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SHEEHY, Terence J.
IRELAND
DUBLIN, John Hinde - 1991 - In-4 - Cartonnage éditeur sous jaquette illustrée en couleurs - Texte en anglais - Très nombreuses illustrations en couleurs dans le texte et hors texte, certaines pleine page - Non paginé (environ 330 pages) - Bon exemplaire
Reference : 19463
ISBN : 0862834635
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A l's.p.rance
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5 book(s) with the same title
[J. M. W. Turner] - Hodge, Anne and Niamh Mac Nally
Reference : 096121
(2012)
ISBN : 9781904288473
The Works of J. M. W. Turner at the National Gallery of Ireland
Hodge, Anne and Niamh Mac Nally: The Works of J. M. W. Turner at the National Gallery of Ireland. Exhibition: Dublin, National Gallery of Ireland, 2012. 144pages with 137 colour illustrations. Wrappers. 22 x 28cms. This catalogue of the National Gallery of Ireland's collection accompanies the annual exhibition of 31 watercolours and drawings by J. M. W. Turner (1775 - 1851), the bequest of Henry Vaughan, who stipulated that they only be exhibited in the month of January. They are shown alongside 5 other watercolours acquired since and a selection of Liber Studiorum prints. Includes appendices on papers and pigments used by the artist.
This catalogue of the National Gallery of Ireland's collection accompanies the annual exhibition of 31 watercolours and drawings by J. M. W. Turner (1775 - 1851), the bequest of Henry Vaughan, who stipulated that they only be exhibited in the month of January. They are shown alongside 5 other watercolours acquired since and a selection of Liber Studiorum prints. Includes appendices on papers and pigments used by the artist.
Visualizing the Celtic Revival. The Arts and Crafts movement in Ireland - selected writings by Nicola Gordon Bowe
Kennedy, Roisin: Visualizing the Celtic Revival. The Arts and Crafts movement in Ireland - selected writings by Nicola Gordon Bowe. Dublin: 2024. 310 pages, illustrated in colour and black and white. Hardback. 25x18cms. A collection of Nicola Gordon Bowe's writings on the Arts and Crafts movement in Ireland between 1894 and 1925. Sixteen essays contextualise and discuss the production of decorative art including metalwork by Percy Oswald Reeves, embroidered banners, stained glass in the Honan Chapel, book design, and furniture.
A collection of Nicola Gordon Boweâs writings on the Arts and Crafts movement in Ireland between 1894 and 1925. Sixteen essays contextualise and discuss the production of decorative art including metalwork by Percy Oswald Reeves, embroidered banners, stained glass in the Honan Chapel, book design, and furniture. Text in English
[Michelangelo Merisi da Caravaggio] - Benedetti, S
Reference : 043793
(1992)
ISBN : 090316261X
Caravaggio and his Followers in the National Gallery of Ireland
Benedetti, S: Caravaggio and his Followers in the National Gallery of Ireland. Exhibition: Dublin, National Gallery of Ireland, 1992. 64 pages. 17 colour plates and 5 monochrome illustrations. Wrappers. 28x24cms. Detailed catalogue supported by two essays; The Rome of the Caravaggisti; and Caravaggio's 'Supper at Emmaus', the painting which forms the focal point of the exhibition. With emphasis on Caravaggio's influence, particularly in respect of the Gallery's holdings. With bibliography.
Detailed catalogue supported by two essays; The Rome of the Caravaggisti; and Caravaggio's 'Supper at Emmaus', the painting which forms the focal point of the exhibition. With emphasis on Caravaggio's influence, particularly in respect of the Gallery's holdings. With bibliography. Text in English
Beyond Exclusion in Medieval Ireland. Intersections of Ethnicity, Sex, and Society under English Law
, Brepols, 2022 Hardback, 338 pages, Size:156 x 234 mm, Illustrations:4 tables b/w., 1 maps b/w, 1 maps color, Language: English. ISBN 9782503594576.
Summary The notion that, upon the advent of the English in 1167, all Gaelic peoples in Ireland were immediately and ipso facto denied access to the English royal courts has become so widely accepted in popular culture that it is often treated as fact. In this ground-breaking monograph, however, the narrative of absolute ethnic discrimination in thirteenth- and early fourteenth-century English Ireland is for the first time tackled head-on through a thorough re-examination of the Irish plea rolls. Through a forensic study of these records, the author demonstrates not only that there was a great deal of variation in how members of various ethnic groups and women who came before the English royal courts in Ireland were treated, but also that there was a large ? and hitherto scarcely noticed ? population of Gaels with regular and unimpeded access to English law, and that the intersections between gender/sex and ethnicity have too often been deeply misunderstood or disregarded. A close comparison between the treatment of Gaelic women and men and that of the English of Ireland, together with an in-depth examination of other ethnicities from around the Irish Sea, provide a new understanding of English Ireland in which it is clear that there was not a simple dichotomy between the English and the unfree, but rather that people lived an altogether more complex and nuanced existence. TABLE OF CONTENTS Maps and Tables Acknowledgements Abbreviations Introduction Chapter 1: Legal Bondage and 'betaghs' Chapter 2: Free Gaelic Men in English Ireland Chapter 3: The Legal Status of Women: The Intersection of Sex and Ethnicity Chapter 4: Legal Discrimination, Disseisins, and Land Transfers Chapter 5: Irish Sea Region Ethnicities Chapter 6: The Effects of Ethnicity during Criminal Cases Chapter 7: The Role of Ethnicity in the Status of Clerics Conclusion Bibliography Index
Old Pewter: Its Makers and Marks In England, Scotland, and Ireland, An Account of the Old Pewterer and His Craft
Cotterell, H.H.: Old Pewter: Its Makers and Marks In England, Scotland, and Ireland, An Account of the Old Pewterer and His Craft. London: B. T. Batsford, 1970. First published 1929. xviii, 432pp profusely illustrated in black & white illustrating all known marks. Cloth. The standard work on British pewterers and their marks.
The standard work on British pewterers and their marks
