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HALL Norman .
GALLERY .
1954 . Photography , In 8° relié toile d'édit.bleu .112 pp.de photographies en noir .
Reference : 7068
Les meilleures photographies du magazine anglais "Photography" .
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5 book(s) with the same title
Marlene Dumas / ZENO X GALLERY - 25 YEARS OF COLLABORATION.
BE - , Kannibaal- HANNIBAL, 2020 Hardcover, 248 bladzijden, 28,5 x 22 cm, Tweetalige editie Engels-Nederlands. ISBN 9789463887465.
Overzicht van vijfentwintig jaar werk van Marlene Dumas. Marlene Dumas (°1953, Kaapstad) wordt beschouwd als een van de invloedrijkste schilders van de twintigste eeuw. Al meer dan dertig jaar raakt ze met haar schilderijen en tekeningen existentiële onderwerpen aan die vaak refereren aan kunsthistorische motieven en actuele politieke thema's. Ze laat zich daarbij inspireren door beelden die ze in tijdschriften en kranten vindt of door persoonlijke foto's die ze van haar naasten maakt. Via haar werken probeert ze de sociale, politieke, psychologische en emotionele aspecten van een beeld te onderzoeken en te onthullen. Deze catalogus biedt een overzicht van alle werken die in Zeno X Gallery werden getoond gedurende haar Marlene Dumas Zeno X Gallery 25 years of collaboration vijfentwintigjarige samenwerking met de Antwerpse galerie. Dumas presenteerde er sinds 1993 vijf solotentoonstellingen, getiteld Give the people what they want, Time and Again, For Whom the Bell Tolls, Twice en Double Takes. Het boek bevat begeleidende teksten van de kunstenaar bij haar tentoonstellingen, evenals krantenartikels en archieffoto's. Marlene Dumas had solotentoonstellingen in Fondation Beyeler in Basel, Tate Modern in Londen, Stedelijk Museum in Amsterdam, Haus der Kunst in München, The Menil Collection in Houston, MoMA in New York, MOCA in Los Angeles, MOT in Tokio, the Art Institute in Chicago, Centre Pompidou in Parijs, MMK in Frankfürt, et cetera. Marlene Dumas (°1953, Kaapstad) wordt beschouwd als een van de invloedrijkste schilders van de twintigste eeuw. Al meer dan dertig jaar raakt ze met haar schilderijen en tekeningen existentiële onderwerpen aan die vaak refereren aan kunsthistorische motieven en actuele politieke thema?s. Ze laat zich daarbij inspireren door beelden die ze in tijdschriften en kranten vindt of door persoonlijke foto?s die ze van haar naasten maakt. Via haar werken probeert ze de sociale, politieke, psychologische en emotionele aspecten van een beeld te onderzoeken en te onthullen. Deze catalogus biedt een overzicht van alle werken die in Zeno X Gallery werden getoond gedurende haar vijfentwintigjarige samenwerking met de Antwerpse galerie. Dumas presenteerde er sinds 1993 vijf solotentoonstellingen, getiteld Give the people what they want, Time and Again, For Whom the Bell Tolls, Twice en Double Takes. Het boek bevat begeleidende teksten van de kunstenaar bij haar tentoonstellingen, evenals krantenartikels en archieffoto?s. Marlene Dumas had solotentoonstellingen in Fondation Beyeler in Basel, Tate Modern in Londen, Stedelijk Museum in Amsterdam, Haus der Kunst in München, The Menil Collection in Houston, MoMA in New York, MOCA in Los Angeles, MOT in Tokio, the Art Institute in Chicago, Centre Pompidou in Parijs, MMK in Frankfürt, et cetera. De tentoonstelling Double Takes zal plaatsvinden van 1 april tot 2 mei 2020 in Zeno X Gallery, Antwerpen. //// Marlene Dumas (°1953, Cape Town) is considered one of the most influential painters of the twentieth century. For more than thirty years she has touched on existential subjects with her paintings and drawings, which often refer to art-historical motifs and current political themes. She is inspired by images she finds in magazines and newspapers or by personal photos she takes of her loved ones. Through her works she tries to explore and reveal the social, political, psychological and emotional aspects of an image. This catalog offers an overview of all works that were shown in Zeno X Gallery during her Marlene Dumas Zeno X Gallery 25 years of collaboration twenty-five years of collaboration with the Antwerp gallery. Dumas has presented five solo exhibitions there since 1993, entitled Give the people what they want, Time and Again, For Whom the Bell Tolls, Twice and Double Takes. The book contains accompanying texts by the artist to her exhibitions, as well as newspaper articles and archive photos. Marlene Dumas had solo exhibitions at Fondation Beyeler in Basel, Tate Modern in London, Stedelijk Museum in Amsterdam, Haus der Kunst in Munich, The Menil Collection in Houston, MoMA in New York, MOCA in Los Angeles, MOT in Tokyo, the Art Institute in Chicago, Center Pompidou in Paris, MMK in Frankfurt, et cetera.
Enjoy and Take Care, Tim Van Laere Gallery expo
Antwerp, Tim Van Laere Books 2020, 2020 Gebonden, Hardcover 120 pages, 25.5x20.5cm, NL/FR/ENG. Illustrated. ISBN 9789464004038.
Enjoy and Take Care aantalIn winkelmand In maart 2020 werd ons leven op pauze gezet. Het uitbreken van de wereldwijde pandemie veroorzaakt door het virus COVID-19 dwong landen van over heel de wereld om nieuwe strategieën uit te vinden om de verspreiding van de ziekte tegen te gaan. Dit resulteerde in lockdowns, het sluiten van alle internationale grenzen en social distancing. In lijn met de door de regering vastgestelde maatregelen sloot Tim Van Laere Gallery de galerie voor het eerst sinds de oprichting in 1997 voor meer dan een maand voor het publiek. Na deze periode vond de galerie het belangrijk om het leven en de kunst opnieuw te vieren en besloot een groepsshow samen te stellen met bijna alle kunstenaars van de galerie. Hoewel reisrestricties nog steeds actief zijn, bracht deze groepsshow op een manier de kunstenaars via hun werk weer bij elkaar. De titel van de show ?Enjoy and Take Care!? versterkt dit gevoel van feest, solidariteit en samenhorigheid /// Enjoy and Take Care quantity In March 2020 our lives were put on hold. The outbreak of the global pandemic caused by the COVID-19 virus forced countries around the world to invent new strategies to combat the spread of the disease. This resulted in lockdowns, the closing of all international borders and social distancing. In line with governmental measures, Tim Van Laere Gallery closed the gallery to the public for more than a month for the first time since its inception in 1997. After this period, the gallery felt it was important to re-celebrate life and art and decided to put together a group show featuring almost all of the gallery's artists. Although travel restrictions are still active, this group show in a way brought the artists back together through their work. The show's title "Enjoy and Take Care!" Reinforces this sense of celebration, solidarity and togetherness
7 lithographic plates together: 1) Bridge near St.Jean de Maurienne / 2) Ponte Alto: Valley of Gondo (Harding) / 3) Pont du Nor near Roussilon / 4) Interrior of the Gallery of Gondo (Nicholson) / 5) View taken between the grtand Gallery and Village of Gondo (Harding) / 6) Bridge and Gallery of Gondo (Harding) / 7) Gallery of Schalbet, Swiss side (Harding).
London, Rodwell & Martin, (printed by C. Hullmandel) n.d., ca. 1821, in-4to, (24.5.x34 cm), 7 feuilles.
1) Bridge near St.Jean de Maurienne / 2) Ponte Alto: Valley of Gondo (Harding) / 3) Pont du Nor near Roussilon / 4) Interrior of the Gallery of Gondo (Nicholson) / 5) View taken between the grtand Gallery and Village of Gondo (Harding) / 6) Bridge and Gallery of Gondo (Harding) / 7) Gallery of Schalbet, Swiss side (Harding). Image disp.
(SLACES, NVVA)
Phone number : 41 (0)26 3223808
National Gallery - Investigating Jan Van Eyck
Turnhout, Brepols, 2000 Softcover, 250 pages, 210 x 297 mm, English. *Very good condition. ISBN 9782503507323.
I. Examining Jan van Eyck: Key Works Catherine Reynolds, London: 'The King of Painters'. Lorne Campbell, The Nationale Gallery, London: The Arnolfini Double PotraitUta Neidhart and Christoph Schölzel, Gemäldegalerie, Dresden: The Dresden TriptychRachel Billinge, Hélène Verougstraete and Roger Van Schoutte, The National Gallery, London and University of Louvain-la-Neuve: The Saint BarbaraPhilippe Lorentz, Musée du Louvre, Paris: The Rolin Virgin and ChildMelanie Grifford, National Gallery of Art, Washington DC, Assessing the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation ICarol Purtle, University of Memphis: Assessings the Evolution of van Eyck's Iconography through Technical Study of the Washington Annunciation II: New Light on the Development of van Eyck's Architectural Narrative II. Van Eyck's Working Methods L. Dierick, Ghent: Jan van Eyck's Handwriting Rachel Billinge, The National Gallery, London: Examining Jan van Eyck's Underdrawings. Ashok Roy The National Gallery, London: Van Eyck's Technique: The Myth and the Reality I Raymond White, The National Gallery, London: Van Eyck's Technique: The Myth and the Reality IIHélène Verougstraete and Roger Van Schoute, University of Louvain-la-Neuve: Van Eyck's FramesIII. Jan Van Eyck: Contemporary Sources and Imagery John Steyaert, University of Minnesota, Minneapolis: The van Eyck's and Sculpture Margaret Scott, Leicester: Dress in van Eyck's Paintings IV. The Legacy of Jan van EyckNoël Geirnaert, Stadsarchief, Bruges: Anselm Adornes and his Daughters: Owners of Two Paintings of Saint Francis by Jan van Eyck?Paula Nuttall, London: Jan van Eyck's Painting in ItalyStephanie Buck, Freie Universität Berlin: An Approach to Looking at Eyckian DrawingsSusan Jones, The Art Institute of Chicago: The Use of Workshop Drawings by Jan van Eyck.
Mark Manders, Frank Demaegd (Zeno X Gallery) and Marjolein Sponselee.
Reference : 66756
Mark Manders Zeno X Gallery, 28 Years of Collaboration
, Hannibal Books , 2022 Hardcover, 262 pages, 28,5 x 22 cm, Quadrichromy, English edition. *New . ISBN 9789464366907.
In-depth review of the oeuvre of the artist Mark Manders Mark Manders Zeno X Gallery, 28 Years of Collaboration offers an overview of the long-standing collaboration between the artist Mark Manders (b. 1968) and Zeno X Gallery in Antwerp. The review has been published to accompany his most recent solo exhibition in the gallery and highlights a number of important exhibitions and special projects in Belgium and abroad in which Manders was invited to take part from the 1990s to the present day. Mark Manders has been working since 1986 on what he calls his ?self-portrait as a building?. His oeuvre ? consisting of installations, sculptures, works on paper and drawings ? is ascribed the metaphor of a fictional building, divided into separate rooms whose precise shape and size are undefined. There is no beginning and no end. Manders strives for timelessness and universality using archetypal forms and familiar-looking materials such as clay, bronze and wood. His bronze sculptures and installations consequently appear more vulnerable than they are in reality. Publication accompanying the exhibition in Zeno X Gallery, which takes place from 3 September to 15 October 2022.
