Stuttgart, Oktagon Verlag, 1995. 4°. 78 S., 2 Bl. Mit teils farbigen Abbildungen. Originalpappband.
Reference : 56915AB
Erschien zur Ausstellung im Salzburger Kunstverein, Portikus in Frankfurt am Main und in der Neuen Gesellschaft für bildende Kunst in Berlin.
Daniel Thierstein, Livres anciens
Daniel Thierstein
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Conformes aux usages de la librairie ancienne et moderne, tous les ouvrages sont complets et en bon état, sauf mention contraire. Les prix indiqués sont nets, les frais d’expédition sont à la charge du destinataire et seront précisés au moment de la commande. Les commandes peuvent être transmises par téléphone, par correspondance et par courriel.
, Brepols, 2023 Paperback, 168 pages, Size:216 x 280 mm, Illustrations:31 b/w, 52 col., Language: English. ISBN 9782503606200.
Summary The essays in this volume address the problem of three dimensions in architecture and the ways architects in the 16th century (and before and after) solved this problem during the design process. Two-dimensional drawings were used as the most helpful element in the design process, as well as for the presentation of designs. Those involved, not only patrons but also construction workers, should be able to understand what a two-dimensional design would turn out to result in three dimensions. Both drawings in two dimensions and three-dimensional models are well-known tools to architects, but the way in which they employed them together is not always clear. Sometimes architects limited themselves to the making of models only when they believed that these would suffice to communicate the design to others. In other instances, drawings and models were used jointly. Topics of study in this volume include examples of these practices in the work of the Sangallo, Raphael, Vasari, and others. TABLE OF CONTENTS Introduction Lex Bosman Drawings for Models Lex Bosman Baldassare Peruzzi's Projections Ann Huppert Combining the intrinsic and the extrinsic: Francesco di Giorgio's model drawings Elizabeth Merril ?Not as beautiful as those made by painters??: graphic innovations in carpenters' drawings in the early sixteenth century in the Low Countries Merlijn Hurx ?Accommodate the Stories to the Spaces and Not the Spaces to the Stories?. Plans, Models and Drawings for Giorgio Vasari's Decorations in the Palazzo Vecchio in Florence Laura Overpelt The Mellon Codex and the creation of space with drawings and models Lex Bosman ?Come praticarono molti?. The use of Paper Architectural Models in Early Modern Italy Giovanni Santucci
Taylor & Francis 2006 96 pages 13 7922x21 59x0 5588cm. 2006. Broché. 96 pages.
Comme neuf
Cambridge, Mass., United States, MIT Press Ltd 2007, 2007 Paperback, 565 pages, ENG, 230 x 205 mm, in very good condition, with over 180 images/ illustrations in b/w. ISBN 9780262524797.
Mario Carpo provides a subtle and insightful discussion of the intellectual structures that guide architectural composition and the ways that these structures were transformed by the historic shifts from script to print and from hand-made drawings to mechanically reproduced images. He goes on to suggest that the current shift from print to digital representations will have similarly profound consequences. This is a crucial text for anyone interested in the interrelationships of media and design processes. As urban planning moves from a centralized, top-down approach to a decentralized, bottom-up perspective, our conception of urban systems is changing. In Cities and Complexity, Michael Batty offers a comprehensive view of urban dynamics in the context of complexity theory, presenting models that demonstrate how complexity theory can embrace a myriad of processes and elements that combine into organic wholes. He argues that bottom-up processes--in which the outcomes are always uncertain--can combine with new forms of geometry associated with fractal patterns and chaotic dynamics to provide theories that are applicable to highly complex systems such as cities. Batty begins with models based on cellular automata (CA), simulating urban dynamics through the local actions of automata. He then introduces agent-based models (ABM), in which agents are mobile and move between locations. These models relate to many scales, from the scale of the street to patterns and structure at the scale of the urban region. Finally, Batty develops applications of all these models to specific urban situations, discussing concepts of criticality, threshold, surprise, novelty, and phase transition in the context of spatial developments. Every theory and model presented in the book is developed through examples that range from the simplified and hypothetical to the actual. Deploying extensive visual, mathematical, and textual material, Cities and Complexity will be read both by urban researchers and by complexity theorists with an interest in new kinds of computational models.