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Funck-Brentano (Frantz)
La Renaissance
Paris, 1935, in-8, 443pp, Reliure demi-chagrin a coins, Très bel exemplaire de l'édition originale sur Alfa! Dos et couvertures conservés! 443pp
Reference : 87436
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Librairie Axel Benadi
M. Axel Benadi
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5 book(s) with the same title
Shopping in the Renaissance: Consumer Cultures in Italy 1400-1600
Welch, Evelyn: Shopping in the Renaissance: Consumer Cultures in Italy 1400-1600. London and New Haven: 2005. 401pp with 9 colour plates, 57 colour and 147 monochrome illustrations. Cloth, 25.2x18cms. Explores Renaissance material culture, focussing on the marketplace and the variety of goods to be purchased there, from foodstuffs to the acquisitions of antiquities and holy relics. The author looks at the whole spectrum of people shopping, men and women from all social classes. Examines the impact these findings had on urban spaces and Renaissance cities, on the sales at fairs, auctions and lotteries. With conclusion, notes, bibliography and index.
Explores Renaissance material culture, focussing on the marketplace and the variety of goods to be purchased there, from foodstuffs to the acquisitions of antiquities and holy relics. The author looks at the whole spectrum of people shopping, men and women from all social classes. Examines the impact these findings had on urban spaces and Renaissance cities, on the sales at fairs, auctions and lotteries. With conclusion, notes, bibliography and index. Text in English
à cheval: Le portrait Ãquestre dans la France de la Renaissance
Fonkenell, Guillaume. et al.: Ã cheval: Le portrait Ãquestre dans la France de la Renaissance. Exhibition: Ecouen, Chateau and Ecouen, MusÃe National de la Renaissance, 2024. 320 pages, over 200 colour illustrations. Hardback. 25 x 20cms. A look at the prominence of equestrian portraiture in Renaissance France. Ten essays discuss the practice and depiction of horse riding, including the strong medieval and chivalric influence, festivals and parades, and images of women, The Valois, and Henry IV with horses. Followed by a catalogue of 156 works divided into five chronological sections ranging from antiquity to the time of Louis XIII. Each work - including paintings, prints, sculpture, and elaborately carved furniture - is illustrated. Includes a descriptive list of locations which originally housed several important equestrian works. Text in French.
A look at the prominence of equestrian portraiture in Renaissance France. Ten essays discuss the practice and depiction of horse riding, including the strong medieval and chivalric influence, festivals and parades, and images of women, The Valois, and Henry IV with horses. Followed by a catalogue of 156 works divided into five chronological sections ranging from antiquity to the time of Louis XIII. Each work - including paintings, prints, sculpture, and elaborately carved furniture - is illustrated. Includes a descriptive list of locations which originally housed several important equestrian works. Text in French
Davies, Glyn and Kirstin Kennedy (eds)
Reference : 091555
(2009)
ISBN : 9781851775798
Medieval and Renaissance Art: People and Possessions
Davies, Glyn and Kirstin Kennedy (eds): Medieval and Renaissance Art: People and Possessions. London: 2009. 320 pages, 350 colour illustrations. Hardback. 29cms. Published to accompany the opening of the Medieval and Renaissance galleries at the Victoria and Albert Museum this book provides the background and context for the objects that will be on display. Ornament, religious art and the body are looked at in relation to the makers, workshops, patrons and the prevailing links to and influence of the classical past.
Published to accompany the opening of the Medieval and Renaissance galleries at the Victoria and Albert Museum this book provides the background and context for the objects that will be on display. Ornament, religious art and the body are looked at in relation to the makers, workshops, patrons and the prevailing links to and influence of the classical past. Text in English
The Cabinet of Eros. Renaissance Mythological Painting and the Studiolo of Isabella d'Este
Campbell, Stephen J.: The Cabinet of Eros. Renaissance Mythological Painting and the Studiolo of Isabella d'Este. London and New Haven: 2006. 240pp with 30 colour and 100 monochrome illustrations. Cloth. 25.4x19cms. Re-examines the function of the mythological image, and in particular the accommodation of Eros as a central concern, within the Renaissance culture of readers and collectors, as exemplified by the seven paintings in the Studiolo of Isabella d' Este (1474-1539) in Mantua, which contained masterpieces by Correggio, Mantegna and Perugino amongst others.
Re-examines the function of the mythological image, and in particular the accommodation of Eros as a central concern, within the Renaissance culture of readers and collectors, as exemplified by the seven paintings in the Studiolo of Isabella d' Este (1474-1539) in Mantua, which contained masterpieces by Correggio, Mantegna and Perugino amongst others. Text in English
The Wyvern Collection. Medieval and Renaissance Enamels and Other Works of Art
Williamson, Paul: The Wyvern Collection. Medieval and Renaissance Enamels and Other Works of Art. London: 2021. 512 pages, 400 illustrations in colour. Hardback. 23 x 28cms. Fourth volume of the Wyvern Collection, focused on European enamels from the twelfth to the sixteenth centuries. With a catalogue of 120 entries divided in early medieval works of art, romanesque enamels, Limoges enamels, gothic and renaissance works of art, stained and painted glass, Limoges painted enamels, ceramics, textiles and tapestry, later works of art. An appendix covers works that were omitted from the first two catalogues..
Fourth volume of the Wyvern Collection, focused on European enamels from the twelfth to the sixteenth centuries. With a catalogue of 120 entries divided in early medieval works of art, romanesque enamels, Limoges enamels, gothic and renaissance works of art, stained and painted glass, Limoges painted enamels, ceramics, textiles and tapestry, later works of art. An appendix covers works that were omitted from the first two catalogues.. Text in English
