Milano, Nuove edizioni Gabriele Mazzotta. 1990. 22,5x24 cm. 92 p., 2 f. Avec de nombreuses photographies en couleurs et en noir. Broché.
Reference : 51429AB
Texte en italien et anglais.
Daniel Thierstein, Livres anciens
Daniel Thierstein
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Conformes aux usages de la librairie ancienne et moderne, tous les ouvrages sont complets et en bon état, sauf mention contraire. Les prix indiqués sont nets, les frais d’expédition sont à la charge du destinataire et seront précisés au moment de la commande. Les commandes peuvent être transmises par téléphone, par correspondance et par courriel.
, Hannibal Books, 2024 HB, 295 x 230 mm, 184 pages, Color illustrations, ENG-NL edition. ISBN 9789464941326.
A mirror on fashion and mass media in a powerful photographic work by Cindy Sherman. The book accompanying the first Cindy Sherman exhibition in the Low Countries Cindy Sherman (b. 1954) is known for her pioneering work in photography, through which she explores themes of identity, gender and social roles by transforming herself into different personas in a variety of staged scenes. Anti-Fashion approaches her photographic oeuvre from a new perspective, focusing on the interaction between fashion and art. She uses her many commissions for magazines such as Vogue and Harper's Bazaar and her close collaboration with famous designers as a constant source of inspiration. Conversely, this contemporary artist also continues to influence the aesthetics of the fashion world today, providing essential impulses. Sherman expresses her interest in fashion in a subversive way: her photographs depict people that are anything but desirable, contradicting all conventions of haute couture and the usual representations of beauty. Her wide range of characters shows the artificiality and mutability of identity, which seems more selectable, (self-) constructed and fluid than ever before. Companion publication to the exhibition Cindy Sherman at FOMU (Fotomuseum Antwerpen) from 28 September 2024 until 2 February 2025.
, MOMA, 2012 Hardcover, 264 pages, ENG. edition, 310 x 250 x 30 mm, in Very Good Condition, sharp photographs in colour / b/w. ISBN 9780870708121.
Cindy Sherman is a ground-breaking American photographer, born in 1954. She began her "Film Stills" series at the age of 23, gaining early recognition, and has followed it with remarkable experiments in color photography. Her art has won her wide recognition and praise, and been collected and exhibited by major museums throughout the world since 1980. A major retrospective exhibition of her work was shown at The Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Walker Art Center, Minneapolis; and the Dallas Museum of Art. Sherman is the recipient of a MacArthur Foundation "genius" award and a John Simon Guggenheim Memorial Fellowship. She is represented by Metro Pictures gallery in New York. Eva Respini is a former Curator in the Department of Photography at The Museum of Modern Art, New York where she contributed to numerous publications including Robert Heinecken: Object Matter (2014); Cindy Sherman (2012); and Into the Sunset: Photography's Image of the American West (2009); Fashioning Fiction in Photography since 1990 (2004).John Waters is an American filmmaker, actor, writer, and visual artist best known for his cult films, including "Hairspray," "Pink Flamingos," and "Cecil B. DeMented." He lives in Baltimore, Maryland.Johanna Burton has served as the director of the graduate program at the Center for Curatorial Studies at Bard College.
East Hampton, Glenn Horowitz, 2000, 235x157mm, 32p., cartonnage illustré de l’éditeur. Publié à l’occasion de l’exposition "Early Work of Cindy Sherman" à la Galerie Glenn Horowitz East Hampton l’été 2000 accompagné d’un environnement sonore de The Glove Compartment exécuté par Glenn Carlo Feleppa. Texte d’Edsel Williams " these images represent some of the earliest work of Cindy Sherman, fresh out of the art school in Buffalo, pre-Film Stills.Early Works contains two bodies of work: first, Bus Riders (15 images) and second Murder Mystery People (17 images) The pictures were shot in 1976 and have never been exhibited". Édition originale, signée, complet du compact disque état neuf.(101903)
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, Hannibal Books, 2024 HB, 295 x 230 mm, 184 pages, Color illustrations, ENG-NL edition. ISBN 9789464941326.
Een spiegel op mode en massamedia in ijzersterk fotografisch werk van Cindy Sherman. Het boek bij de eerste Cindy Shermantentoonstelling in de Lage Landen Cindy Sherman ( 1954) staat bekend om haar baanbrekend werk in fotografie. Ze verkent thema?s als identiteit, gender en sociale rollen door zichzelf te transformeren in uiteenlopende personages en sc nes. Anti-Fashion belicht haar fotografisch werk vanuit een nieuw perspectief, waarbij de focus ligt op de wisselwerking tussen mode en kunst. Haar vele opdrachten voor magazines als Vogue en Harper?sBazaar en haar nauwe samenwerking met beroemde ontwerpers vormen een voortdurende bron van inspiratie. Maar ook omgekeerd be nvloedt deze hedendaagse kunstenaar de modewereld en geeft ze er belangrijke impulsen aan. Shermans interesse in mode komt op een subversieve manier tot uiting: haar foto?s tonen figuren die allesbehalve aantrekkelijk zijn en daardoor alle conventies van haute couture en de gebruikelijke voorstellingen van schoonheid tegenspreken. Het brede spectrum aan personages toont het kunstmatige en veranderlijke van identiteit, die meer dan ooit een kwestie van keuze lijken te zijn, (zelf)geconstrueerd en flu de. Deze publicatie verschijnt bij de tentoonstelling Cindy Sherman, die loopt van 28 september 2024 tot 2 februari 2025 in FOMU, Antwerpen.
, Thames & Hudson Ltd, 1997 Paperback, 219 pages, ENG, 305 x 235 x 16 mm, as good as new, illustrated in colour. ISBN 9780500279878.
Cindy Sherman is one of the leading American artists of our time, creating staged and manipulated photographs that draw upon popular culture and art history to explore female identity. By visually examining the ways in which gender is dressed, made up and culturally enforced, Sherman has for many become an icon of feminism and postmodernism. Provocative and engaging, the visceral physicality of her photographs is the key to their dramatic power. In this retrospective, essayists Amada Cruz, Elizabeth A.T. Smith and Amelia Jones offer key insights from several distinct vantage points, positioning Sherman's work within the trajectory of feminist art history as well as revealing her influence on the art of the last twenty years. More than 270 images show the breadth of Sherman?s body of work, from the Untitled Film Stills of the 1970s to series such as Centrefolds, Fashion, Disasters, Fairy Tales and History Portraits, as well as photographs influenced by surreal artists. Also included are intriguing excerpts from Sherman?s notebooks, selections from her contact sheets and numerous Polaroid studies, all of which shed light on the artist's process. Cindy Sherman: Retrospective is an essential reference and guide to the work and ideas of this extraordinary artist