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MIDDLETON (Drew)
THE BRITISH
, London, Secker & Warburg 1957, in-8, rel. éd., bon état, VII-286p.
Reference : 23975
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La Mémoire du Droit (Librairie - Edition - Expertise)
M. Philippe Rolin
5, rue Malebranche
75005 Paris
France
01 43 29 46 77
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5 book(s) with the same title
The British army of the Crimea, coulour plates by Micheal Roffe. Osprey. Men-at-arms series. London. 1974.
1 volume grand in-8° broché, couverture pelliculée illustrée, 40 p. + illustrations photographies noir et blanc et planches d'uniformes en couleurs. Très bon état.
Phone number : 06.31.29.75.65
The Genitalia of the Group Noctuidae of the Lepidoptera of the British Islands / The Genitalia of the Group Geometridae of the Lepidoptera of the British Islands / The Genitalia of the Tineid Families of the Lepidoptera of the British Isles / The Genitalia of the British Pyrales with Deltoids and Plumes / The Genitalia of the British Rhopalocera and the Larger Moths.
1909-1941 vii, 88, xxix, 88, xxii, 116, xiii, 69, 66 p., 32, 48, 68, 29, 21 plates, frontispiece, publisher's cloth. Last part with spine discoloured and with some wear. Library stamps, else a good set of the original edition.Originally six parts were published. This set lacks the Tortricidae (1922). The first two parts are by Pierce alone, the second and third part (of our set) is by Pierce and Metcalfe, and the last part is by Pierce and Beirne. Some of the original parts (there was a reprint edition in the sixties/seventies) are quite scarce now.
Catalogue of British Hymenoptera in the British Museum. Second edition. Part I. Andrenidae and Apidae. Catalogue of the British bees in the collection of the British Museum. New Issue.
1891 (2nd ed.) xi, 236 p., 11 plates. Original embossed brown cloth (spine missing). Bookplate on front paste-down, library stamp on title page. Top of spine taped and with a few worm-holes. Working copy onlyThis double titled publication is an "update" after the original series of hymenopterological catalogues of the British Museum collection which were published more than 20 years earlier. This part is the only one published and deals with bees only. 211 species are described and figured. List of British Museum publications bound in the rear.
Catalogue of the ivory carvings of the Christian era with examples of Mohammedan art and carvings in bone in the Department of British and Mediaeval Antiquites and Ethnography of the British Museum
Dalton O.M.: Catalogue of the ivory carvings of the Christian era with examples of Mohammedan art and carvings in bone in the Department of British and Mediaeval Antiquites and Ethnography of the British Museum. London: British Museum, 1909. lii, 193 with numerous textual illustrations plus 125pp of monochrome illustrations. Cloth. 29x25cms. Catalogue covering ivory and bone carvings from the Roman; Early Christian; Byzantine; early Mediaeval and Romanesque; Gothic; Renaissance and later periods, plus Oriental carvings.
Catalogue covering ivory and bone carvings from the Roman; Early Christian; Byzantine; early Mediaeval and Romanesque; Gothic; Renaissance and later periods, plus Oriental carvings
Gem engraving in Britain from antiquity to the present : with a catalogue of the British engraved gems in The State Hermitage Museum. Studies in Gems and Jewellery. Vol. V.
Kagan, Julia: Gem engraving in Britain from antiquity to the present : with a catalogue of the British engraved gems in The State Hermitage Museum. Oxford: The Beazley Archive & Archaeopress, 2010. Series: Studies in Gems and Jewellery. Vol. V. 496pp with colour and monochrome illustrations. Cloth. 31x21.5cms. The culmination of a life-time of scholarship, mostly inspired by the Brown brothers, eighteenth-century English carvers who worked for Catherine the Great, this book traces the history of gem engraving in Britain from antiquity to the present day focusing on engravers, patrons and collections with particular focus on workshops and individuals. With a complete catalogue of the British engraved gems in the State Hermitage Museum in St Petersburg, the largest collection of this type in the world.
The culmination of a life-time of scholarship, mostly inspired by the Brown brothers, eighteenth-century English carvers who worked for Catherine the Great, this book traces the history of gem engraving in Britain from antiquity to the present day focusing on engravers, patrons and collections with particular focus on workshops and individuals. With a complete catalogue of the British engraved gems in the State Hermitage Museum in St Petersburg, the largest collection of this type in the world. Text in English
