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BERAUD (Henri).
Ce que j'ai vu à Berlin.
P., Les Editions de France, 1926 ; in-12. 244 pp.-1 f. Demi-toile vert clair, dos lisse, pièce de titre rouge. Premier plat de couverture conservé. Papier jauni. Bon état.
Reference : 13569
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5 book(s) with the same title
Manichaean Art in Berlin Collections, (1)
Turnhout, Brepols, 2001 Hardback, CCLXXXVIII+350 p., + ill., 210 x 297 mm. ISBN 9782503506494.
This book is a comprehensive, descriptive catalogue of positively identified Manichaean artifacts housed in Berlin. The world's richest source of Manichaean texts and works of art is the Turfan region in East Central Asia, and the largest collection of such artifacts is found in Berlin. The Berlin Turfan collections resulted from four German expeditions that took place between 1902 and 1914. The commencement of the philological study of the thousands of manuscript fragments from Turfan led to the recognition of the first known, original Manichaean writings. Among these primary sources, Manichaean works of art were found as well. A sample of them, the best preserved items, appeared in two studies by Albert von Le Coq and a few pieces are frequently exhibited internationally and appear in catalogues published by the Berlin Museum of Indian Art. Besides these efforts, Turfan Manichaean art has enjoyed little art historical attention. A Manichaean artistic corpus has never been systematically identified among the Turfan remains. Artifacts belonging to this corpus have not been catalogued or examined by art historians as a whole. This book is a comprehensive, descriptive catalogue of positively identified Manichaean artifacts housed in Berlin. The majority of them belong to the State Museums of the Prussian Cultural Heritage Foundation, housed in the Museum for Indian Art, Berlin. In addition numerous illuminated book fragments are found within a manuscript collection belonging to the Berlin-Brandenburg Academy of Sciences and is deposited in the Berlin State Library of the Prussian Cultural Heritage Foundation. From the two Turfan collections, 93 item-groups have been selected according to a specific set of criteria. The main entries of this catalogue are organized according to media and are presented as illuminated book fragments, remnants of leather book covers, painted and embroidered textiles and fragments of wall paintings. The largest group, paper fragments, includes 68 pieces and is sub-divided by book-format - codex, scroll and pustake (palm leaf format). Languages: English.
Masterpieces of the Gipsformerei. Art manufactury of the Staatliche Museen zu Berlin since 1819.
Munich, Hirmer Verlag - Replica Workshop ? National Museums of Berlin , 2012 144 pages, 100 colour illustrations, 20 x 27 cm, hardcover. FINE ISBN 9783777447513.
In the 19th century plaster replicas of historical art objects represented the fulfilment of the old dream of a museum which contained the world?s masterpieces. The Berlin manufactory provides a journey through different cultures from antiquity to the present. Berlin?s cast workshop was founded in 1819 and is the oldest and largest of its kind. Goethe and the brothers von Humboldt were already among its customers. To this day, this institution continues to sell hand-painted replicas of major sculptures which are defined by their artistry and workmanship. Since its foundation, the supply of casts has been steadily increased to 7,000 works. Thanks to this ongoing and enormous supply, and the techniques of the manufactory, which were handed down from generation to generation, it has been possible to maintain the exceptionally high standard of Berlin?s plaster cast tradition. Its repertoire already exceeds the expansive inventory of the Berlin State Museums. Not only masterpieces of these museums, such as the bust of Nefertiti and the Pricesses Luise and Friederike by Schadow are included, but also the best-known works from other important collections. The Laocoon Group and Rodin?s Thinker are among these famous plaster casts. The 100 examples in this magnificently designed and richly illustrated volume provide a comprehensive insight into the achievements and work of plaster casting. This book also pays tribute to the art of creating plaster replicas as an important cultural technique of the 19th century, a time when these artworks played a very important role not only in museums and private and study collections, but also served to decorate private homes.
GUTE PARTIEN IN ZEICHNUNG UND KOLORIT, 300 JAHRE KUNSTSAMMLUNG DER AKADEMIE DER KUNSTE, BERLIN,
Berlin, Stiftung Archiv der Akademie der Kunste, 1996 ISBN 9783875849912.
Herausgegeben zur Ausstellung. 2. Oktober bis 24. November 1996 Kathe Kollwitz Museum Koln. 12. Januar bis 23. Februar 1997 Akademie der Kunste Berlin. Guter Zustand.
Joseph Beuys -Skulpturen Und Objekte. Katalog Band 1 Der Ausstellung Im Martin-Gropius-Bau Berlin 20.2. - 1.5.1988/ Joseph Beuys - Zeichnungen. The Secret Block For A Secret Person In Ireland, Katalog Band 2 Der Ausstellungen Im Martin-Gropius-Bau Berlin / 20.2.-1.5.1988 / Und In Der Kunsthalle Tuebingen / 14.5.-10.7.1988.
, Martin-Gropius-Bau Berlin., 1988 softcovers, 2 vols, 4to., 338 pages mit Beitraegen von u.a. Goetz Adriani, Heiner Bastian, Franz Joseph van der Grinten, , Franz-Xaver Kaufmann, Helmut Martin, Karin v. Maur, Thomas McEvilley, Theodora Viascher, Armin Zweite,.; Band 2 (4to. 524 pages. ISBN 3888142792.
Joseph Beuys -Skulpturen Und Objekte. Katalog Band 1 Der Ausstellung Im Martin-Gropius-Bau Berlin 20.2. - 1.5.1988/ Joseph Beuys - Zeichnungen. The Secret Block For A Secret Person In Ireland, Katalog Band 2 Der Ausstellungen Im Martin-Gropius-Bau Berlin / 20.2.-1.5.1988 / Und In Der Kunsthalle Tuebingen / 14.5.-10.7.1988.
Christopher Lehmpfuhl. Berlin plein air. Paintings 1995-2010 ENG / D
, , 2011 Hardcover, 456 pages / seiten, ENG / D, 350 x 240 x 47 mm, in New condition / wie Neu , illustrations in colour / farbe. ISBN 9783938666517.
Between 1995 and 2010, the Berlin artist Christopher Lehmpfuhl explored his city in the fascinating body of works now presented in this monograph. With more than 400 illustrations, the book offers a comprehensive overview of an artistic examination addressing all the many facets of Berlin - a city that since the fall of the Berlin Wall has been in a permanent process of transformation. A document of contemporary artistic practice, the 450-page catalog introduces 300 works that have never before been published, including 100 small formats which Lehmpfuhl painted especially for the deluxe edition. His paintings bear witness to the deep affinity the artist holds for Berlin - for its beauty and for its ugliness, for its history and for the urban transformation that has taken place here over the past fifteen years. His subjects are the places in his native city to which he finds himself drawn again and again, and his paintings - both the miniatures and the multi-part large-scale works - recreate before the viewers' very eyes the atmosphere.
