Paris, Lemerre 1897, in-12o, 353 p. relie 1/2, dos a nerfs, tete doree, portrait en frontispice, ex-librsi manuscrit sur la p. du faux titre.
Reference : LI152
Librairie Ancienne Cerat
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Beba. 1984. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 63 pages. Nombreuses photograhies en noir et blanc dans et hors texte.. . . . Classification Dewey : 792-Théâtre
"Une vis sans tin ou le Vertige de L'illusion » / Bemard Dort Plerre Comeille son inscription sociale / Bernard Dort La carriére de Comeilleauteur dramatiqueu L’illusion » de Comeille et le baroque ‘ / Annie Richard Rhétorique et dramaturgiedans "" L’illusion Comique »de Comeille / Marc Fumaroli Le role de l’argent dansu L’il|usion Comique » / Ralph Albanese Jr.Le sentiment de l’amourdans rr L’illusion »/ Octave Nadal Principales représentations de L’illusion » en France,depuis sa création Le décor originalde ou L’lllusion Comique » / Robert Garapon (L illusion Comique »et la scene / Annie Richard Classification Dewey : 792-Théâtre"
1977, Livre de Poche, Pluriel, in-12 broché, L'illusion politique | Etat : bon état (Ref.: ref91622)
livre de poche
2001, Albin Michel, in-8 broché de 175 pages, Aucun intérêt au point de vue national - La grande illusion d'une famille juive en France, récit autobiographie de Gilbert Michlin, commenté par Zeev Sternhell | Etat : Bon état, couverture un peu défraîchie (Ref.: ref86107)
Albin Michel
Reference : alb477bcd2966c0277c
Freud Sigmund Freud Sigm. The Future of One Illusion. Die zukunft einer illusion. In German (ask us if in doubt)/Freyd Zigmund Freud Sigm. Budushchee odnoy illyuzii. Die zukunft einer illusion. In German. Leipzig Vienna Zurich. International Publishing House of Psychoanalysis. 1927. 92 p. SKUalb477bcd2966c0277c.
, Brepols Publishers, 2011 hard cover, 660 p., 230 x 290 mm, Languages: English. ISBN 9782930054117.
In the late Middle Ages luxurious textiles were among the most highly prized indicators of status and wealth and an essential requirement of prestigious secular and ecclesiastical life. The depiction of these sumptuous silks and gold brocades was a crucial element in the visual arts, and their realistic and recognizable representation was a challenge to every artist. Painters and polychromers strove to imitate the fashionable fabrics by using applied brocade, a highly sophisticated form of relief decoration that adhered to panel paintings, murals and sculpture and through the play of light and shadow evoked the dazzling illusion of gold-brocaded cloths. Imitation and Illusion is the result of a detailed study of applied brocade in the art of the Low Countries. Eleven fascinating and innovative chapters offer an in-depth examination of the historical, geographical, morphological and technical aspects of this cast tin relief technique. New light is also shed on artistic collaboration and workshop practice in the fifteenth and early sixteenth century. The catalogue includes 86 well known and lesser known panel and wall paintings, sculptures, altarpieces, and architectural elements produced between 1420 and 1540, decorated with applied brocade and providing stunning testimony to the visual variety and material magnificence of late-medieval art. Abundantly illustrated, Imitation and Illusion investigates the artistic production of the fifteenth- and sixteenth-century Low Countries from an intriguing and original perspective. It represents a significant contribution to our understanding of medieval polychromy and will appeal to everyone whose curiosity is aroused by the illusionistic ingenuity of the medieval artist.