAD COPY WITH 7 ORIGINAL ENGRAVINGS BY HANS ARP SIGNED IN PENCIL. - EDITION: one of 33 deluxe copies, this one numbered X, signed by Hans Arp, the only ones to include all the signed seven engravings. - ILLUSTRATION: 7 original etchings signed by Hans Arp. Extremely scarce , the engravings of great beauty. Literature: Arntz 396-402b - Tiessen I, 46. GERMAN DESCRIPTION: MONDSAND. Gedichte. Mit 7 signierten Original-Radierungen von Arp. Pfullingen, Neske, 1959. 4°. [32] Bll. (das erste u. letzte weiss). Original-Seideneinband mit Rückentitel u. Deckelillustration. In privatem Schuber. - Erste Ausgabe. - Eines von 33 römisch nummerierten Exemplaren (X) der Vorzugsausgabe, im Druckvermerk zusätzlich von Arp signiert. - Druck der Radierungen bei Fequet & Baudier in Paris. Schönes Exemplar (Arntz 396-402b - Tiessen I, 46).
Rarissime et magnifique, les gravures signées de toute beauté. Références : Arntz 396-402b - Tiessen I, 46.
Paris Drouot Calmels Cohen 2003 In-4 Broché, couverture à découpe Edition originale
Catalogue de la vente publique de la collection de François Arp organisée à Drouot le 12 juin 2003, proposant 97 oeuvres de jean Arp, Sophie Taeuber-Arp, Joan Miro, Camille Bryen, Raoul Hausmann ... Nombreuses reproductions et riche iconographie; Repères bio-bibliographiques. Adjudications annotées.226 pp. Très bon exemplaire 0