‎Derrière le miroir No. 33. - Arp, Jean.‎
‎Arp.‎

‎Revue XXe siècle.- N° XIX (19), Juin 1962 : Tournants décisifs, lithographie originale de Jean Arp.‎

‎Paris, 1962. Revue XXe siècle, Cahiers dart publiés sous la direction de Gualtieri di San Lazzaro. N° 19, numéro de la Nouvelle série. In-4 broché (32 x 24,6 cm). Textes de René Berger, Michel Seuphor, Volboudt, P. Courthion, Pierre Guéguen, Gindertael, Tailla ndier, P. Descargues, Jacques Lassaigne, André Verdet, Restany, Hubert Damisch, Guy Habasque, Marchiori, Dore Ashton, Hubert Juin, Michel Butor, Georges Boudaille, Jean Paulhan. LITHOGRAPHIE ORIGINALE de JEAN ARP. Orné de 16 Quadrichromies de Braque, Malevitch, Léger, Miro, Hartung, Fautrier, Dubuffet, Magnelli, Poliakoff, Gorky, Corneill, Dmitrienko, Dufour, Le Moal, Morlotti. Ex-libris sur la page du sommaire. Très bel état.‎

‎Revue XXe siècle.- N° VIII (8), Janvier 1957 : Art et humour au XXè Siècle, pochoirs de Jean Dubuffet, Jean Arp et Joan Miró, lithographie originale de Joan Miró.‎

‎Paris, 1957. Revue XXe siècle, Cahiers dart publiés sous la direction de Gualtieri di San Lazzaro. N° 8, numéro double de la Nouvelle série. In-4 broché (32 x 24,6 cm), 88 pages. Textes de André Verdet, Maria Luz, Jean Arp, Pierre Waldberg, Jean Cassou, Pierre Wolboudt, W. Grohmann, P. Guéguen, Pieyre de Mandiargues, G. Ribemont-Dessaignes. Pochoirs de Jean Dubuffet, Jean Arp et Joan Miró, lithographie originale de Joan Miró. Reproductions en couleurs de Victor Brauner, Kandinsky, Paul Klee, Jean Dubuffet, Jean Fautrier. Discret ex-libris sur la contre-couverture. Deux petits accrocs en bas du mors. Bel état par ailleurs.‎

‎LE SURRÉALISME ET LA PEINTURE. Avec soixante-dix-sept photogravures d'après Max Ernst, Giorgio de Chirico, Joan Miro, Georges Braque, Arp, Francis Picabia, Pablo Picasso, Man Ray, André Masson, Yves Tanguy. (édition originale)‎

‎Paris Nrf , librairie Gallimard 1928.- Edition originale ( Impr. Aulard, lung et Cie) Grand in-8 relié de pleine toile écrue (25 x 20 cm), couverture verte conservée, 77 pages. Avec soixante-dix-sept photogravures d'après Max Ernst, Giorgio de Chirico, Joan Miro, Georges Braque, Arp, Francis Picabia, Pablo Picasso, Man Ray, André Masson, Yves Tanguy. Petit ex-libris. Très bel état de fraîcheur, y compris la couverture (conservée complète : plats et dos). Très bel exemplaire.‎

‎Revue XXe siècle.- N° XI (11), Noël 1958 : Les nouveaux rapports de l'art et de la nature, lithographies originales de Georges Braque et Max Ernst, lithographie d'après Jean Bazaine, pochoirs de Jean Arp, Georges Braque et Jean Bazaine.‎

‎Paris, 1958. Revue XXe siècle, Cahiers dart publiés sous la direction de Gualtieri di San Lazzaro. N° 11, numéro double de la Nouvelle série. In-4 broché (32 x 24,6 cm), 90 pages environ. Textes de San Lazzaro, André Verdet, Patrick Valdberg, Jean Paulhan, Marcel Brion, Camille Bourniquel, Pierre Guéguen, Argan, Luce Hoctin, Michel Ragon. LITHOGRAPHIES ORIGINALES de Georges Braque et Max Ernst, lithographie d'après Jean Bazaine, pochoirs de Jean Arp, Georges Braque et Jean Bazaine. Reproductions en couleurs de Delaunay, Picasso, Max Ernst, Fautrier, Dubuffet, Manessier, Pignon, Lanskoy, Corpora, Bacon, Bissiere, Rothko. Très bel état.‎

‎Hans Arp & Sophie Taeuber-Arp Friends, Lovers, Partners‎

‎, Mercatorfonds, 2024 HB+, 290 x 230 mm, 288 p, 280 Color illustrations, ENG edi. ISBN 9789462303782.‎

‎Hans (Jean) Arp (1886-1966) and Sophie Taeuber-Arp (1889-1943) are probably the best-known artist couple in modern art of the 20th century, alongside Robert Delaunay and Sonia Delaunay-Terk. Both were highly gifted and worked in many different genres. Arp was a painter, poet, sculptor and made collages, drawings, reliefs, textiles, woodcuts and much more. TaeuberArp was a textile artist, dancer, designer, editor of an art magazine, painter, sculptor and teacher. They were both pioneers of abstract art, Arp in a biomorphic way, Taeuber-Arp in a more geometric way. As pioneers of abstract art. they created a unique body of work. When they met in Zurich in 1915, shortly before Dada began, it was the beginning of a lifelong, fruitful artistic exchange and collaboration. From drawing to construction, from textile to wall paintings, Sophie Taeuber-Arp and Hans (Jean) Arp gave rhythm to their lives, opening up geometric and organic abstraction to dance. decor, architecture, sculpture and the applied arts. Like other artist couples. they developed not only an emotional but also an artistic intimacy, as they closely followed the creation of their partner's work and discussed their aspirations almost daily. Each partner implicitly regarded the other as both disciple and guide, even when the two were working on the same project. They interacted alternately as producers and critics. performers and spectators, and considered their joint efforts not so much in the light of individual works or even a series of works in progress, but in terms of an ideal community in which other artists would eventually participate. From 1926 to 1928, they worked together on several interior design projects in Strasbourg, which allowed them to move trom Zurich to Clamart on the outskirts ot Paris in an atelier-house designed by Sophie Taeuber-Arp. The French years - from spring 1929 to autumn 1942, when they left France tor a temporary stay in Switzerland, where Taeuber-Arp accidentally died in 1943 in Zurich - were their most successful years as artists and as a couple.‎